#: locale=en-US ## Action ### URL LinkBehaviour_56E7462A_0DAB_5F11_418F_D9A60571FBD6.source = https://studioazimut.com/ LinkBehaviour_B8920A26_FB45_4D31_41A0_04848E8C9D44.source = https://www.twiceout.com ## Media ### Audio audiores_CC0343BD_FB47_4312_41DF_F2B5923EC0B7.mp3Url = media/audio_C6394C55_FB47_4512_41C0_FFF2220BFB96_en-US.mp3 audiores_CC0343BD_FB47_4312_41DF_F2B5923EC0B7.mp3Url = media/audio_C6394C55_FB47_4512_41C0_FFF2220BFB96_en-US.mp3 audiores_CC0343BD_FB47_4312_41DF_F2B5923EC0B7.mp3Url = media/audio_C6394C55_FB47_4512_41C0_FFF2220BFB96_en-US.mp3 audiores_CC0343BD_FB47_4312_41DF_F2B5923EC0B7.mp3Url = media/audio_C6394C55_FB47_4512_41C0_FFF2220BFB96_en-US.mp3 audiores_CC0343BD_FB47_4312_41DF_F2B5923EC0B7.mp3Url = media/audio_C6394C55_FB47_4512_41C0_FFF2220BFB96_en-US.mp3 ### Audio Subtitles ### Floorplan ### Image imlevel_BD1ABD94_8AE5_385F_41CE_DD3710553830.url = media/map_94A7A336_8C48_C64B_41C6_534D3476CEC0_en-US_0.png imlevel_BD1ACD94_8AE5_385F_4196_D7B7C6CB3880.url = media/map_94A7A336_8C48_C64B_41C6_534D3476CEC0_en-US_1.png imlevel_BD1AED94_8AE5_385F_41CD_5C7957815BEA.url = media/map_94A7A336_8C48_C64B_41C6_534D3476CEC0_en-US_2.png imlevel_BD1AFD94_8AE5_385F_41C4_758037C8C1E1.url = media/map_94A7A336_8C48_C64B_41C6_534D3476CEC0_en-US_3.png imlevel_BD151D95_8AE5_3859_41CA_B70C7EA0CF18.url = media/map_94A7A336_8C48_C64B_41C6_534D3476CEC0_en-US_4.png imlevel_BD519524_8AE5_687F_41DD_6F83927904CC.url = media/zoomImage_B52A6833_D7F7_4F51_41E1_4FD514D3F75C_en-US_0_0.png imlevel_BD51C524_8AE5_687F_41D4_40435516DCBE.url = media/zoomImage_B52A6833_D7F7_4F51_41E1_4FD514D3F75C_en-US_0_1.png imlevel_BD51D524_8AE5_687F_41D6_495AFC7DDAD7.url = media/zoomImage_B52A6833_D7F7_4F51_41E1_4FD514D3F75C_en-US_0_2.png imlevel_BD502524_8AE5_687F_41C9_A3680C8A25E7.url = media/zoomImage_B52A6833_D7F7_4F51_41E1_4FD514D3F75C_en-US_0_3.png imlevel_BD973C9F_8AE5_7849_41C9_42515E78C65D.url = media/zoomImage_B9EA35E3_8AEB_2BF8_41D8_DA21A699FBCE_en-US_0_0.png imlevel_BD971C9F_8AE5_7849_41BF_281958CF44BF.url = media/zoomImage_B9EA35E3_8AEB_2BF8_41D8_DA21A699FBCE_en-US_0_1.png imlevel_BD977C9F_8AE5_7849_419D_052A3B3FCFF0.url = media/zoomImage_B9EA35E3_8AEB_2BF8_41D8_DA21A699FBCE_en-US_0_2.png imlevel_BD49C576_8AE5_68DB_418D_D9CADDB7BF2A.url = media/zoomImage_BEF011B1_8AED_6858_419D_326285AFF1A3_en-US_0_0.png imlevel_BD482576_8AE5_68DB_41D3_10742657DDC8.url = media/zoomImage_BEF011B1_8AED_6858_419D_326285AFF1A3_en-US_0_1.png imlevel_BD483576_8AE5_68DB_41D4_5B7CDC81077C.url = media/zoomImage_BEF011B1_8AED_6858_419D_326285AFF1A3_en-US_0_2.png imlevel_BD721C59_8AE5_78C9_41D5_B65023DC2C11.url = media/zoomImage_F05D67CF_EECB_CCF8_41ED_2075789BECCD_en-US_0_0.png imlevel_BD724C59_8AE5_78C9_41E0_D38EE7288444.url = media/zoomImage_F05D67CF_EECB_CCF8_41ED_2075789BECCD_en-US_0_1.png imlevel_BD72AC59_8AE5_78C9_41D4_7652069DC8B5.url = media/zoomImage_F05D67CF_EECB_CCF8_41ED_2075789BECCD_en-US_0_2.png imlevel_BD72BC59_8AE5_78C9_41CC_AF66A36D15FB.url = media/zoomImage_F05D67CF_EECB_CCF8_41ED_2075789BECCD_en-US_0_3.png imlevel_BD97C0E1_8AE5_69F9_41AB_FB1DAA5C6F21.url = media/zoomImage_F200CBF5_DFDF_9841_41E6_BA9D5902DD07_en-US_0_0.png imlevel_BD97C0E1_8AE5_69F9_41AB_FB1DAA5C6F21.url = media/zoomImage_F200CBF5_DFDF_9841_41E6_BA9D5902DD07_en-US_0_0.png imlevel_BD9620E1_8AE5_69F9_41C2_D4C078824D9C.url = media/zoomImage_F200CBF5_DFDF_9841_41E6_BA9D5902DD07_en-US_0_1.png imlevel_BD9620E1_8AE5_69F9_41C2_D4C078824D9C.url = media/zoomImage_F200CBF5_DFDF_9841_41E6_BA9D5902DD07_en-US_0_1.png imlevel_BD9610E1_8AE5_69F9_41D4_79E9055211E5.url = media/zoomImage_F200CBF5_DFDF_9841_41E6_BA9D5902DD07_en-US_0_2.png imlevel_BD9610E1_8AE5_69F9_41D4_79E9055211E5.url = media/zoomImage_F200CBF5_DFDF_9841_41E6_BA9D5902DD07_en-US_0_2.png imlevel_BD9770F4_8AE5_69D8_41D9_7BE459ECD413.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_0.png imlevel_BD9770F4_8AE5_69D8_41D9_7BE459ECD413.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_0.png imlevel_BD97B0F4_8AE5_69D8_41E0_58A15E2CB91E.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_1.png imlevel_BD97B0F4_8AE5_69D8_41E0_58A15E2CB91E.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_1.png imlevel_BD97A0F5_8AE5_69D8_41CB_6661FA21B556.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_2.png imlevel_BD97A0F5_8AE5_69D8_41CB_6661FA21B556.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_2.png imlevel_BD9790F5_8AE5_69D8_41DE_3848568FFDD5.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_3.png imlevel_BD9790F5_8AE5_69D8_41DE_3848568FFDD5.url = media/zoomImage_F2019BF6_DFDF_9843_41E6_28F28A844E69_en-US_0_3.png imlevel_BD96F108_8AE5_6837_41B6_7D43CE5F3983.url = media/zoomImage_F2025BF8_DFDF_984F_41B6_1B432CCC5315_en-US_0_0.jpg imlevel_BD96F108_8AE5_6837_41B6_7D43CE5F3983.url = media/zoomImage_F2025BF8_DFDF_984F_41B6_1B432CCC5315_en-US_0_0.jpg imlevel_BD91011D_8AE5_6849_4155_8978C8807DEA.url = media/zoomImage_F2029BF9_DFDF_9841_41E0_7E3027EECBAA_en-US_0_0.png imlevel_BD91011D_8AE5_6849_4155_8978C8807DEA.url = media/zoomImage_F2029BF9_DFDF_9841_41E0_7E3027EECBAA_en-US_0_0.png imlevel_BD91611D_8AE5_6849_41DD_E87AFDEFD003.url = media/zoomImage_F2029BF9_DFDF_9841_41E0_7E3027EECBAA_en-US_0_1.png imlevel_BD91611D_8AE5_6849_41DD_E87AFDEFD003.url = media/zoomImage_F2029BF9_DFDF_9841_41E0_7E3027EECBAA_en-US_0_1.png imlevel_BD91B11D_8AE5_6849_41CC_00D4FCAD82C1.url = media/zoomImage_F2029BF9_DFDF_9841_41E0_7E3027EECBAA_en-US_0_2.png imlevel_BD91B11D_8AE5_6849_41CC_00D4FCAD82C1.url = media/zoomImage_F2029BF9_DFDF_9841_41E0_7E3027EECBAA_en-US_0_2.png imlevel_BD91B12F_8AE5_6849_41D1_ECCA3A931FEC.url = media/zoomImage_F2030BFA_DFDF_9840_41C8_4C3CD0EBD173_en-US_0_0.jpg imlevel_BD91B12F_8AE5_6849_41D1_ECCA3A931FEC.url = media/zoomImage_F2030BFA_DFDF_9840_41C8_4C3CD0EBD173_en-US_0_0.jpg imlevel_BD9520A5_8AE5_6879_41D9_6F0DDA38A180.url = media/zoomImage_F2086BEC_DFDF_9840_41C0_6EFBE45C19C5_en-US_0_0.jpg imlevel_BD9520A5_8AE5_6879_41D9_6F0DDA38A180.url = media/zoomImage_F2086BEC_DFDF_9840_41C0_6EFBE45C19C5_en-US_0_0.jpg imlevel_BD9500A5_8AE5_6879_41CB_31C005FD483E.url = media/zoomImage_F2086BEC_DFDF_9840_41C0_6EFBE45C19C5_en-US_0_1.jpg imlevel_BD9500A5_8AE5_6879_41CB_31C005FD483E.url = media/zoomImage_F2086BEC_DFDF_9840_41C0_6EFBE45C19C5_en-US_0_1.jpg imlevel_BD9560A5_8AE5_6879_41D2_659133288B05.url = media/zoomImage_F2086BEC_DFDF_9840_41C0_6EFBE45C19C5_en-US_0_2.jpg imlevel_BD9560A5_8AE5_6879_41D2_659133288B05.url = media/zoomImage_F2086BEC_DFDF_9840_41C0_6EFBE45C19C5_en-US_0_2.jpg imlevel_BD94F0B9_8AE5_6849_41DA_412EC768AACB.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_0.png imlevel_BD94F0B9_8AE5_6849_41DA_412EC768AACB.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_0.png imlevel_BD94D0B9_8AE5_6849_41D3_07947E77C71E.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_1.png imlevel_BD94D0B9_8AE5_6849_41D3_07947E77C71E.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_1.png imlevel_BD94C0B9_8AE5_6849_41B4_399B0B1A5840.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_2.png imlevel_BD94C0B9_8AE5_6849_41B4_399B0B1A5840.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_2.png imlevel_BD9430BA_8AE5_684B_418C_8C2A04475C8C.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_3.png imlevel_BD9430BA_8AE5_684B_418C_8C2A04475C8C.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_3.png imlevel_BD9410BA_8AE5_684B_41DA_3D67255A08D0.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_4.png imlevel_BD9410BA_8AE5_684B_41DA_3D67255A08D0.url = media/zoomImage_F20D6BF3_DFDF_9841_41C0_A1C0ACE6C0E8_en-US_0_4.png imlevel_BD9700CC_8AE5_69CF_41B6_F23A3CED48B4.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_0.png imlevel_BD9700CC_8AE5_69CF_41B6_F23A3CED48B4.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_0.png imlevel_BD9760CD_8AE5_69C9_41DF_F696802CBCD7.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_1.png imlevel_BD9760CD_8AE5_69C9_41DF_F696802CBCD7.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_1.png imlevel_BD9750CD_8AE5_69C9_41D7_2DA42BCFC94B.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_2.png imlevel_BD9750CD_8AE5_69C9_41D7_2DA42BCFC94B.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_2.png imlevel_BD97B0CD_8AE5_69C9_4153_611650B36584.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_3.png imlevel_BD97B0CD_8AE5_69C9_4153_611650B36584.url = media/zoomImage_F20E2BF4_DFDF_9847_41B3_DFE8E57911A2_en-US_0_3.png imlevel_BD93716F_8AE5_68C9_41CA_8335F5195DBE.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_0.jpg imlevel_BD93716F_8AE5_68C9_41CA_8335F5195DBE.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_0.jpg imlevel_BD93616F_8AE5_68C9_41DF_9B4690FAA6C9.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_1.jpg imlevel_BD93616F_8AE5_68C9_41DF_9B4690FAA6C9.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_1.jpg imlevel_BD93416F_8AE5_68C9_41C6_94F5766D8B15.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_2.jpg imlevel_BD93416F_8AE5_68C9_41C6_94F5766D8B15.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_2.jpg imlevel_BD93B16F_8AE5_68C9_41D7_DD18A0D66602.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_3.jpg imlevel_BD93B16F_8AE5_68C9_41D7_DD18A0D66602.url = media/zoomImage_F2147C0A_DFDF_9FC0_41EB_D826D331B88F_en-US_0_3.jpg imlevel_BD900145_8AE5_6839_41D6_90E7CBEC85F5.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_0.jpg imlevel_BD900145_8AE5_6839_41D6_90E7CBEC85F5.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_0.jpg imlevel_BD906145_8AE5_6839_41A3_5C7402F00FF6.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_1.jpg imlevel_BD906145_8AE5_6839_41A3_5C7402F00FF6.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_1.jpg imlevel_BD905145_8AE5_6839_41B4_DEF6CF1D6511.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_2.jpg imlevel_BD905145_8AE5_6839_41B4_DEF6CF1D6511.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_2.jpg imlevel_BD90B146_8AE5_6838_41E0_ED05D00F3D7F.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_3.jpg imlevel_BD90B146_8AE5_6838_41E0_ED05D00F3D7F.url = media/zoomImage_F21E7C03_DFDF_9FC0_41E1_5BACF6BBE476_en-US_0_3.jpg imlevel_BD90915B_8AE5_68C8_41C1_561D15CD957B.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_0.jpg imlevel_BD90915B_8AE5_68C8_41C1_561D15CD957B.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_0.jpg imlevel_BD90F15B_8AE5_68C8_41D8_085B219B3F69.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_1.jpg imlevel_BD90F15B_8AE5_68C8_41D8_085B219B3F69.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_1.jpg imlevel_BD90E15B_8AE5_68C8_41A6_BA14FAB0BDAC.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_2.jpg imlevel_BD90E15B_8AE5_68C8_41A6_BA14FAB0BDAC.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_2.jpg imlevel_BD90C15B_8AE5_68C8_41DB_35729F62155F.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_3.jpg imlevel_BD90C15B_8AE5_68C8_41DB_35729F62155F.url = media/zoomImage_F21F2C04_DFDF_9FC0_41DC_D43EC2F15BA8_en-US_0_3.jpg imlevel_BD9B0030_8AE5_6857_41DE_BE50B48EEAE0.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_0.jpg imlevel_BD9B0030_8AE5_6857_41DE_BE50B48EEAE0.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_0.jpg imlevel_BD9B6031_8AE5_6859_41D7_FE51BA14B981.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_1.jpg imlevel_BD9B6031_8AE5_6859_41D7_FE51BA14B981.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_1.jpg imlevel_BD9B4031_8AE5_6859_41B7_D4D3AF5F1A46.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_2.jpg imlevel_BD9B4031_8AE5_6859_41B7_D4D3AF5F1A46.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_2.jpg imlevel_BD9BA031_8AE5_6859_41E0_2ECFE76F8803.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_3.jpg imlevel_BD9BA031_8AE5_6859_41E0_2ECFE76F8803.url = media/zoomImage_F222CBD2_DFDF_9840_41E5_BDA1B563AA03_en-US_0_3.jpg imlevel_BD9B8044_8AE5_6838_41CC_EBC7E8834826.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_0.png imlevel_BD9B8044_8AE5_6838_41CC_EBC7E8834826.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_0.png imlevel_BD9BF044_8AE5_6838_41D1_30B3C264BEC4.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_1.png imlevel_BD9BF044_8AE5_6838_41D1_30B3C264BEC4.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_1.png imlevel_BD9BD044_8AE5_6838_41BD_0DEFB9A29843.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_2.png imlevel_BD9BD044_8AE5_6838_41BD_0DEFB9A29843.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_2.png imlevel_BD9A3045_8AE5_6838_41B6_210812C326CC.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_3.png imlevel_BD9A3045_8AE5_6838_41B6_210812C326CC.url = media/zoomImage_F223FBD3_DFDF_9840_41BC_DB701515A5EF_en-US_0_3.png imlevel_BD98801C_8AE5_684F_41D6_4F319B2C71D2.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_0.jpg imlevel_BD98801C_8AE5_684F_41D6_4F319B2C71D2.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_0.jpg imlevel_BD98C01C_8AE5_684F_41D5_FAF9F8C02FF4.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_1.jpg imlevel_BD98C01C_8AE5_684F_41D5_FAF9F8C02FF4.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_1.jpg imlevel_BD9B301C_8AE5_684F_41DD_E4E6539F0255.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_2.jpg imlevel_BD9B301C_8AE5_684F_41DD_E4E6539F0255.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_2.jpg imlevel_BD98301C_8AE5_684F_41E0_5969E03ADDC8.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_3.jpg imlevel_BD98301C_8AE5_684F_41E0_5969E03ADDC8.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_3.jpg imlevel_BD98101D_8AE5_6849_41C8_971EB6700374.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_4.jpg imlevel_BD98101D_8AE5_6849_41C8_971EB6700374.url = media/zoomImage_F22C9BCC_DFDF_9840_41DF_3787BF9F4575_en-US_0_4.jpg imlevel_BD9A0058_8AE5_68D7_41D0_7EC2D9373536.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_0.jpg imlevel_BD9A0058_8AE5_68D7_41D0_7EC2D9373536.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_0.jpg imlevel_BD9A4058_8AE5_68D7_4193_26050AC63AD3.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_1.jpg imlevel_BD9A4058_8AE5_68D7_4193_26050AC63AD3.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_1.jpg imlevel_BD9AB058_8AE5_68D7_41CE_574035887589.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_2.jpg imlevel_BD9AB058_8AE5_68D7_41CE_574035887589.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_2.jpg imlevel_BD9AA058_8AE5_68D7_41C0_FE96F747E3C1.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_3.jpg imlevel_BD9AA058_8AE5_68D7_41C0_FE96F747E3C1.url = media/zoomImage_F2390BDC_DFDF_9847_41E3_EE081F4A49CD_en-US_0_3.jpg imlevel_BD9A806B_8AE5_68C9_41DA_D62ADEF91CBC.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_0.png imlevel_BD9A806B_8AE5_68C9_41DA_D62ADEF91CBC.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_0.png imlevel_BD9AD06C_8AE5_68CF_41DA_A0E99844D171.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_1.png imlevel_BD9AD06C_8AE5_68CF_41DA_A0E99844D171.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_1.png imlevel_BD9AC06C_8AE5_68CF_41DC_DE202E3D6C60.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_2.png imlevel_BD9AC06C_8AE5_68CF_41DC_DE202E3D6C60.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_2.png imlevel_BD9BC06C_8AE5_68CF_41E1_315C0D0DD60E.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_3.png imlevel_BD9BC06C_8AE5_68CF_41E1_315C0D0DD60E.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_3.png imlevel_BD9A106C_8AE5_68CF_41E0_A31E72D067EA.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_4.png imlevel_BD9A106C_8AE5_68CF_41E0_A31E72D067EA.url = media/zoomImage_F23CCBDF_DFDF_9840_41E2_1BFE435FDAE9_en-US_0_4.png imlevel_BD95707E_8AE5_68CB_41D7_A37918F17A1A.url = media/zoomImage_F23D1BE0_DFDF_9840_41DA_6816B6334D03_en-US_0_0.jpg imlevel_BD95707E_8AE5_68CB_41D7_A37918F17A1A.url = media/zoomImage_F23D1BE0_DFDF_9840_41DA_6816B6334D03_en-US_0_0.jpg imlevel_BD95607F_8AE5_68C9_41C8_AE4967D83A27.url = media/zoomImage_F23D1BE0_DFDF_9840_41DA_6816B6334D03_en-US_0_1.jpg imlevel_BD95607F_8AE5_68C9_41C8_AE4967D83A27.url = media/zoomImage_F23D1BE0_DFDF_9840_41DA_6816B6334D03_en-US_0_1.jpg imlevel_BD95507F_8AE5_68C9_41CD_5EFCD3F10C09.url = media/zoomImage_F23D1BE0_DFDF_9840_41DA_6816B6334D03_en-US_0_2.jpg imlevel_BD95507F_8AE5_68C9_41CD_5EFCD3F10C09.url = media/zoomImage_F23D1BE0_DFDF_9840_41DA_6816B6334D03_en-US_0_2.jpg imlevel_BD9AA091_8AE5_6859_41D6_595A585AC9D0.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_0.png imlevel_BD9AA091_8AE5_6859_41D6_595A585AC9D0.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_0.png imlevel_BD9A8091_8AE5_6859_41A1_9379DF11432C.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_1.png imlevel_BD9A8091_8AE5_6859_41A1_9379DF11432C.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_1.png imlevel_BD9AF091_8AE5_6859_41DC_28F963498CCE.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_2.png imlevel_BD9AF091_8AE5_6859_41DC_28F963498CCE.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_2.png imlevel_BD9AD091_8AE5_6859_41E0_1B1F4EEC2F02.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_3.png imlevel_BD9AD091_8AE5_6859_41E0_1B1F4EEC2F02.url = media/zoomImage_F23D4BE2_DFDF_9840_41E8_AE9D7468C6D9_en-US_0_3.png imlevel_BD8E425C_8AE5_68CF_41D4_72C06C4C5382.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_0.jpg imlevel_BD8E425C_8AE5_68CF_41D4_72C06C4C5382.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_0.jpg imlevel_BD8EB25C_8AE5_68CF_41D3_032768370133.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_1.jpg imlevel_BD8EB25C_8AE5_68CF_41D3_032768370133.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_1.jpg imlevel_BD8E825C_8AE5_68CF_41DD_9492BA315C89.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_2.jpg imlevel_BD8E825C_8AE5_68CF_41DD_9492BA315C89.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_2.jpg imlevel_BD8EE25D_8AE5_68C8_41E0_3599C5ECA44A.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_3.jpg imlevel_BD8EE25D_8AE5_68C8_41E0_3599C5ECA44A.url = media/zoomImage_F2400C3A_DFDF_9FC0_41DA_6C59D75A99CE_en-US_0_3.jpg imlevel_BD8EC270_8AE5_68D8_41BD_24498F21E774.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_0.png imlevel_BD8EC270_8AE5_68D8_41BD_24498F21E774.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_0.png imlevel_BD892270_8AE5_68D8_41C2_DF52DFD857BB.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_1.png imlevel_BD892270_8AE5_68D8_41C2_DF52DFD857BB.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_1.png imlevel_BD897270_8AE5_68D8_417F_03207055960A.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_2.png imlevel_BD897270_8AE5_68D8_417F_03207055960A.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_2.png imlevel_BD8E7270_8AE5_68D8_41CB_928D2F51FC59.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_3.png imlevel_BD8E7270_8AE5_68D8_41CB_928D2F51FC59.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_3.png imlevel_BD8E6270_8AE5_68D8_41A0_BE25AFA261DC.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_4.png imlevel_BD8E6270_8AE5_68D8_41A0_BE25AFA261DC.url = media/zoomImage_F2426C3B_DFDF_9FC0_41DD_12590ABF5724_en-US_0_4.png imlevel_BD88B298_8AE5_6848_41B9_160F5D32FD3C.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_0.png imlevel_BD88B298_8AE5_6848_41B9_160F5D32FD3C.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_0.png imlevel_BD88A298_8AE5_6848_41E0_2C07D6E7DEAE.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_1.png imlevel_BD88A298_8AE5_6848_41E0_2C07D6E7DEAE.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_1.png imlevel_BD889298_8AE5_6848_41BC_D52C9F0416EA.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_2.png imlevel_BD889298_8AE5_6848_41BC_D52C9F0416EA.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_2.png imlevel_BD89F299_8AE5_6848_41E0_CED563CD22EC.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_3.png imlevel_BD89F299_8AE5_6848_41E0_CED563CD22EC.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_3.png imlevel_BD89E299_8AE5_6848_41E1_32A22FF4197E.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_4.png imlevel_BD89E299_8AE5_6848_41E1_32A22FF4197E.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_4.png imlevel_BD89D299_8AE5_6848_41DC_729D00A5EF21.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_5.png imlevel_BD89D299_8AE5_6848_41DC_729D00A5EF21.url = media/zoomImage_F244AC3F_DFDF_9FC0_41E0_B288990585ED_en-US_0_5.png imlevel_BD89F285_8AE5_6839_41E0_1AC813607ACA.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_0.png imlevel_BD89F285_8AE5_6839_41E0_1AC813607ACA.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_0.png imlevel_BD89D285_8AE5_6839_41D5_D2C0A998754F.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_1.png imlevel_BD89D285_8AE5_6839_41D5_D2C0A998754F.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_1.png imlevel_BD89C285_8AE5_6839_41BF_FBC7FF18582C.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_2.png imlevel_BD89C285_8AE5_6839_41BF_FBC7FF18582C.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_2.png imlevel_BD8EC285_8AE5_6839_41D1_32144FF10806.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_3.png imlevel_BD8EC285_8AE5_6839_41D1_32144FF10806.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_3.png imlevel_BD890285_8AE5_6839_41A3_736285D95684.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_4.png imlevel_BD890285_8AE5_6839_41A3_736285D95684.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_4.png imlevel_BD897285_8AE5_6839_41D8_5097E4E6A65F.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_5.png imlevel_BD897285_8AE5_6839_41D8_5097E4E6A65F.url = media/zoomImage_F244FC3D_DFDF_9FC0_41D0_90B0237E89B2_en-US_0_5.png imlevel_BD8FF248_8AE5_6837_41D5_5663E56E35EF.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_0.jpg imlevel_BD8FF248_8AE5_6837_41D5_5663E56E35EF.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_0.jpg imlevel_BD8FC249_8AE5_68C9_41CC_00994E366EDF.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_1.jpg imlevel_BD8FC249_8AE5_68C9_41CC_00994E366EDF.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_1.jpg imlevel_BD8E2249_8AE5_68C9_41E1_1DB825763295.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_2.jpg imlevel_BD8E2249_8AE5_68C9_41E1_1DB825763295.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_2.jpg imlevel_BD8E1249_8AE5_68C9_41D7_65D81E62F7EE.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_3.jpg imlevel_BD8E1249_8AE5_68C9_41D7_65D81E62F7EE.url = media/zoomImage_F24EBC38_DFDF_9FC0_41D1_09AE275F3C9A_en-US_0_3.jpg imlevel_BD931197_8AE5_6859_41C7_62BC29921DD1.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_0.jpg imlevel_BD931197_8AE5_6859_41C7_62BC29921DD1.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_0.jpg imlevel_BD930198_8AE5_6857_41A6_CF8EA13FCF81.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_1.jpg imlevel_BD930198_8AE5_6857_41A6_CF8EA13FCF81.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_1.jpg imlevel_BD936198_8AE5_6857_41E0_4BDBDC4C417A.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_2.jpg imlevel_BD936198_8AE5_6857_41E0_4BDBDC4C417A.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_2.jpg imlevel_BD934198_8AE5_6857_41B5_4822D8CCB334.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_3.jpg imlevel_BD934198_8AE5_6857_41B5_4822D8CCB334.url = media/zoomImage_F2606C17_DFDF_9FC1_41E7_59228956AC7F_en-US_0_3.jpg imlevel_BD9381AD_8AE5_6849_41D6_E5536FA8A371.url = media/zoomImage_F262CC18_DFDF_9FCF_41A8_179623C073BC_en-US_0_0.jpg imlevel_BD9381AD_8AE5_6849_41D6_E5536FA8A371.url = media/zoomImage_F262CC18_DFDF_9FCF_41A8_179623C073BC_en-US_0_0.jpg imlevel_BD93E1AD_8AE5_6849_41D1_F9127681E206.url = media/zoomImage_F262CC18_DFDF_9FCF_41A8_179623C073BC_en-US_0_1.jpg imlevel_BD93E1AD_8AE5_6849_41D1_F9127681E206.url = media/zoomImage_F262CC18_DFDF_9FCF_41A8_179623C073BC_en-US_0_1.jpg imlevel_BD93D1AD_8AE5_6849_41DD_4F7E73657AFD.url = media/zoomImage_F262CC18_DFDF_9FCF_41A8_179623C073BC_en-US_0_2.jpg imlevel_BD93D1AD_8AE5_6849_41DD_4F7E73657AFD.url = media/zoomImage_F262CC18_DFDF_9FCF_41A8_179623C073BC_en-US_0_2.jpg imlevel_BD93A184_8AE5_683F_41D2_38B8C151C8C6.url = media/zoomImage_F26EEC14_DFDF_9FC7_41C6_BA8472264A17_en-US_0_0.jpg imlevel_BD93A184_8AE5_683F_41D2_38B8C151C8C6.url = media/zoomImage_F26EEC14_DFDF_9FC7_41C6_BA8472264A17_en-US_0_0.jpg imlevel_BD93E184_8AE5_683F_41BD_E6056DD498F3.url = media/zoomImage_F26EEC14_DFDF_9FC7_41C6_BA8472264A17_en-US_0_1.jpg imlevel_BD93E184_8AE5_683F_41BD_E6056DD498F3.url = media/zoomImage_F26EEC14_DFDF_9FC7_41C6_BA8472264A17_en-US_0_1.jpg imlevel_BD93D185_8AE5_6839_41BE_E379F839DAE6.url = media/zoomImage_F26EEC14_DFDF_9FC7_41C6_BA8472264A17_en-US_0_2.jpg imlevel_BD93D185_8AE5_6839_41BE_E379F839DAE6.url = media/zoomImage_F26EEC14_DFDF_9FC7_41C6_BA8472264A17_en-US_0_2.jpg imlevel_BD8C9222_8AE5_687B_41DC_F59FA3A8D783.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_0.jpg imlevel_BD8C9222_8AE5_687B_41DC_F59FA3A8D783.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_0.jpg imlevel_BD8C8222_8AE5_687B_41A6_8014E72F495C.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_1.jpg imlevel_BD8C8222_8AE5_687B_41A6_8014E72F495C.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_1.jpg imlevel_BD8CD222_8AE5_687B_41C0_782D574B6506.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_2.jpg imlevel_BD8CD222_8AE5_687B_41C0_782D574B6506.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_2.jpg imlevel_BD8F3222_8AE5_687B_41A2_03376885C420.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_3.jpg imlevel_BD8F3222_8AE5_687B_41A2_03376885C420.url = media/zoomImage_F2751C2F_DFDF_9FC1_41EA_89D9421AD886_en-US_0_3.jpg imlevel_BD8F6234_8AE5_6858_41C0_97928DC997B2.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_0.jpg imlevel_BD8F6234_8AE5_6858_41C0_97928DC997B2.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_0.jpg imlevel_BD8F5234_8AE5_6858_41DB_D5D0CB3F6473.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_1.jpg imlevel_BD8F5234_8AE5_6858_41DB_D5D0CB3F6473.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_1.jpg imlevel_BD8F4234_8AE5_6858_41D1_5C60A3D01348.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_2.jpg imlevel_BD8F4234_8AE5_6858_41D1_5C60A3D01348.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_2.jpg imlevel_BD8CA235_8AE5_6859_41D5_988502198C44.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_3.jpg imlevel_BD8CA235_8AE5_6859_41D5_988502198C44.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_3.jpg imlevel_BD8C8235_8AE5_6859_41DB_709F07496DCF.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_4.jpg imlevel_BD8C8235_8AE5_6859_41DB_709F07496DCF.url = media/zoomImage_F2763C30_DFDF_9FC0_41EB_B510FE8E8D1D_en-US_0_4.jpg imlevel_BD8D11EA_8AE5_6BCB_41D8_AD793AD5649D.url = media/zoomImage_F27C8C24_DFDF_9FC0_41EA_5288D159B259_en-US_0_0.jpg imlevel_BD8D11EA_8AE5_6BCB_41D8_AD793AD5649D.url = media/zoomImage_F27C8C24_DFDF_9FC0_41EA_5288D159B259_en-US_0_0.jpg imlevel_BD8D01EA_8AE5_6BCB_41C7_79435DA5C8F7.url = media/zoomImage_F27C8C24_DFDF_9FC0_41EA_5288D159B259_en-US_0_1.jpg imlevel_BD8D01EA_8AE5_6BCB_41C7_79435DA5C8F7.url = media/zoomImage_F27C8C24_DFDF_9FC0_41EA_5288D159B259_en-US_0_1.jpg imlevel_BD8D51EA_8AE5_6BCB_41C8_0426BD460900.url = media/zoomImage_F27C8C24_DFDF_9FC0_41EA_5288D159B259_en-US_0_2.jpg imlevel_BD8D51EA_8AE5_6BCB_41C8_0426BD460900.url = media/zoomImage_F27C8C24_DFDF_9FC0_41EA_5288D159B259_en-US_0_2.jpg imlevel_BD92F1FD_8AE5_6BC8_41DF_7D7AE6507889.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_0.jpg imlevel_BD92F1FD_8AE5_6BC8_41DF_7D7AE6507889.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_0.jpg imlevel_BD92C1FD_8AE5_6BC8_41DE_E782A5BE8862.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_1.jpg imlevel_BD92C1FD_8AE5_6BC8_41DE_E782A5BE8862.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_1.jpg imlevel_BD8D31FD_8AE5_6BC8_41DA_2E473EC147E6.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_2.jpg imlevel_BD8D31FD_8AE5_6BC8_41DA_2E473EC147E6.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_2.jpg imlevel_BD8D11FD_8AE5_6BC8_41C1_32025B20368F.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_3.jpg imlevel_BD8D11FD_8AE5_6BC8_41C1_32025B20368F.url = media/zoomImage_F27E6C26_DFDF_9FC0_41D8_42CC4C654D08_en-US_0_3.jpg imlevel_BD8C0210_8AE5_6857_41D2_51CDDE7CDA80.url = media/zoomImage_F27F2C28_DFDF_9FC0_41C7_9C1A4BC479C9_en-US_0_0.jpg imlevel_BD8C0210_8AE5_6857_41D2_51CDDE7CDA80.url = media/zoomImage_F27F2C28_DFDF_9FC0_41C7_9C1A4BC479C9_en-US_0_0.jpg imlevel_BD663E8D_8AE5_7849_41D6_89DA44D8604F.url = media/zoomImage_F2810B6B_DFDF_9840_41EA_BC627AD4E245_en-US_0_0.jpg imlevel_BD663E8D_8AE5_7849_41D6_89DA44D8604F.url = media/zoomImage_F2810B6B_DFDF_9840_41EA_BC627AD4E245_en-US_0_0.jpg imlevel_BD660E8D_8AE5_7849_41DB_6FF32E1A924B.url = media/zoomImage_F2810B6B_DFDF_9840_41EA_BC627AD4E245_en-US_0_1.jpg imlevel_BD660E8D_8AE5_7849_41DB_6FF32E1A924B.url = media/zoomImage_F2810B6B_DFDF_9840_41EA_BC627AD4E245_en-US_0_1.jpg imlevel_BD661E8D_8AE5_7849_41DA_068BDD964F48.url = media/zoomImage_F2810B6B_DFDF_9840_41EA_BC627AD4E245_en-US_0_2.jpg imlevel_BD661E8D_8AE5_7849_41DA_068BDD964F48.url = media/zoomImage_F2810B6B_DFDF_9840_41EA_BC627AD4E245_en-US_0_2.jpg imlevel_BD614EA1_8AE5_7879_41A9_D4A4AE37902B.url = media/zoomImage_F283AB6D_DFDF_9840_41E3_B4C335BBF2B4_en-US_0_0.jpg imlevel_BD614EA1_8AE5_7879_41A9_D4A4AE37902B.url = media/zoomImage_F283AB6D_DFDF_9840_41E3_B4C335BBF2B4_en-US_0_0.jpg imlevel_BD615EA1_8AE5_7879_41C1_9FC01FF7644D.url = media/zoomImage_F283AB6D_DFDF_9840_41E3_B4C335BBF2B4_en-US_0_1.jpg imlevel_BD615EA1_8AE5_7879_41C1_9FC01FF7644D.url = media/zoomImage_F283AB6D_DFDF_9840_41E3_B4C335BBF2B4_en-US_0_1.jpg imlevel_BD61BEA1_8AE5_7879_41BA_723D14C0C282.url = media/zoomImage_F283AB6D_DFDF_9840_41E3_B4C335BBF2B4_en-US_0_2.jpg imlevel_BD61BEA1_8AE5_7879_41BA_723D14C0C282.url = media/zoomImage_F283AB6D_DFDF_9840_41E3_B4C335BBF2B4_en-US_0_2.jpg imlevel_BD616ECA_8AE5_79C8_41DF_703C09C39D5D.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_0.jpg imlevel_BD616ECA_8AE5_79C8_41DF_703C09C39D5D.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_0.jpg imlevel_BD614ECA_8AE5_79C8_41D9_C0762DEF4E81.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_1.jpg imlevel_BD614ECA_8AE5_79C8_41D9_C0762DEF4E81.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_1.jpg imlevel_BD61AECA_8AE5_79C8_41DD_74D2655027DB.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_2.jpg imlevel_BD61AECA_8AE5_79C8_41DD_74D2655027DB.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_2.jpg imlevel_BD61BECA_8AE5_79C8_41C9_D42430009214.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_3.jpg imlevel_BD61BECA_8AE5_79C8_41C9_D42430009214.url = media/zoomImage_F2856B70_DFDF_9840_41BF_66F5DEFACC44_en-US_0_3.jpg imlevel_BD61EEDE_8AE5_79C8_41C4_5ACD1BE9F4AD.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_0.png imlevel_BD61EEDE_8AE5_79C8_41C4_5ACD1BE9F4AD.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_0.png imlevel_BD61CEDE_8AE5_79C8_41AF_CD9398DA85A8.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_1.png imlevel_BD61CEDE_8AE5_79C8_41AF_CD9398DA85A8.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_1.png imlevel_BD61DEDE_8AE5_79C8_41BF_6253BDE36C1F.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_2.png imlevel_BD61DEDE_8AE5_79C8_41BF_6253BDE36C1F.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_2.png imlevel_BD603EDE_8AE5_79C8_41C7_1028F976F7B6.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_3.png imlevel_BD603EDE_8AE5_79C8_41C7_1028F976F7B6.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_3.png imlevel_BD601EDE_8AE5_79C8_41B7_FB448E19B605.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_4.png imlevel_BD601EDE_8AE5_79C8_41B7_FB448E19B605.url = media/zoomImage_F2860B71_DFDF_9840_41DA_F45E0F34F397_en-US_0_4.png imlevel_BD64CE2A_8AE5_784B_41D7_130DC7C48675.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_0.jpg imlevel_BD64CE2A_8AE5_784B_41D7_130DC7C48675.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_0.jpg imlevel_BD672E2A_8AE5_784B_41C6_B9624E95035F.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_1.jpg imlevel_BD672E2A_8AE5_784B_41C6_B9624E95035F.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_1.jpg imlevel_BD673E2A_8AE5_784B_41C1_D80BA53A6ACA.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_2.jpg imlevel_BD673E2A_8AE5_784B_41C1_D80BA53A6ACA.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_2.jpg imlevel_BD671E2A_8AE5_784B_41DA_0FAF20750B5A.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_3.jpg imlevel_BD671E2A_8AE5_784B_41DA_0FAF20750B5A.url = media/zoomImage_F2A73B4F_DFDF_9840_41E9_103A525947AB_en-US_0_3.jpg imlevel_BD671E3E_8AE5_784B_41B9_CB32BB86BDAE.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_0.jpg imlevel_BD671E3E_8AE5_784B_41B9_CB32BB86BDAE.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_0.jpg imlevel_BD676E3E_8AE5_784B_41D3_CB503E8A1509.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_1.jpg imlevel_BD676E3E_8AE5_784B_41D3_CB503E8A1509.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_1.jpg imlevel_BD674E3E_8AE5_784B_41C6_F0941873DB4A.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_2.jpg imlevel_BD674E3E_8AE5_784B_41C6_F0941873DB4A.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_2.jpg imlevel_BD67BE3E_8AE5_784B_41C4_75ADF0E9837D.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_3.jpg imlevel_BD67BE3E_8AE5_784B_41C4_75ADF0E9837D.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_3.jpg imlevel_BD64BE3E_8AE5_784B_41C2_B6570F83F8CD.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_4.jpg imlevel_BD64BE3E_8AE5_784B_41C2_B6570F83F8CD.url = media/zoomImage_F2B92B51_DFDF_9840_41E5_3301E3F29400_en-US_0_4.jpg imlevel_BD66EE53_8AE5_78D9_41E0_0FA817425476.url = media/zoomImage_F2BBBB53_DFDF_9840_41DA_CEDBA63B9BB5_en-US_0_0.jpg imlevel_BD66EE53_8AE5_78D9_41E0_0FA817425476.url = media/zoomImage_F2BBBB53_DFDF_9840_41DA_CEDBA63B9BB5_en-US_0_0.jpg imlevel_BD66FE53_8AE5_78D9_41DD_686D394D6DCC.url = media/zoomImage_F2BBBB53_DFDF_9840_41DA_CEDBA63B9BB5_en-US_0_1.jpg imlevel_BD66FE53_8AE5_78D9_41DD_686D394D6DCC.url = media/zoomImage_F2BBBB53_DFDF_9840_41DA_CEDBA63B9BB5_en-US_0_1.jpg imlevel_BD66DE53_8AE5_78D9_41D9_0F328A0D084C.url = media/zoomImage_F2BBBB53_DFDF_9840_41DA_CEDBA63B9BB5_en-US_0_2.jpg imlevel_BD66DE53_8AE5_78D9_41D9_0F328A0D084C.url = media/zoomImage_F2BBBB53_DFDF_9840_41DA_CEDBA63B9BB5_en-US_0_2.jpg imlevel_BD673E66_8AE5_78FB_41D4_909256E3F350.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_0.png imlevel_BD673E66_8AE5_78FB_41D4_909256E3F350.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_0.png imlevel_BD671E66_8AE5_78FB_41D7_59D39BC254CB.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_1.png imlevel_BD671E66_8AE5_78FB_41D7_59D39BC254CB.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_1.png imlevel_BD676E66_8AE5_78FB_41D5_130AC9C3F107.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_2.png imlevel_BD676E66_8AE5_78FB_41D5_130AC9C3F107.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_2.png imlevel_BD674E66_8AE5_78FB_41A3_091FBFFC053C.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_3.png imlevel_BD674E66_8AE5_78FB_41A3_091FBFFC053C.url = media/zoomImage_F2BC2B55_DFDF_9840_41DA_369F9012CCCC_en-US_0_3.png imlevel_BD675E7A_8AE5_78C8_41C7_194B3A89F8A8.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_0.png imlevel_BD675E7A_8AE5_78C8_41C7_194B3A89F8A8.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_0.png imlevel_BD678E7A_8AE5_78C8_41CB_ECD24BCA223A.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_1.png imlevel_BD678E7A_8AE5_78C8_41CB_ECD24BCA223A.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_1.png imlevel_BD67EE7A_8AE5_78C8_41D3_0CA46A4A6079.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_2.png imlevel_BD67EE7A_8AE5_78C8_41D3_0CA46A4A6079.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_2.png imlevel_BD67CE7A_8AE5_78C8_41D6_388890300AE0.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_3.png imlevel_BD67CE7A_8AE5_78C8_41D6_388890300AE0.url = media/zoomImage_F2BE1B57_DFDF_9840_41E4_5E45C5403260_en-US_0_3.png imlevel_BD9F2F8D_8AE5_7849_41BE_EB626745CB8A.url = media/zoomImage_F2C12BAE_DFDF_98C0_41EA_E48CD598C2EB_en-US_0_0.jpg imlevel_BD9F2F8D_8AE5_7849_41BE_EB626745CB8A.url = media/zoomImage_F2C12BAE_DFDF_98C0_41EA_E48CD598C2EB_en-US_0_0.jpg imlevel_BD9C5FA1_8AE5_7879_41D1_4613D18F5E92.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_0.jpg imlevel_BD9C5FA1_8AE5_7879_41D1_4613D18F5E92.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_0.jpg imlevel_BD9CAFA1_8AE5_7879_41DA_5761D6578039.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_1.jpg imlevel_BD9CAFA1_8AE5_7879_41DA_5761D6578039.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_1.jpg imlevel_BD9CBFA2_8AE5_787B_41DD_E04C52695E89.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_2.jpg imlevel_BD9CBFA2_8AE5_787B_41DD_E04C52695E89.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_2.jpg imlevel_BD9CFFA2_8AE5_787B_4198_F2F53C0E9CFD.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_3.jpg imlevel_BD9CFFA2_8AE5_787B_4198_F2F53C0E9CFD.url = media/zoomImage_F2C52BB3_DFDF_98C0_4177_738DD45078AF_en-US_0_3.jpg imlevel_BD9F0FB6_8AE5_785B_41BB_688692E01EDD.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_0.jpg imlevel_BD9F0FB6_8AE5_785B_41BB_688692E01EDD.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_0.jpg imlevel_BD9F1FB6_8AE5_785B_41DD_F7A9B5A4EE66.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_1.jpg imlevel_BD9F1FB6_8AE5_785B_41DD_F7A9B5A4EE66.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_1.jpg imlevel_BD9F6FB6_8AE5_785B_41D3_A54B3517B487.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_2.jpg imlevel_BD9F6FB6_8AE5_785B_41D3_A54B3517B487.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_2.jpg imlevel_BD9F4FB6_8AE5_785B_41E1_1041B4C86FCF.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_3.jpg imlevel_BD9F4FB6_8AE5_785B_41E1_1041B4C86FCF.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_3.jpg imlevel_BD9FAFB6_8AE5_785B_41D5_11A39E89A75D.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_4.jpg imlevel_BD9FAFB6_8AE5_785B_41D5_11A39E89A75D.url = media/zoomImage_F2C79BB5_DFDF_98C0_41EA_77AA9AF48374_en-US_0_4.jpg imlevel_BD9D9F78_8AE5_78D7_41D2_0E83257631F8.url = media/zoomImage_F2CB8BA8_DFDF_98C0_41D8_BD7C35C8D5C2_en-US_0_0.jpg imlevel_BD9D9F78_8AE5_78D7_41D2_0E83257631F8.url = media/zoomImage_F2CB8BA8_DFDF_98C0_41D8_BD7C35C8D5C2_en-US_0_0.jpg imlevel_BD9DFF78_8AE5_78D7_41B6_5C789EC1CEC1.url = media/zoomImage_F2CB8BA8_DFDF_98C0_41D8_BD7C35C8D5C2_en-US_0_1.jpg imlevel_BD9DFF78_8AE5_78D7_41B6_5C789EC1CEC1.url = media/zoomImage_F2CB8BA8_DFDF_98C0_41D8_BD7C35C8D5C2_en-US_0_1.jpg imlevel_BD9DCF78_8AE5_78D7_41DF_C3D931041C35.url = media/zoomImage_F2CB8BA8_DFDF_98C0_41D8_BD7C35C8D5C2_en-US_0_2.jpg imlevel_BD9DCF78_8AE5_78D7_41DF_C3D931041C35.url = media/zoomImage_F2CB8BA8_DFDF_98C0_41D8_BD7C35C8D5C2_en-US_0_2.jpg imlevel_BD9E8FF4_8AE5_77DF_41A6_67BB03DE4D4D.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_0.png imlevel_BD9E8FF4_8AE5_77DF_41A6_67BB03DE4D4D.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_0.png imlevel_BD9E9FF4_8AE5_77DF_41CD_8762E59CE2D7.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_1.png imlevel_BD9E9FF4_8AE5_77DF_41CD_8762E59CE2D7.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_1.png imlevel_BD9ECFF4_8AE5_77DF_419E_CA9CB536490E.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_2.png imlevel_BD9ECFF4_8AE5_77DF_419E_CA9CB536490E.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_2.png imlevel_BD992FF4_8AE5_77DF_41E0_593F33FD9C59.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_3.png imlevel_BD992FF4_8AE5_77DF_41E0_593F33FD9C59.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_3.png imlevel_BD990FF4_8AE5_77DF_41D4_CB38A48867D1.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_4.png imlevel_BD990FF4_8AE5_77DF_41D4_CB38A48867D1.url = media/zoomImage_F2D5DBC5_DFDF_9840_41DB_8CAA8BF73F2E_en-US_0_4.png imlevel_BD990008_8AE5_6837_41B2_42A5955B1193.url = media/zoomImage_F2D6EBC6_DFDF_9840_41E1_1AD03DB02A41_en-US_0_0.jpg imlevel_BD990008_8AE5_6837_41B2_42A5955B1193.url = media/zoomImage_F2D6EBC6_DFDF_9840_41E1_1AD03DB02A41_en-US_0_0.jpg imlevel_BD996008_8AE5_6837_41D7_F05F74858387.url = media/zoomImage_F2D6EBC6_DFDF_9840_41E1_1AD03DB02A41_en-US_0_1.jpg imlevel_BD996008_8AE5_6837_41D7_F05F74858387.url = media/zoomImage_F2D6EBC6_DFDF_9840_41E1_1AD03DB02A41_en-US_0_1.jpg imlevel_BD995008_8AE5_6837_4193_421E8F85CEEE.url = media/zoomImage_F2D6EBC6_DFDF_9840_41E1_1AD03DB02A41_en-US_0_2.jpg imlevel_BD995008_8AE5_6837_4193_421E8F85CEEE.url = media/zoomImage_F2D6EBC6_DFDF_9840_41E1_1AD03DB02A41_en-US_0_2.jpg imlevel_BD9E8FC8_8AE5_7837_41D6_9B8CEF6EE262.url = media/zoomImage_F2DE9BBD_DFDF_98C1_41EA_2E9EAC30647A_en-US_0_0.jpg imlevel_BD9E8FC8_8AE5_7837_41D6_9B8CEF6EE262.url = media/zoomImage_F2DE9BBD_DFDF_98C1_41EA_2E9EAC30647A_en-US_0_0.jpg imlevel_BD9F8FC9_8AE5_77C9_41D1_6D85D9040695.url = media/zoomImage_F2DE9BBD_DFDF_98C1_41EA_2E9EAC30647A_en-US_0_1.jpg imlevel_BD9F8FC9_8AE5_77C9_41D1_6D85D9040695.url = media/zoomImage_F2DE9BBD_DFDF_98C1_41EA_2E9EAC30647A_en-US_0_1.jpg imlevel_BD9EDFDD_8AE5_77C9_41D4_2DCE437BEB55.url = media/zoomImage_F2DF4BBE_DFDF_98C3_41D7_9A1E95BFB90C_en-US_0_0.jpg imlevel_BD9EDFDD_8AE5_77C9_41D4_2DCE437BEB55.url = media/zoomImage_F2DF4BBE_DFDF_98C3_41D7_9A1E95BFB90C_en-US_0_0.jpg imlevel_BD992FDE_8AE5_77CB_41C4_72F8006CCAAF.url = media/zoomImage_F2DF4BBE_DFDF_98C3_41D7_9A1E95BFB90C_en-US_0_1.jpg imlevel_BD992FDE_8AE5_77CB_41C4_72F8006CCAAF.url = media/zoomImage_F2DF4BBE_DFDF_98C3_41D7_9A1E95BFB90C_en-US_0_1.jpg imlevel_BD996FDE_8AE5_77CB_41A8_427A7E2204EC.url = media/zoomImage_F2DF4BBE_DFDF_98C3_41D7_9A1E95BFB90C_en-US_0_2.jpg imlevel_BD996FDE_8AE5_77CB_41A8_427A7E2204EC.url = media/zoomImage_F2DF4BBE_DFDF_98C3_41D7_9A1E95BFB90C_en-US_0_2.jpg imlevel_BD63BF09_8AE5_7849_41B6_A2BC81E43B72.url = media/zoomImage_F2E2CB8B_DFDF_98C0_41CA_338484BD7D0A_en-US_0_0.jpg imlevel_BD63BF09_8AE5_7849_41B6_A2BC81E43B72.url = media/zoomImage_F2E2CB8B_DFDF_98C0_41CA_338484BD7D0A_en-US_0_0.jpg imlevel_BD63EF09_8AE5_7849_41D9_8288E8D80AB7.url = media/zoomImage_F2E2CB8B_DFDF_98C0_41CA_338484BD7D0A_en-US_0_1.jpg imlevel_BD63EF09_8AE5_7849_41D9_8288E8D80AB7.url = media/zoomImage_F2E2CB8B_DFDF_98C0_41CA_338484BD7D0A_en-US_0_1.jpg imlevel_BD60CF1E_8AE5_784B_419B_A794BEA09A2F.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_0.jpg imlevel_BD60CF1E_8AE5_784B_419B_A794BEA09A2F.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_0.jpg imlevel_BD60DF1E_8AE5_784B_41D0_54B2F15455D2.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_1.jpg imlevel_BD60DF1E_8AE5_784B_41D0_54B2F15455D2.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_1.jpg imlevel_BD630F1E_8AE5_784B_41D9_03E40D084ED8.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_2.jpg imlevel_BD630F1E_8AE5_784B_41D9_03E40D084ED8.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_2.jpg imlevel_BD636F1E_8AE5_784B_41D8_3D48C0E1E782.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_3.jpg imlevel_BD636F1E_8AE5_784B_41D8_3D48C0E1E782.url = media/zoomImage_F2E33B8D_DFDF_98C0_41E8_8196ECA4F05F_en-US_0_3.jpg imlevel_BD635EF5_8AE5_79D8_41DE_AF5895A903AE.url = media/zoomImage_F2EF0B8A_DFDF_98C0_41EB_9B0BC3D08746_en-US_0_0.jpg imlevel_BD635EF5_8AE5_79D8_41DE_AF5895A903AE.url = media/zoomImage_F2EF0B8A_DFDF_98C0_41EB_9B0BC3D08746_en-US_0_0.jpg imlevel_BD605EF5_8AE5_79D8_41B6_5AD95B45F398.url = media/zoomImage_F2EF0B8A_DFDF_98C0_41EB_9B0BC3D08746_en-US_0_1.jpg imlevel_BD605EF5_8AE5_79D8_41B6_5AD95B45F398.url = media/zoomImage_F2EF0B8A_DFDF_98C0_41EB_9B0BC3D08746_en-US_0_1.jpg imlevel_BD9D1F6E_8AE5_78C8_41A6_DDD1667017BF.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_0.png imlevel_BD9D1F6E_8AE5_78C8_41A6_DDD1667017BF.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_0.png imlevel_BD9D7F6E_8AE5_78C8_41D7_A25C6C56DA59.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_1.png imlevel_BD9D7F6E_8AE5_78C8_41D7_A25C6C56DA59.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_1.png imlevel_BD9DBF6E_8AE5_78C8_41B0_239097301342.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_2.png imlevel_BD9DBF6E_8AE5_78C8_41B0_239097301342.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_2.png imlevel_BD9D8F6E_8AE5_78C8_41D7_DDCF23AD1E06.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_3.png imlevel_BD9D8F6E_8AE5_78C8_41D7_DDCF23AD1E06.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_3.png imlevel_BD9D9F6E_8AE5_78C8_41E0_EEB547F1C2A4.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_4.png imlevel_BD9D9F6E_8AE5_78C8_41E0_EEB547F1C2A4.url = media/zoomImage_F2F3FB9F_DFDF_98C1_41E4_ED6E6F91FE5E_en-US_0_4.png imlevel_BD63AF33_8AE5_7858_41D4_3DF4773013B5.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_0.jpg imlevel_BD63AF33_8AE5_7858_41D4_3DF4773013B5.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_0.jpg imlevel_BD63BF33_8AE5_7858_41E0_2C32AD4A794D.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_1.jpg imlevel_BD63BF33_8AE5_7858_41E0_2C32AD4A794D.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_1.jpg imlevel_BD638F33_8AE5_7858_41E0_C588110E828C.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_2.jpg imlevel_BD638F33_8AE5_7858_41E0_C588110E828C.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_2.jpg imlevel_BD63EF33_8AE5_7858_41AD_8D70E656ADCE.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_3.jpg imlevel_BD63EF33_8AE5_7858_41AD_8D70E656ADCE.url = media/zoomImage_F2FA7B94_DFDF_98C0_41CE_F06EC65257EE_en-US_0_3.jpg imlevel_BD63DF46_8AE5_783B_41E1_1264CA8193A3.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_0.jpg imlevel_BD63DF46_8AE5_783B_41E1_1264CA8193A3.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_0.jpg imlevel_BD623F46_8AE5_783B_41C4_B7BC433C4D4B.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_1.jpg imlevel_BD623F46_8AE5_783B_41C4_B7BC433C4D4B.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_1.jpg imlevel_BD620F46_8AE5_783B_41D7_6F4D659D2FF0.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_2.jpg imlevel_BD620F46_8AE5_783B_41D7_6F4D659D2FF0.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_2.jpg imlevel_BD626F46_8AE5_783B_41D2_99218594B57B.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_3.jpg imlevel_BD626F46_8AE5_783B_41D2_99218594B57B.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_3.jpg imlevel_BD624F46_8AE5_783B_41DA_AACF53A6F6BA.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_4.jpg imlevel_BD624F46_8AE5_783B_41DA_AACF53A6F6BA.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_4.jpg imlevel_BD625F46_8AE5_783B_419F_ACE408ACF619.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_5.jpg imlevel_BD625F46_8AE5_783B_419F_ACE408ACF619.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_5.jpg imlevel_BD62BF47_8AE5_7838_41BD_A3A4C42A1595.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_6.jpg imlevel_BD62BF47_8AE5_7838_41BD_A3A4C42A1595.url = media/zoomImage_F2FB6B96_DFDF_98C0_41E6_D22C8EAE73B1_en-US_0_6.jpg imlevel_BD9D9F59_8AE5_78C9_41D9_B452D6B029C6.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_0.jpg imlevel_BD9D9F59_8AE5_78C9_41D9_B452D6B029C6.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_0.jpg imlevel_BD9DEF59_8AE5_78C9_41CB_D6E3DB3B2AD4.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_1.jpg imlevel_BD9DEF59_8AE5_78C9_41CB_D6E3DB3B2AD4.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_1.jpg imlevel_BD62FF5A_8AE5_78CB_41E0_4DAB255D0E15.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_2.jpg imlevel_BD62FF5A_8AE5_78CB_41E0_4DAB255D0E15.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_2.jpg imlevel_BD62DF5A_8AE5_78CB_41DE_89BD9F790B28.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_3.jpg imlevel_BD62DF5A_8AE5_78CB_41DE_89BD9F790B28.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_3.jpg imlevel_BD9D2F5A_8AE5_78CB_41AB_9603C42720AC.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_4.jpg imlevel_BD9D2F5A_8AE5_78CB_41AB_9603C42720AC.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_4.jpg imlevel_BD9D0F5A_8AE5_78CB_41D4_50B393519099.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_5.jpg imlevel_BD9D0F5A_8AE5_78CB_41D4_50B393519099.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_5.jpg imlevel_BD9D1F5A_8AE5_78CB_41CF_DDA8CB440F23.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_6.jpg imlevel_BD9D1F5A_8AE5_78CB_41CF_DDA8CB440F23.url = media/zoomImage_F2FC3B97_DFDF_98C0_417E_CF1F891E8142_en-US_0_6.jpg imlevel_BD669EB6_8AE5_785B_41A7_0B18338CCF52.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_0.jpg imlevel_BD669EB6_8AE5_785B_41A7_0B18338CCF52.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_0.jpg imlevel_BD66FEB6_8AE5_785B_41DD_9AD716CD46C1.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_1.jpg imlevel_BD66FEB6_8AE5_785B_41DD_9AD716CD46C1.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_1.jpg imlevel_BD66CEB6_8AE5_785B_41C7_BF661C4FE550.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_2.jpg imlevel_BD66CEB6_8AE5_785B_41C7_BF661C4FE550.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_2.jpg imlevel_BD613EB6_8AE5_785B_41A2_708BA3CBA696.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_3.jpg imlevel_BD613EB6_8AE5_785B_41A2_708BA3CBA696.url = media/zoomImage_F3567B24_DFDF_99C0_41C3_2B514635872F_en-US_0_3.jpg ### Popup Image ### Title photo_F8CB11BE_E19F_2977_41AD_C0C7ADA7E3D0.label = 1.A-02-FU-17836 photo_F8CB11BE_E19F_2977_41AD_C0C7ADA7E3D0.label = 1.A-02-FU-17836 photo_F6776427_E19F_2F15_41EA_863021363B4D.label = 1.A-03-FU-17001 photo_F6776427_E19F_2F15_41EA_863021363B4D.label = 1.A-03-FU-17001 album_247E41E4_0110_92CC_416C_3DC9A86EDC7B_2.label = 1.C-01-M album_247E41E4_0110_92CC_416C_3DC9A86EDC7B_3.label = 1.E-01-Intercapedine album_247E41E4_0110_92CC_416C_3DC9A86EDC7B_4.label = 1.F-01-Ceramica rinascimentale panorama_C8601FF9_C2BE_58CD_41DA_00F3281F40C3.label = 1.Ingresso photo_B6A90C58_B324_AC1C_41E1_6DDA4B9DF178.label = 13-5D-3-Dis_JBS_199 photo_B6A90C58_B324_AC1C_41E1_6DDA4B9DF178.label = 13-5D-3-Dis_JBS_199 photo_B6A928F0_B324_942C_41E0_A728EB2AA876.label = 14-5D-4-Sarcofago_00975819 photo_B6A928F0_B324_942C_41E0_A728EB2AA876.label = 14-5D-4-Sarcofago_00975819 photo_AFB2FC17_8B94_14FB_41DA_A20211C375FC.label = 1A3 photo_AFB2FC17_8B94_14FB_41DA_A20211C375FC.label = 1A3 album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_0.label = 2 D.01 photo_AFB71B8D_8BAC_33EF_41B7_51121FF853FC.label = 2.A1-Personaggio maschile stante con mantello photo_AFB71B8D_8BAC_33EF_41B7_51121FF853FC.label = 2.A1-Personaggio maschile stante con mantello album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_2.label = 2.A2-Pegaso album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_3.label = 2.A3-Personaggio maschile avvolto da un mantello album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_4.label = 2.B-01-Menorah album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_5.label = 2.B-02-Menorah-Rubbing album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_6.label = 2.C-01-Aureus album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_7.label = 2.C-02-Aureus-Rubbing panorama_C9412F02_C2BF_B93E_41E6_EC69092EC451.label = 2.Centro album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_8.label = 2.D-02-Figura femminile stante album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_9.label = 2.E-01-Personaggio stante album_36C9AF06_0131_8F4C_4171_4362A4EFFD98_11.label = 2.E-02-Personaggio stante-Disegno album_36619B5F_013F_77FC_416C_B8587D759684_0.label = 3 C.01_dettaglio grappe album_36619B5F_013F_77FC_416C_B8587D759684_1.label = 3.A-01-Parete destra album_36619B5F_013F_77FC_416C_B8587D759684_2.label = 3.B-01-Crux monogrammatica album_36619B5F_013F_77FC_416C_B8587D759684_3.label = 3.B-02-Crux monogrammatica-Rubbing album_36619B5F_013F_77FC_416C_B8587D759684_4.label = 3.B-03-CHI-RHO album_36619B5F_013F_77FC_416C_B8587D759684_5.label = 3.D1-01-Nave album_36619B5F_013F_77FC_416C_B8587D759684_6.label = 3.D1-02-Nave-Rubbing album_36619B5F_013F_77FC_416C_B8587D759684_7.label = 3.D1-03-Personaggio armato-Rubbing-Detail album_36619B5F_013F_77FC_416C_B8587D759684_8.label = 3.D2-01-Personaggio a cavallo album_36619B5F_013F_77FC_416C_B8587D759684_9.label = 3.D3-01-1614-A di d luie-Conteggio album_36619B5F_013F_77FC_416C_B8587D759684_11.label = 3.E-02-Tassello pulitura album_36619B5F_013F_77FC_416C_B8587D759684_10.label = 3.E_01_Residui di combustione album_36619B5F_013F_77FC_416C_B8587D759684_12.label = 3.F 01Frammento di transenna panorama_C86109C1_C2BE_593D_41B7_0C041B9F8522.label = 3.Fondo album_36619B5F_013F_77FC_416C_B8587D759684_13.label = 3.G-01 Trincea V. Friuli colonna photo_FE22F4EF_CECA_70B9_41C6_E62F50814794.label = 3.a - Graffito, 1614_ A di d.. luie photo_FE22F4EF_CECA_70B9_41C6_E62F50814794.label = 3.a - Graffito, 1614_ A di d.. luie photo_E97578C7_CECA_70E9_41E2_CE7813797E4E.label = 3.c - Graffito, 1614_A di d.. luie, conteggio photo_E97578C7_CECA_70E9_41E2_CE7813797E4E.label = 3.c - Graffito, 1614_A di d.. luie, conteggio album_3ADD752A_0133_9347_4166_F20BAC25F907_0.label = 4 A.02 album_3ADD752A_0133_9347_4166_F20BAC25F907_1.label = 4.A Frammenti di affresco panorama_C860920B_C2BF_CB4E_41E1_295ED65F46A9.label = 4.Ambiente_destra album_3ADD752A_0133_9347_4166_F20BAC25F907_2.label = 4.C 01 Ceramica rinascimentale album_366B1E85_0133_914D_4176_92503F15ACD4_1.label = 5.A 02 Affreschi album_366B1E85_0133_914D_4176_92503F15ACD4_2.label = 5.A 03 Affreschi dettaglio panorama_96DFAE1E_933C_772D_41DE_75893EAD12E9.label = 5.Ambiente_sinistra album_366B1E85_0133_914D_4176_92503F15ACD4_4.label = 5.B 01 Imp fognario album_366B1E85_0133_914D_4176_92503F15ACD4_5.label = 5.B-02-Bollo su bipedale album_366B1E85_0133_914D_4176_92503F15ACD4_6.label = 5.C 01 Affreschi album_366B1E85_0133_914D_4176_92503F15ACD4_7.label = 5.D 01 Disegno carboncino album_366B1E85_0133_914D_4176_92503F15ACD4_8.label = 5.D 02 Disegno carboncino Grafico photo_B8E8C991_9104_3CFA_41CD_46D9C14C5CF8.label = CRIPTO_USA_SEZ_AA_ortofoto photo_B8E8C991_9104_3CFA_41CD_46D9C14C5CF8.label = CRIPTO_USA_SEZ_AA_ortofoto photo_B99C3816_9104_7BE6_41E1_33FDDC0CCCCB.label = CRIPTO_USA_SEZ_BB_ortofoto photo_B99C3816_9104_7BE6_41E1_33FDDC0CCCCB.label = CRIPTO_USA_SEZ_BB_ortofoto album_247E41E4_0110_92CC_416C_3DC9A86EDC7B.label = Galleria_1 album_36C9AF06_0131_8F4C_4171_4362A4EFFD98.label = Galleria_2 album_36619B5F_013F_77FC_416C_B8587D759684.label = Galleria_3 album_3ADD752A_0133_9347_4166_F20BAC25F907.label = Galleria_4 album_366B1E85_0133_914D_4176_92503F15ACD4.label = Galleria_5 map_94A7A336_8C48_C64B_41C6_534D3476CEC0.label = Mappa ## Right Click Menu ### Text menuItem_598AFA1A_0DAA_B731_4196_29631F47A640.label = Studio Azimut PlayerMenuItem_BCF826EE_FB47_4531_41EE_C3EE7A1021FE.label = Twiceout S.r.l ## Skin ### Button Button_8BA809E4_910C_3C2C_41E0_38DE8E420C8F_mobile.label = I - History of the area Button_8BA809E4_910C_3C2C_41E0_38DE8E420C8F.label = I - History of the area Button_8AA26A47_9104_3C6D_41D1_101B7D07A5A2_mobile.label = II - The cryptoporticus Button_8AA26A47_9104_3C6D_41D1_101B7D07A5A2.label = II - The cryptoporticus Button_8AAD78F7_9104_3C2D_41DA_8DF0019C706F.label = III - The frescoed decoration Button_8AAD78F7_9104_3C2D_41DA_8DF0019C706F_mobile.label = III - The frescoed decoration Button_8AEBC669_9104_3424_41D1_2222388A8F3C.label = IV - The graffiti Button_8AEBC669_9104_3424_41D1_2222388A8F3C_mobile.label = IV - The graffiti ### Image Image_2FDF5E2E_0117_915C_4169_58D68A1ADB50.url = skin/Image_2FDF5E2E_0117_915C_4169_58D68A1ADB50_en-US.png Image_2FDF5E2E_0117_915C_4169_58D68A1ADB50_mobile.url = skin/Image_2FDF5E2E_0117_915C_4169_58D68A1ADB50_mobile_en-US.png Image_51C7662A_4D99_8334_41C4_D9DCD8FB70CD.url = skin/Image_51C7662A_4D99_8334_41C4_D9DCD8FB70CD_en-US.png Image_51C7662A_4D99_8334_41C4_D9DCD8FB70CD_mobile.url = skin/Image_51C7662A_4D99_8334_41C4_D9DCD8FB70CD_mobile_en-US.png Image_57DB9C0C_4DBF_870D_41C7_54B1BC346158.url = skin/Image_57DB9C0C_4DBF_870D_41C7_54B1BC346158_en-US.png Image_57DB9C0C_4DBF_870D_41C7_54B1BC346158_mobile.url = skin/Image_57DB9C0C_4DBF_870D_41C7_54B1BC346158_mobile_en-US.png Image_6C9F624E_9304_6F3A_41C7_753F2E06430A.url = skin/Image_6C9F624E_9304_6F3A_41C7_753F2E06430A_en-US.png Image_6C9F624E_9304_6F3A_41C7_753F2E06430A_mobile.url = skin/Image_6C9F624E_9304_6F3A_41C7_753F2E06430A_mobile_en-US.png Image_834D78E1_D95D_ECAD_41E6_CD64D25279C2.url = skin/Image_834D78E1_D95D_ECAD_41E6_CD64D25279C2_en-US.jpg Image_834D78E1_D95D_ECAD_41E6_CD64D25279C2_mobile.url = skin/Image_834D78E1_D95D_ECAD_41E6_CD64D25279C2_mobile_en-US.jpg Image_89859FEC_D298_5321_41E6_B42B63F44CF3.url = skin/Image_89859FEC_D298_5321_41E6_B42B63F44CF3_en-US.jpg Image_89859FEC_D298_5321_41E6_B42B63F44CF3_mobile.url = skin/Image_89859FEC_D298_5321_41E6_B42B63F44CF3_mobile_en-US.jpg Image_89879FEC_D298_5321_41DE_2C5EF8232087.url = skin/Image_89879FEC_D298_5321_41DE_2C5EF8232087_en-US.jpg Image_89879FEC_D298_5321_41DE_2C5EF8232087_mobile.url = skin/Image_89879FEC_D298_5321_41DE_2C5EF8232087_mobile_en-US.jpg Image_8D6078D7_D8BE_2C91_41DD_A15EF7C0BD1E.url = skin/Image_8D6078D7_D8BE_2C91_41DD_A15EF7C0BD1E_en-US.png Image_8D6078D7_D8BE_2C91_41DD_A15EF7C0BD1E_mobile.url = skin/Image_8D6078D7_D8BE_2C91_41DD_A15EF7C0BD1E_mobile_en-US.png Image_8D6158D0_D8BE_2CEF_41CF_EFC07B957054.url = skin/Image_8D6158D0_D8BE_2CEF_41CF_EFC07B957054_en-US.png Image_8D6158D0_D8BE_2CEF_41CF_EFC07B957054_mobile.url = skin/Image_8D6158D0_D8BE_2CEF_41CF_EFC07B957054_mobile_en-US.png Image_8D61C8D4_D8BE_2C97_41C3_AC207A909654.url = skin/Image_8D61C8D4_D8BE_2C97_41C3_AC207A909654_en-US.png Image_8D61C8D4_D8BE_2C97_41C3_AC207A909654_mobile.url = skin/Image_8D61C8D4_D8BE_2C97_41C3_AC207A909654_mobile_en-US.png Image_8F37795A_910C_7C66_41DE_90677C286333.url = skin/Image_8F37795A_910C_7C66_41DE_90677C286333_en-US.jpg Image_8F37795A_910C_7C66_41DE_90677C286333_mobile.url = skin/Image_8F37795A_910C_7C66_41DE_90677C286333_mobile_en-US.jpg Image_8F39095D_910C_7C62_41D8_E612BAE82C93.url = skin/Image_8F39095D_910C_7C62_41D8_E612BAE82C93_en-US.jpg Image_8F39095D_910C_7C62_41D8_E612BAE82C93_mobile.url = skin/Image_8F39095D_910C_7C62_41D8_E612BAE82C93_mobile_en-US.jpg Image_8F39A95B_910C_7C66_41DE_FC1AA2DA91AC.url = skin/Image_8F39A95B_910C_7C66_41DE_FC1AA2DA91AC_en-US.jpg Image_8F39A95B_910C_7C66_41DE_FC1AA2DA91AC_mobile.url = skin/Image_8F39A95B_910C_7C66_41DE_FC1AA2DA91AC_mobile_en-US.jpg Image_8FC52454_E0AB_2F55_41D7_32A814F9FCFF.url = skin/Image_8FC52454_E0AB_2F55_41D7_32A814F9FCFF_en-US.png Image_8FC52454_E0AB_2F55_41D7_32A814F9FCFF_mobile.url = skin/Image_8FC52454_E0AB_2F55_41D7_32A814F9FCFF_mobile_en-US.png Image_94CEB0A8_8B9C_0DD5_41E0_A3469A5045C8.url = skin/Image_94CEB0A8_8B9C_0DD5_41E0_A3469A5045C8_en-US.jpg Image_94CEB0A8_8B9C_0DD5_41E0_A3469A5045C8_mobile.url = skin/Image_94CEB0A8_8B9C_0DD5_41E0_A3469A5045C8_mobile_en-US.jpg Image_98B0FA81_D368_5DE3_41D3_DB9626B7DAAE.url = skin/Image_98B0FA81_D368_5DE3_41D3_DB9626B7DAAE_en-US.jpg Image_98B0FA81_D368_5DE3_41D3_DB9626B7DAAE_mobile.url = skin/Image_98B0FA81_D368_5DE3_41D3_DB9626B7DAAE_mobile_en-US.jpg Image_9BB1F5F1_D8C2_2787_41E2_A0330063332B.url = skin/Image_9BB1F5F1_D8C2_2787_41E2_A0330063332B_en-US.png Image_9BB1F5F1_D8C2_2787_41E2_A0330063332B_mobile.url = skin/Image_9BB1F5F1_D8C2_2787_41E2_A0330063332B_mobile_en-US.png Image_9BB275F2_D8C2_2785_41E6_68C1D78EBD01.url = skin/Image_9BB275F2_D8C2_2785_41E6_68C1D78EBD01_en-US.jpg Image_9BB275F2_D8C2_2785_41E6_68C1D78EBD01_mobile.url = skin/Image_9BB275F2_D8C2_2785_41E6_68C1D78EBD01_mobile_en-US.jpg Image_9BB2C5F2_D8C2_2785_41D9_C723E635D554.url = skin/Image_9BB2C5F2_D8C2_2785_41D9_C723E635D554_en-US.png Image_9BB2C5F2_D8C2_2785_41D9_C723E635D554_mobile.url = skin/Image_9BB2C5F2_D8C2_2785_41D9_C723E635D554_mobile_en-US.png Image_A1C2BCA4_9105_D4C9_41CC_EE5FEE9B1004.url = skin/Image_A1C2BCA4_9105_D4C9_41CC_EE5FEE9B1004_en-US.png Image_A1C2BCA4_9105_D4C9_41CC_EE5FEE9B1004_mobile.url = skin/Image_A1C2BCA4_9105_D4C9_41CC_EE5FEE9B1004_mobile_en-US.png Image_B0317F1B_913C_75E0_41E1_20845B1271EA.url = skin/Image_B0317F1B_913C_75E0_41E1_20845B1271EA_en-US.png Image_B0317F1B_913C_75E0_41E1_20845B1271EA_mobile.url = skin/Image_B0317F1B_913C_75E0_41E1_20845B1271EA_mobile_en-US.png Image_B037AF1A_913C_75E0_41B9_022D290C996A.url = skin/Image_B037AF1A_913C_75E0_41B9_022D290C996A_en-US.jpg Image_B037AF1A_913C_75E0_41B9_022D290C996A_mobile.url = skin/Image_B037AF1A_913C_75E0_41B9_022D290C996A_mobile_en-US.jpg Image_B0D5272F_D2A8_B33F_41AA_20F017CCAE91.url = skin/Image_B0D5272F_D2A8_B33F_41AA_20F017CCAE91_en-US.jpg Image_B0D5272F_D2A8_B33F_41AA_20F017CCAE91_mobile.url = skin/Image_B0D5272F_D2A8_B33F_41AA_20F017CCAE91_mobile_en-US.jpg Image_B1F9590F_E0AB_26B4_41DD_6EA5A4841DEB.url = skin/Image_B1F9590F_E0AB_26B4_41DD_6EA5A4841DEB_en-US.jpg Image_B1F9590F_E0AB_26B4_41DD_6EA5A4841DEB_mobile.url = skin/Image_B1F9590F_E0AB_26B4_41DD_6EA5A4841DEB_mobile_en-US.jpg Image_B1FC3709_E0AB_2ABF_41D1_2FEB450A6C0F.url = skin/Image_B1FC3709_E0AB_2ABF_41D1_2FEB450A6C0F_en-US.jpg Image_B1FC3709_E0AB_2ABF_41D1_2FEB450A6C0F_mobile.url = skin/Image_B1FC3709_E0AB_2ABF_41D1_2FEB450A6C0F_mobile_en-US.jpg Image_B8C11B12_9104_5DFE_41D6_5A292A485E22.url = skin/Image_B8C11B12_9104_5DFE_41D6_5A292A485E22_en-US.jpg Image_B8C11B12_9104_5DFE_41D6_5A292A485E22_mobile.url = skin/Image_B8C11B12_9104_5DFE_41D6_5A292A485E22_mobile_en-US.jpg Image_B8CEEB14_9104_5DFA_4190_08A19F34FD3E.url = skin/Image_B8CEEB14_9104_5DFA_4190_08A19F34FD3E_en-US.jpg Image_B8CEEB14_9104_5DFA_4190_08A19F34FD3E_mobile.url = skin/Image_B8CEEB14_9104_5DFA_4190_08A19F34FD3E_mobile_en-US.jpg Image_B8CFBB15_9104_5DFA_41E1_6EA75ACB093B.url = skin/Image_B8CFBB15_9104_5DFA_41E1_6EA75ACB093B_en-US.jpg Image_B8CFBB15_9104_5DFA_41E1_6EA75ACB093B_mobile.url = skin/Image_B8CFBB15_9104_5DFA_41E1_6EA75ACB093B_mobile_en-US.jpg Image_BD21CC02_D2B8_54E6_41B0_495F18E2B127.url = skin/Image_BD21CC02_D2B8_54E6_41B0_495F18E2B127_en-US.jpg Image_BD21CC02_D2B8_54E6_41B0_495F18E2B127_mobile.url = skin/Image_BD21CC02_D2B8_54E6_41B0_495F18E2B127_mobile_en-US.jpg Image_BE9153D1_D95E_1CED_41B6_769AB2D76BF2.url = skin/Image_BE9153D1_D95E_1CED_41B6_769AB2D76BF2_en-US.png Image_BE9153D1_D95E_1CED_41B6_769AB2D76BF2_mobile.url = skin/Image_BE9153D1_D95E_1CED_41B6_769AB2D76BF2_mobile_en-US.png Image_BE97D1A3_9104_6CCF_418D_392B3F3191EC.url = skin/Image_BE97D1A3_9104_6CCF_418D_392B3F3191EC_en-US.jpg Image_BE97D1A3_9104_6CCF_418D_392B3F3191EC_mobile.url = skin/Image_BE97D1A3_9104_6CCF_418D_392B3F3191EC_mobile_en-US.jpg Image_C0FEF4E5_D229_3D67_41E4_E7672EED2A4B.url = skin/Image_C0FEF4E5_D229_3D67_41E4_E7672EED2A4B_en-US.jpg Image_C0FEF4E5_D229_3D67_41E4_E7672EED2A4B_mobile.url = skin/Image_C0FEF4E5_D229_3D67_41E4_E7672EED2A4B_mobile_en-US.jpg Image_C1045FA8_D22B_6BFD_41DF_CA6B53780C7C.url = skin/Image_C1045FA8_D22B_6BFD_41DF_CA6B53780C7C_en-US.jpg Image_C1045FA8_D22B_6BFD_41DF_CA6B53780C7C_mobile.url = skin/Image_C1045FA8_D22B_6BFD_41DF_CA6B53780C7C_mobile_en-US.jpg Image_C63240B8_E17E_90FD_41CB_2295995BE7F9.url = skin/Image_C63240B8_E17E_90FD_41CB_2295995BE7F9_en-US.jpg Image_C63240B8_E17E_90FD_41CB_2295995BE7F9_mobile.url = skin/Image_C63240B8_E17E_90FD_41CB_2295995BE7F9_mobile_en-US.jpg Image_C63350B9_E17E_90FF_41AB_5275B7F9BB04.url = skin/Image_C63350B9_E17E_90FF_41AB_5275B7F9BB04_en-US.png Image_C63350B9_E17E_90FF_41AB_5275B7F9BB04_mobile.url = skin/Image_C63350B9_E17E_90FF_41AB_5275B7F9BB04_mobile_en-US.png Image_C633C0B9_E17E_90FF_41E7_564824722ABF.url = skin/Image_C633C0B9_E17E_90FF_41E7_564824722ABF_en-US.png Image_C633C0B9_E17E_90FF_41E7_564824722ABF_mobile.url = skin/Image_C633C0B9_E17E_90FF_41E7_564824722ABF_mobile_en-US.png Image_C8511685_D399_D5E3_41E0_979B8129D01C.url = skin/Image_C8511685_D399_D5E3_41E0_979B8129D01C_en-US.png Image_C8511685_D399_D5E3_41E0_979B8129D01C_mobile.url = skin/Image_C8511685_D399_D5E3_41E0_979B8129D01C_mobile_en-US.png Image_C856C683_D399_D5E6_41C0_48A3F39F967C.url = skin/Image_C856C683_D399_D5E6_41C0_48A3F39F967C_en-US.jpg Image_C856C683_D399_D5E6_41C0_48A3F39F967C_mobile.url = skin/Image_C856C683_D399_D5E6_41C0_48A3F39F967C_mobile_en-US.jpg Image_C98EB7C9_E145_909C_41CF_38F808BFE55F.url = skin/Image_C98EB7C9_E145_909C_41CF_38F808BFE55F_en-US.png Image_C98EB7C9_E145_909C_41CF_38F808BFE55F_mobile.url = skin/Image_C98EB7C9_E145_909C_41CF_38F808BFE55F_mobile_en-US.png Image_CB4E9D87_D3F8_57EE_41E6_C60425D29BF1.url = skin/Image_CB4E9D87_D3F8_57EE_41E6_C60425D29BF1_en-US.jpg Image_CB4E9D87_D3F8_57EE_41E6_C60425D29BF1_mobile.url = skin/Image_CB4E9D87_D3F8_57EE_41E6_C60425D29BF1_mobile_en-US.jpg Image_CB7478DB_D378_5D67_41DA_16F723DFC005.url = skin/Image_CB7478DB_D378_5D67_41DA_16F723DFC005_en-US.jpg Image_CB7478DB_D378_5D67_41DA_16F723DFC005_mobile.url = skin/Image_CB7478DB_D378_5D67_41DA_16F723DFC005_mobile_en-US.jpg Image_CB75A8DB_D378_5D67_41D2_B3EA086D1515.url = skin/Image_CB75A8DB_D378_5D67_41D2_B3EA086D1515_en-US.png Image_CB75A8DB_D378_5D67_41D2_B3EA086D1515_mobile.url = skin/Image_CB75A8DB_D378_5D67_41D2_B3EA086D1515_mobile_en-US.png Image_CBEE5E5D_D368_5563_41DA_D3CD0F90F977.url = skin/Image_CBEE5E5D_D368_5563_41DA_D3CD0F90F977_en-US.jpg Image_CBEE5E5D_D368_5563_41DA_D3CD0F90F977_mobile.url = skin/Image_CBEE5E5D_D368_5563_41DA_D3CD0F90F977_mobile_en-US.jpg Image_CBEFEE5C_D368_5561_41E2_042285313BAD.url = skin/Image_CBEFEE5C_D368_5561_41E2_042285313BAD_en-US.jpg Image_CBEFEE5C_D368_5561_41E2_042285313BAD_mobile.url = skin/Image_CBEFEE5C_D368_5561_41E2_042285313BAD_mobile_en-US.jpg Image_D40EEDC5_C3C6_5927_41DB_53E7402881AD.url = skin/Image_D40EEDC5_C3C6_5927_41DB_53E7402881AD_en-US.jpg Image_D40EEDC5_C3C6_5927_41DB_53E7402881AD_mobile.url = skin/Image_D40EEDC5_C3C6_5927_41DB_53E7402881AD_mobile_en-US.jpg Image_D535BEAD_C34A_DB7E_41B2_C09ECFED9E92.url = skin/Image_D535BEAD_C34A_DB7E_41B2_C09ECFED9E92_en-US.jpg Image_D535BEAD_C34A_DB7E_41B2_C09ECFED9E92_mobile.url = skin/Image_D535BEAD_C34A_DB7E_41B2_C09ECFED9E92_mobile_en-US.jpg Image_D78C9C3C_D378_D81F_41E2_EAD8DC3E9AB2.url = skin/Image_D78C9C3C_D378_D81F_41E2_EAD8DC3E9AB2_en-US.jpg Image_D78C9C3C_D378_D81F_41E2_EAD8DC3E9AB2_mobile.url = skin/Image_D78C9C3C_D378_D81F_41E2_EAD8DC3E9AB2_mobile_en-US.jpg Image_D78C9C3D_D378_D819_41E1_0AC1C49B143C.url = skin/Image_D78C9C3D_D378_D819_41E1_0AC1C49B143C_en-US.jpg Image_D78C9C3D_D378_D819_41E1_0AC1C49B143C_mobile.url = skin/Image_D78C9C3D_D378_D819_41E1_0AC1C49B143C_mobile_en-US.jpg Image_D79D4F44_D299_B86F_41C7_4380C130AAC4.url = skin/Image_D79D4F44_D299_B86F_41C7_4380C130AAC4_en-US.jpg Image_D79D4F44_D299_B86F_41C7_4380C130AAC4_mobile.url = skin/Image_D79D4F44_D299_B86F_41C7_4380C130AAC4_mobile_en-US.jpg Image_D7ACB463_D2B8_E82A_41D9_A04AABADFE6E.url = skin/Image_D7ACB463_D2B8_E82A_41D9_A04AABADFE6E_en-US.png Image_D7ACB463_D2B8_E82A_41D9_A04AABADFE6E_mobile.url = skin/Image_D7ACB463_D2B8_E82A_41D9_A04AABADFE6E_mobile_en-US.png Image_D7ACB464_D2B8_E82E_41EA_BAC4643E28E9.url = skin/Image_D7ACB464_D2B8_E82E_41EA_BAC4643E28E9_en-US.jpg Image_D7ACB464_D2B8_E82E_41EA_BAC4643E28E9_mobile.url = skin/Image_D7ACB464_D2B8_E82E_41EA_BAC4643E28E9_mobile_en-US.jpg Image_D7BA7088_D298_68E7_41DE_34164CA63B3A.url = skin/Image_D7BA7088_D298_68E7_41DE_34164CA63B3A_en-US.jpg Image_D7BA7088_D298_68E7_41DE_34164CA63B3A_mobile.url = skin/Image_D7BA7088_D298_68E7_41DE_34164CA63B3A_mobile_en-US.jpg Image_D810078C_DD67_A8FF_41B1_4C99966A0307.url = skin/Image_D810078C_DD67_A8FF_41B1_4C99966A0307_en-US.jpg Image_D810078C_DD67_A8FF_41B1_4C99966A0307_mobile.url = skin/Image_D810078C_DD67_A8FF_41B1_4C99966A0307_mobile_en-US.jpg Image_D8101DC8_DD67_D866_41E0_5C6F3F37E2EC.url = skin/Image_D8101DC8_DD67_D866_41E0_5C6F3F37E2EC_en-US.jpg Image_D8101DC8_DD67_D866_41E0_5C6F3F37E2EC_mobile.url = skin/Image_D8101DC8_DD67_D866_41E0_5C6F3F37E2EC_mobile_en-US.jpg Image_DFCB6463_C3DA_CF17_41DB_A2E5412037B6.url = skin/Image_DFCB6463_C3DA_CF17_41DB_A2E5412037B6_en-US.png Image_DFCB6463_C3DA_CF17_41DB_A2E5412037B6_mobile.url = skin/Image_DFCB6463_C3DA_CF17_41DB_A2E5412037B6_mobile_en-US.png Image_E91F3E8C_D378_B5E1_41E5_D5D782A3CEAA.url = skin/Image_E91F3E8C_D378_B5E1_41E5_D5D782A3CEAA_en-US.jpg Image_E91F3E8C_D378_B5E1_41E5_D5D782A3CEAA_mobile.url = skin/Image_E91F3E8C_D378_B5E1_41E5_D5D782A3CEAA_mobile_en-US.jpg Image_FB0F53CC_E169_691A_41E0_17219C4F92AD.url = skin/Image_FB0F53CC_E169_691A_41E0_17219C4F92AD_en-US.png Image_FB0F53CC_E169_691A_41E0_17219C4F92AD_mobile.url = skin/Image_FB0F53CC_E169_691A_41E0_17219C4F92AD_mobile_en-US.png Image_FE964489_E15B_F093_41CD_3A0B17143882.url = skin/Image_FE964489_E15B_F093_41CD_3A0B17143882_en-US.jpg Image_FE964489_E15B_F093_41CD_3A0B17143882_mobile.url = skin/Image_FE964489_E15B_F093_41CD_3A0B17143882_mobile_en-US.jpg Image_FE97D488_E15B_F091_41AC_4A6C71E89801.url = skin/Image_FE97D488_E15B_F091_41AC_4A6C71E89801_en-US.jpg Image_FE97D488_E15B_F091_41AC_4A6C71E89801_mobile.url = skin/Image_FE97D488_E15B_F091_41AC_4A6C71E89801_mobile_en-US.jpg ### Multiline Text HTMLText_EF028E0B_DF31_9BA7_41E2_6705F8E55B95.html =
The cryptoporticus at the Embassy of the United States of America in Rome is not open to the public for visits.
HTMLText_8F39F95C_910C_7C62_41DB_9A9419B1E422.html =
2 - Giovanni Battista Piranesi, Villa Ludovisi, etching, 1748, MR 23038
Image copyright: Roma Capitale, Sovrintendenza Capitolina ai Beni Culturali
Photographic references: Museo di Roma, Archivio Iconografico
(Foto: Alfredo Valeriani)
HTMLText_8F3E395B_910C_7C66_41D3_7A7E404FEA5D.html =
1 - Conrad Lauwers, perspective view of Villa Ludovisi, burin,
trimmed margins, 1600-1699- n. GS 4685
Image copyright: Roma Capitale, Sovrintendenza Capitolina ai Beni Culturali
Photographic references: Museo di Roma, Archivio Iconografico
HTMLText_D4BC450B_C3C6_492F_41E1_4B97E4D57D5E.html =
2 – Mario Cartaro, map of Rome, etching, detail, 1540-1620 (photo E. Nash,) FU.Roma.OBHS.10
Digital image courtesy of the American Academy in Rome,
Photographic Archive
HTMLText_DBBB32EC_C3C9_C8E8_41D5_20A2D01C62E7.html =
3 – Giovanni Battista Piranesi, Horti Sallustiani, general view of the valley between the Quirinal and the Pincio, 1720-1778 (photo E. Nash,) FU.Roma.HORTS.5
Digital image courtesy of the American Academy in Rome,
Photographic Archive
HTMLText_D7ACB464_D2B8_E82F_41E7_579D76E1F330.html =
2 - Brick with producer’s stamp “TI CLAVDI HERMEROTIS”, detail
HTMLText_89861FF1_D298_5323_41E7_41F53428BE2B.html =
1 - Combustion residue
HTMLText_C469CADB_D8CE_2DBC_41E0_C13CDD2EB354.html =
1 - Fresco, flying Pegasus
HTMLText_B8CEBB13_9104_5DFE_41C5_3CFEED22E90A.html =
1 - Fresco, personification of a season
HTMLText_CBEE7E5D_D368_5563_41D6_BAFD699E92DC.html =
1 - Graffito, menorah
HTMLText_C8514685_D399_D5E3_41D6_952177309236.html =
1 - Graffito, standing figure
HTMLText_CB7418DB_D378_5D67_41D3_B8E7E28302B0.html =
1 - Graffito, “Aureus"
HTMLText_C633A0B8_E17E_90FD_41E7_8EA2C46DB64B.html =
1 - Left room, charcoal sketch representing Dionysian thiasos
HTMLText_FE97F488_E15B_F091_4175_CE275AB40694.html =
1 - Left room, frescoes, right wall
HTMLText_9450265B_8B94_756A_4197_FAAB17460602.html =
1 - Map of the Area
HTMLText_D7ACB464_D2B8_E82E_41B6_74DCC3FCD66C.html =
1 - Sewer with gabled roof (“alla cappuccina”)
HTMLText_B0313F1A_913C_75E0_41E0_65FF25B92290.html =
1 - The cryptoporticus after re-discovery, right wall, 1949-1950, in D. Faccenna, ‘Roma (Via Lucullo). – Criptoportico decorato con pitture nel giardino della Villa Boncompagni-Ludovisi’, Atti dell’Accademia Nazionale dei Lincei – Notizie degli scavi di antichità, serie VIII, vol. V, fasc. 1-6, Roma 1951, pp. 107-114, fig. 3
Courtesy of the Accademia Nazionale dei Lincei
HTMLText_D78C9C3D_D378_D819_41D7_1F773712502B.html =
1- Fresco, fragments, right side
HTMLText_9BB205F1_D8C2_2787_41DB_D1332CD3FCEA.html =
1.a - Graffito, crux monogrammatica
HTMLText_8D6178D0_D8BE_2CEF_41C8_1CABBC2AECBE.html =
1.a - Graffito, ship or towering building
HTMLText_9BB295F2_D8C2_2785_41A6_0DD166C5CB84.html =
1.b - Graffito, crux monogrammatica, rubbing with graphite on paper
HTMLText_8D6198D5_D8BE_2C91_41D3_548AE93A1B78.html =
1.b - Graffito, ship or towering building, drawing
HTMLText_8D6018D9_D8BE_2C9E_41D8_C25794C16DF0.html =
1.c - Graffito, armed figure, rubbing with graphite on paper
HTMLText_89862FF2_D298_5321_41C4_239D14DE42E5.html =
2 - Cleaning test, 1996-1998
HTMLText_C40F7731_D8CE_E48D_41D3_D0881FAF3505.html =
2 - Fresco, figure captured in the position of the adlocutio
HTMLText_D78C9C3D_D378_D819_41E7_41206CB44AC0.html =
2 - Fresco, fragments, left side
HTMLText_C851C685_D399_D5E3_41E2_687CB4584A74.html =
2 - Graffito standing figure, drawing
HTMLText_9BB335F3_D8C2_278B_41C4_5861D110FB40.html =
2 - Graffito, chrismon
HTMLText_CBEE0E5D_D368_5563_4176_AB977A396AEA.html =
2 - Graffito, menorah, rubbing with graphite on paper
HTMLText_BE9083D1_D95E_1CED_4169_D38888D508DE.html =
2 - Graffito, figure on horse
HTMLText_CB7488DC_D378_5D61_41E0_C3FE106891F3.html =
2 - Graffito, “Aureus”, rubbing with graphite on paper
HTMLText_C63320B9_E17E_90FF_41EB_A83705651EE1.html =
2 - Left room, charcoal sketch representing Dionysian thiasos, drawing
HTMLText_FE966489_E15B_F093_41E4_1DDF615D245D.html =
2 - Left room, frescoes, right wall, detail
HTMLText_B8CE4B14_9104_5DFA_4192_737D3159E41B.html =
2 - Right wall, general view
HTMLText_B0309F1B_913C_75E0_41D6_99FFA9655E4F.html =
2 - The cryptoporticus after re-discovery, left wall, 1949-1950, in D. Faccenna, ‘Roma (Via Lucullo). – Criptoportico decorato con pitture nel giardino della Villa Boncompagni-Ludovisi’, Atti dell’Accademia Nazionale dei Lincei – Notizie degli scavi di antichità, serie VIII, vol. V, fasc. 1-6, Roma 1951, pp. 107-114, fig. 6
Courtesy of the Accademia Nazionale dei Lincei
HTMLText_8F3E295E_910C_7C1E_41C3_55FC2E0B867F.html =
3 - View of the secret gardens with statue representing Flora, wall painting,
Ludovisi wing conference room, 1886-1890
HTMLText_B1F42910_E0AB_26AC_41DB_5979198DD8F0.html =
3 - Frescoes, right wall, before conservation, 1996-1998
HTMLText_B8CF1B15_9104_5DFA_41D2_4FA4DCC19250.html =
3 - Left wall, general view
HTMLText_C62CB0B9_E17E_90FF_41E8_CC4F56A244F0.html =
3 – Giovanni Battista Naldini, drawing depicting The triumph of Bacchus and Ariadne, from a bas-relief on the sarcophagus in S. Maria Maggiore, 16th c., Oxford Christ Church Picture Gallery, JBS 199.
By permission of the Governing Body of Christ Church, Oxford
HTMLText_834D18E1_D95D_ECAD_41E1_696C41380658.html =
3.a - Graffiti, 1614, “A di d.. luie”
HTMLText_A1CB9CA5_9105_D4CA_41C0_CEE45751302F.html =
3.b - Graffiti, 1614, “A di d.. luie”, counting, drawing
HTMLText_BE9961A4_9104_6CC9_41C2_8B2E2663FD61.html =
3.c – Graffiti, 1614, “A di d.. luie”, counting
HTMLText_B1EB370A_E0AB_2ABD_41EA_731B36AFC363.html =
4 - Frescoes, right wall, cleaning test during conservation, 1996-1998
HTMLText_6C9FF250_9304_6F26_41D5_1C4B96EBBC34.html =
4 - Palazzo Margherita, ca. 1900
Courtesy of Biblioteca Francescana Provinciale “P. Antonio Fania”
c/o Convento di San Matteo in San Marco in Lamis (FG), Italy
HTMLText_C98F37CC_E145_9094_41D4_20F7AC86875B.html =
4 – Sarcophagus with bas-relief representing Dionysian thiasos, 2nd century A.D., British Museum, museum number 1805,0703.130
© The Trustees of the British Museum
HTMLText_FB0F23CD_E169_691A_41DD_630C7E0ADC25.html =
5 - Palazzo Margherita, main gallery,on the piano nobile, ca. 1900
Courtesy of Biblioteca Francescana Provinciale “P. Antonio Fania”
c/o Convento di San Matteo in San Marco in Lamis (FG), Italy
HTMLText_8FF12457_E0AB_2F54_4198_E21B511740F9.html =
5-6 - Frescoes, left room, before and after conservation, 1996-1998
HTMLText_BD212C00_D2B8_54E2_41CF_17B4658352F8.html =
Archaeological sounding along the southern wall of the cryptoporticus,
rediscovery of column shaft fragment, 1996-1997
HTMLText_CB407D88_D3F8_57E2_41E6_E1D378E11152.html =
Fresco, female figure
HTMLText_DFCA7464_C3DA_CF11_41D6_FF0588A5EFED.html =
Graffito, capital M
HTMLText_98B08A81_D368_5DE3_41DC_31A55231A586.html =
Holes for metal clamps, detail, right wall
HTMLText_D7BA7088_D298_68E7_41E2_D541611B76DA.html =
Left room, frescoes on left wall, detail
HTMLText_B0D56730_D2A8_B321_41E9_DAE1319DF433.html =
Opening on the left wall with sculptural fragment reused as a lintel
HTMLText_C0FE14E5_D229_3D66_41A3_65D0DE19F46D.html =
Renaissance period pottery found inside the sewer
HTMLText_D79D4F43_D299_B86A_41E3_472D832A9314.html =
Renaissance pottery
HTMLText_EF8CC330_D378_5321_41E6_E05E00EBADE2.html =
Right wall, general view
HTMLText_C1079FA8_D22B_6BFD_41D2_A59D9A61B774.html =
Sanitary corridor built externally against the left wall
upon rediscovery in 1986-1987, 1st c. A.D.
HTMLText_8F39F95C_910C_7C62_41DB_9A9419B1E422_mobile.html =
2 - Giovanni Battista Piranesi, Villa Ludovisi, etching, 1748, MR 23038
Image copyright: Roma Capitale, Sovrintendenza Capitolina ai Beni Culturali
Photographic references: Museo di Roma, Archivio Iconografico (Foto: Alfredo Valeriani)
HTMLText_C62CB0B9_E17E_90FF_41E8_CC4F56A244F0_mobile.html =
3 – Giovanni Battista Naldini, drawing depicting The triumph of Bacchus and Ariadne, from a bas-relief on the sarcophagus in S. Maria Maggiore, 16th c., Oxford Christ Church Picture Gallery, JBS 199.
By permission of the Governing Body of Christ Church, Oxford
HTMLText_6C9FF250_9304_6F26_41D5_1C4B96EBBC34_mobile.html =
4 - Palazzo Margherita, ca. 1900
Courtesy of Biblioteca Francescana Provinciale “P. Antonio Fania”
c/o Convento di San Matteo in San Marco in Lamis (FG), Italy
HTMLText_FB0F23CD_E169_691A_41DD_630C7E0ADC25_mobile.html =
5 - Palazzo Margherita, main gallery,on the piano nobile, ca. 1900
Courtesy of Biblioteca Francescana Provinciale “P. Antonio Fania” c/o Convento di San Matteo in San Marco in Lamis (FG), Italy
HTMLText_B0313F1A_913C_75E0_41E0_65FF25B92290_mobile.html =
1 - The cryptoporticus after re-discovery, right wall, 1949-1950, in D. Faccenna, ‘Roma (Via Lucullo). – Criptoportico decorato con pitture nel giardino della Villa Boncompagni-Ludovisi’, Atti dell’Accademia Nazionale dei Lincei – Notizie degli scavi di antichità, serie VIII, vol. V, fasc. 1-6, Roma 1951, pp. 107-114, fig. 3
Courtesy of the Accademia Nazionale dei Lincei
HTMLText_B0309F1B_913C_75E0_41D6_99FFA9655E4F_mobile.html =
2 - The cryptoporticus after re-discovery, left wall, 1949-1950, in D. Faccenna, ‘Roma (Via Lucullo). – Criptoportico decorato con pitture nel giardino della Villa Boncompagni-Ludovisi’, Atti dell’Accademia Nazionale dei Lincei – Notizie degli scavi di antichità, serie VIII, vol. V, fasc. 1-6, Roma 1951, pp. 107-114, fig. 6
Courtesy of the Accademia Nazionale dei Lincei
HTMLText_D4BC450B_C3C6_492F_41E1_4B97E4D57D5E_mobile.html =
2 – Mario Cartaro, map of Rome, etching, detail, 1540-1620 (photo E. Nash,) FU.Roma.OBHS.10
Digital image courtesy of the American Academy in Rome, Photographic Archive
HTMLText_DBBB32EC_C3C9_C8E8_41D5_20A2D01C62E7_mobile.html =
3 – Giovanni Battista Piranesi, Horti Sallustiani, general view of the valley between the Quirinal and the Pincio, 1720-1778 (photo E. Nash,) FU.Roma.HORTS.5
Digital image courtesy of the American Academy in Rome, Photographic Archive
HTMLText_8F3E395B_910C_7C66_41D3_7A7E404FEA5D_mobile.html =
1 - Conrad Lauwers, perspective view of Villa Ludovisi, burin, trimmed margins, 1600-1699- n. GS 4685 - Image copyright: Roma Capitale, Sovrintendenza Capitolina ai Beni Culturali
Photographic references: Museo di Roma, Archivio Iconografico
HTMLText_C469CADB_D8CE_2DBC_41E0_C13CDD2EB354_mobile.html =
1 - Fresco, flying Pegasus
HTMLText_CBEE7E5D_D368_5563_41D6_BAFD699E92DC_mobile.html =
1 - Graffito, menorah
HTMLText_C8514685_D399_D5E3_41D6_952177309236_mobile.html =
1 - Graffito, standing figure
HTMLText_CB7418DB_D378_5D67_41D3_B8E7E28302B0_mobile.html =
1 - Graffito, “Aureus"
HTMLText_9BB205F1_D8C2_2787_41DB_D1332CD3FCEA_mobile.html =
1.a - Graffito, crux monogrammatica
HTMLText_9BB295F2_D8C2_2785_41A6_0DD166C5CB84_mobile.html =
1.b - Graffito, crux monogrammatica, rubbing with graphite on paper
HTMLText_C40F7731_D8CE_E48D_41D3_D0881FAF3505_mobile.html =
2 - Fresco, figure captured in the position of the adlocutio
HTMLText_C851C685_D399_D5E3_41E2_687CB4584A74_mobile.html =
2 - Graffito standing figure, drawing
HTMLText_9BB335F3_D8C2_278B_41C4_5861D110FB40_mobile.html =
2 - Graffito, chrismon
HTMLText_CBEE0E5D_D368_5563_4176_AB977A396AEA_mobile.html =
2 - Graffito, menorah, rubbing with graphite on paper
HTMLText_CB7488DC_D378_5D61_41E0_C3FE106891F3_mobile.html =
2 - Graffito, “Aureus”, rubbing with graphite on paper
HTMLText_8FF12457_E0AB_2F54_4198_E21B511740F9_mobile.html =
5-6 - Frescoes, left room, before and after conservation, 1996-1998
HTMLText_CB407D88_D3F8_57E2_41E6_E1D378E11152_mobile.html =
Fresco, female figure
HTMLText_98B08A81_D368_5DE3_41DC_31A55231A586_mobile.html =
Holes for metal clamps, detail, right wall
HTMLText_EF8CC330_D378_5321_41E6_E05E00EBADE2_mobile.html =
Right wall, general view
HTMLText_B8CEBB13_9104_5DFE_41C5_3CFEED22E90A_mobile.html =
1 - Fresco, personification of a season
HTMLText_BE9083D1_D95E_1CED_4169_D38888D508DE_mobile.html =
2 - Graffito, figure on horse
HTMLText_B1F42910_E0AB_26AC_41DB_5979198DD8F0_mobile.html =
3 - Frescoes, right wall, before conservation, 1996-1998
HTMLText_C98F37CC_E145_9094_41D4_20F7AC86875B_mobile.html =
4 – Sarcophagus with bas-relief representing Dionysian thiasos, 2nd century A.D., British Museum, museum number 1805,0703.130
© The Trustees of the British Museum
HTMLText_C1079FA8_D22B_6BFD_41D2_A59D9A61B774_mobile.html =
Sanitary corridor built externally against the left wall
upon rediscovery in 1986-1987, 1st c. A.D.
HTMLText_D7ACB464_D2B8_E82F_41E7_579D76E1F330_mobile.html =
2 - Brick with producer’s stamp “TI CLAVDI HERMEROTIS”, detail
HTMLText_89861FF1_D298_5323_41E7_41F53428BE2B_mobile.html =
1 - Combustion residue
HTMLText_C633A0B8_E17E_90FD_41E7_8EA2C46DB64B_mobile.html =
1 - Left room, charcoal sketch representing Dionysian thiasos
HTMLText_FE97F488_E15B_F091_4175_CE275AB40694_mobile.html =
1 - Left room, frescoes, right wall
HTMLText_9450265B_8B94_756A_4197_FAAB17460602_mobile.html =
1 - Map of the Area
HTMLText_D7ACB464_D2B8_E82E_41B6_74DCC3FCD66C_mobile.html =
1 - Sewer with gabled roof (“alla cappuccina”)
HTMLText_D78C9C3D_D378_D819_41D7_1F773712502B_mobile.html =
1- Fresco, fragments, right side
HTMLText_8D6178D0_D8BE_2CEF_41C8_1CABBC2AECBE_mobile.html =
1.a - Graffito, ship or towering building
HTMLText_8D6198D5_D8BE_2C91_41D3_548AE93A1B78_mobile.html =
1.b - Graffito, ship or towering building, drawing
HTMLText_8D6018D9_D8BE_2C9E_41D8_C25794C16DF0_mobile.html =
1.c - Graffito, armed figure, rubbing with graphite on paper
HTMLText_89862FF2_D298_5321_41C4_239D14DE42E5_mobile.html =
2 - Cleaning test, 1996-1998
HTMLText_D78C9C3D_D378_D819_41E7_41206CB44AC0_mobile.html =
2 - Fresco, fragments, left side
HTMLText_C63320B9_E17E_90FF_41EB_A83705651EE1_mobile.html =
2 - Left room, charcoal sketch representing Dionysian thiasos, drawing
HTMLText_FE966489_E15B_F093_41E4_1DDF615D245D_mobile.html =
2 - Left room, frescoes, right wall, detail
HTMLText_B8CE4B14_9104_5DFA_4192_737D3159E41B_mobile.html =
2 - Right wall, general view
HTMLText_8F3E295E_910C_7C1E_41C3_55FC2E0B867F_mobile.html =
3 - View of the secret gardens with statue representing Flora, wall painting,
Ludovisi wing conference room, 1886-1890
HTMLText_B8CF1B15_9104_5DFA_41D2_4FA4DCC19250_mobile.html =
3 - Left wall, general view
HTMLText_834D18E1_D95D_ECAD_41E1_696C41380658_mobile.html =
3.a - Graffiti, 1614, “A di d.. luie”
HTMLText_A1CB9CA5_9105_D4CA_41C0_CEE45751302F_mobile.html =
3.b - Graffiti, 1614, “A di d.. luie”, counting, drawing
HTMLText_BE9961A4_9104_6CC9_41C2_8B2E2663FD61_mobile.html =
3.c – Graffiti, 1614, “A di d.. luie”, counting
HTMLText_B1EB370A_E0AB_2ABD_41EA_731B36AFC363_mobile.html =
4 - Frescoes, right wall, cleaning test during conservation, 1996-1998
HTMLText_BD212C00_D2B8_54E2_41CF_17B4658352F8_mobile.html =
Archaeological sounding along the southern wall of the cryptoporticus,
rediscovery of column shaft fragment, 1996-1997
HTMLText_DFCA7464_C3DA_CF11_41D6_FF0588A5EFED_mobile.html =
Graffito, capital M
HTMLText_D7BA7088_D298_68E7_41E2_D541611B76DA_mobile.html =
Left room, frescoes on left wall, detail
HTMLText_B0D56730_D2A8_B321_41E9_DAE1319DF433_mobile.html =
Opening on the left wall with sculptural fragment reused as a lintel
HTMLText_C0FE14E5_D229_3D66_41A3_65D0DE19F46D_mobile.html =
Renaissance period pottery found inside the sewer
HTMLText_D79D4F43_D299_B86A_41E3_472D832A9314_mobile.html =
Renaissance pottery
HTMLText_D78C9C3E_D378_D81B_41D6_325125E75900.html =
Fresco fragments and added structures
at the end of the room
HTMLText_D78C9C3E_D378_D81B_41D6_325125E75900_mobile.html =
Fresco fragments and added structures
at the end of the room
HTMLText_8F382961_910C_7C22_41D5_0F02DC5A351B.html =
I - History of the area


The cryptoporticus at the Embassy of the United States of America in Rome is not open to the public for visits.
HTMLText_B02DFF20_913C_7421_41D7_0602ECB8BC02.html =
II - The cryptoporticus


The cryptoporticus at the Embassy of the United States of America in Rome is not open to the public for visits.
HTMLText_8E56994A_910C_5C61_41C0_90128EF14AAE.html =
III - The frescoed decoration


The cryptoporticus at the Embassy of the United States of America in Rome is not open to the public for visits.
HTMLText_B3FD6EDB_910C_3460_41A3_0D1FCBE31256.html =
IV - The graffiti


The cryptoporticus at the Embassy of the United States of America in Rome is not open to the public for visits.
HTMLText_8F382961_910C_7C22_41D5_0F02DC5A351B_mobile.html =
I - History of the area
HTMLText_B02DFF20_913C_7421_41D7_0602ECB8BC02_mobile.html =
II - The cryptoporticus
HTMLText_8E56994A_910C_5C61_41C0_90128EF14AAE_mobile.html =
III - The frescoed decoration
HTMLText_B3FD6EDB_910C_3460_41A3_0D1FCBE31256_mobile.html =
IV - The graffiti
HTMLText_D1E13175_C37A_49D5_41C8_1D6E768B52BB.html =
The cryptoporticus. General introduction


The cryptoporticus at the Embassy of the United States of America in Rome is not open to the public for visits.
HTMLText_D1E13175_C37A_49D5_41C8_1D6E768B52BB_mobile.html =
The cryptoporticus. General introduction
HTMLText_98B3CA82_D368_5DE1_41B1_721BD8182E6B.html =
Decoration of the walls, lower part.
Floor and rising steps
HTMLText_D7ACB465_D2B8_E829_41A2_39F29BC35AE6.html =
Sewer “alla cappuccina”
HTMLText_CB416D8A_D3F8_57E1_41DD_08C4E81D021A.html =
The frescoed decoration.
Interpretation and iconography, left wall
HTMLText_D7FCDE46_D298_586A_41E3_35A285800710.html =
The frescoed decoration.
Interpretation and iconography, right wall
HTMLText_9BBD05F5_D8C2_278F_41D6_575FB3A86C36.html =
The graffiti. Crux monogrammatica, chrismon
HTMLText_C8539686_D399_D5E1_41E1_694BE4816DCB.html =
The graffiti. Standing figure
HTMLText_8D5E58DC_D8BE_2C97_41E2_AB536A9D2F83.html =
The graffiti.
Ship or towering building, visitor’s names, counting
HTMLText_C0E0C4E7_D229_3D62_41E3_FC486C0E8099.html =
The post-classical period sanitary sewer system
HTMLText_B0D42731_D2A8_B323_41C1_1E893EFCC12D.html =
Wall closing the left side room
HTMLText_8981FFF4_D298_5321_41E1_C9FD84EC0BB7.html =
Combustion residue
HTMLText_FE95C48C_E15B_F091_41B7_97251B692B6A.html =
Frescoes. West wall
HTMLText_98B3CA82_D368_5DE1_41B1_721BD8182E6B_mobile.html =
Decoration of the walls, lower part.
Floor and rising steps
HTMLText_CB416D8A_D3F8_57E1_41DD_08C4E81D021A_mobile.html =
The frescoed decoration.
Interpretation and iconography, left wall
HTMLText_D7FCDE46_D298_586A_41E3_35A285800710_mobile.html =
The frescoed decoration.
Interpretation and iconography, right wall
HTMLText_9BBD05F5_D8C2_278F_41D6_575FB3A86C36_mobile.html =
The graffiti. Crux monogrammatica, chrismon
HTMLText_C8539686_D399_D5E1_41E1_694BE4816DCB_mobile.html =
The graffiti. Standing figure
HTMLText_C0E0C4E7_D229_3D62_41E3_FC486C0E8099_mobile.html =
The post-classical period sanitary sewer system
HTMLText_8981FFF4_D298_5321_41E1_C9FD84EC0BB7_mobile.html =
Combustion residue
HTMLText_FE95C48C_E15B_F091_41B7_97251B692B6A_mobile.html =
Frescoes. West wall
HTMLText_D7ACB465_D2B8_E829_41A2_39F29BC35AE6_mobile.html =
Sewer “alla cappuccina”
HTMLText_8D5E58DC_D8BE_2C97_41E2_AB536A9D2F83_mobile.html =
The graffiti.
Ship or towering building, visitor’s names, counting
HTMLText_B0D42731_D2A8_B323_41C1_1E893EFCC12D_mobile.html =
Wall closing the left side room
HTMLText_DBA7FDFF_C3FE_58EA_41DF_0347E13016B6.html =
The frescoed decoration. Set up and style
HTMLText_DBA7FDFF_C3FE_58EA_41DF_0347E13016B6_mobile.html =
The frescoed decoration. Set up and style
HTMLText_C62DD0BC_E17E_90F5_41D3_23CF1A554DBF.html =
Charcoal sketch
HTMLText_D797CB21_D368_B826_41E7_7DE74C171394.html =
Niche
HTMLText_D79D4F43_D299_B86A_41C2_553F9916AEF2.html =
Sewer
HTMLText_CBEF7E5E_D368_5561_41E2_0C78DDB08962.html =
The graffiti. Menorah
HTMLText_CB76F8DD_D378_5D63_41E5_85371FE51974.html =
The graffiti. Aureus
HTMLText_DFC96465_C3DA_CF13_41C5_8B109585A024.html =
The graffiti. Capital M
HTMLText_C1074FAA_D22B_6BF2_41E6_041F66C07840.html =
The windows
HTMLText_CBEF7E5E_D368_5561_41E2_0C78DDB08962_mobile.html =
The graffiti. Menorah
HTMLText_CB76F8DD_D378_5D63_41E5_85371FE51974_mobile.html =
The graffiti. Aureus
HTMLText_DFC96465_C3DA_CF13_41C5_8B109585A024_mobile.html =
The graffiti. Capital M
HTMLText_C1074FAA_D22B_6BF2_41E6_041F66C07840_mobile.html =
The windows
HTMLText_C62DD0BC_E17E_90F5_41D3_23CF1A554DBF_mobile.html =
Charcoal sketch
HTMLText_D797CB21_D368_B826_41E7_7DE74C171394_mobile.html =
Niche
HTMLText_D79D4F43_D299_B86A_41C2_553F9916AEF2_mobile.html =
Sewer
HTMLText_BD2EDBFF_D2B8_531F_41B6_29AD6A239D50.html =
Back wall. West end, column shaft
HTMLText_C0C74E07_D22F_6CBF_41C3_C8844FDD0CFC.html =
Excavation test. The 1st - 2nd century structure
HTMLText_D7BA7087_D298_68E9_41DC_FCD3A10F854E.html =
Frescoes. East wall
HTMLText_EACACAA1_D367_DD22_41E0_A2D5AF57F8AB.html =
The frescoed decoration. Right wall
HTMLText_EACACAA1_D367_DD22_41E0_A2D5AF57F8AB_mobile.html =
The frescoed decoration. Right wall
HTMLText_C0C74E07_D22F_6CBF_41C3_C8844FDD0CFC_mobile.html =
Excavation test. The 1st - 2nd century structure
HTMLText_BD2EDBFF_D2B8_531F_41B6_29AD6A239D50_mobile.html =
Back wall. West end, column shaft
HTMLText_D7BA7087_D298_68E9_41DC_FCD3A10F854E_mobile.html =
Frescoes. East wall
HTMLText_8D5E68DD_D8BE_2C91_41DB_E984B7FA66B4.html =
1


On the left wall, in this area, there are numerous graffiti, both figurative and written.
Among the more significant ones, there is a rather large representation that could be interpreted as a ship or a towering building with armed figures. Two of these figures are more clearly sketched, wearing short tunics and belts, and carrying swords. A third one, further to the left, is shorter and more concisely represented with a pointed headgear, possibly a helmet. These figures are participating in a battle, either on a ship - the hull possibly represented by the two horizontal, slightly curved parallel lines at the bottom of the scene - or in front of a building. Between the two main figures, tall ladders can be identified. A series of squares at the top, perhaps representing parts of the construction or the sails of the ship, are surmounted by what seems to be another tiny figure, possibly a sentinel.


2


Whether the very peculiar figure on the far left is separate from the scene or pertains to the assault depicted, is uncertain; this figure is a highly symbolic representation of a man, consisting basically of a head in profile, riding a concisely sketched horse, with two short legs, and long tail.


3


Other interesting graffiti are written: a date and text on the right of the previously described scene can be interpreted according to scholars as “1614 …A di ….d(e) luie” meaning “1614 … On the day … of July”. This inscription might be connected with the increasing habit of scholars, antiquarians and artists during the 15th – 16th centuries to explore ancient monuments, often underground, and leave a sign of their visit. The date fits in well with the developments occurring during the post-medieval period, when the rediscovery of classical antiquity became one of the primary drivers leading to the flowering of the Renaissance.
On this area of the wall numerous simple signs and symbols are sketched. One of the most visible ones, right above the previously described inscription, is the numbering or counting system still in use today, with parallel and horizontally crossing lines.
HTMLText_D7FCDE47_D298_586A_41E4_BBE50BE8D8C3.html =
1


On the right wall a series of white panels with a central figure are framed by an illusionist architectural setting. Each panel can be perceived as part of the overall decoration, or as single self-standing representation in which human figures are interspersed with animal figures or vegetation. For example, at the center of one of the panels a flying Pegasus is depicted. In classical iconography the winged horse was used to signify the sun itself for his proximity with Zeus/Jupiter, a very fitting decoration for a summer estate. Its origins lie in oriental cultures and it is associated, in Greek and Roman art, with the myths of Perseus and Bellerophon. Comparisons can be found on mid-1st century paintings, but as a single figure the winged horse is found on sarcophagi dating to the end of the 2nd – early 3rd centuries.


2


The following figure represents a man dressed in a cloak. His left hand is raised in a gesture of salutation; a cane held in his right hand rests on his shoulder. Comparisons with similar figures help us associate this rather generic representation with that of a wayfarer or someone preparing to deliver a speech, captured in the position of the adlocutio, generally attributed to a high-ranking person or military leader delivering an exhortation to his legions, a gesture meant to invoke a good omen.
HTMLText_9BBD25F5_D8C2_278F_41E9_DDE5210D50E0.html =
1


This graffito is one of the religious inscriptions visible in the cryptoporticus. It represents the crux monogrammatica, or monogrammic cross.
Specific reference of the crux monogrammatica to the Christian religion is debated within the scholarly community. In fact, the cross has been used in various contexts related to different religious or magical practices. For example, the Hebrew letter TAU is mentioned in the Old Testament as a protective sign. During the early Christianity the cross was used in connection with the Greek letter CHI, the first letter of the name of Christ (spelled “X” or as a cross “+”). After this initial phase, many variants of the cross were developed and the monogrammic cross became less common after the fifth century.


2


The chrismon, visible to the right on the same wall, is, in contrast, strictly connected to the Christian religion, as a monogram composed of the two initial Greek letters of the name of Christ: the CHI (“X”), and the RHO (“P”). This monogram is used as an abbreviation or as a symbol.


Both the chrismon and the monogrammic cross were first used in Roman epigraphy around 320-340 A.D. and are rather frequent during the 4th – 6th centuries A.D.
HTMLText_C0E1A4ED_D229_3D66_41DB_97C5D1E6A23F.html =
A low conduit with square manholes framed by travertine slabs, runs along the lower part of the right wall and – for a short section - along the left wall. The conduit, seemingly a post-classical period sanitary sewer system built into the floor, starts in the right-side room and ends in correspondence with the dirt mound resting against the entrance wall, which most likely hides a larger sewer.


The reason behind the construction of this sewer is unknown, but the level of the three manholes and the construction technique, indicate it was built after the 3rd century A.D., when the floor level had risen. Also, during the archaeological excavation, many fragments of Renaissance pottery were found inside the sewer. These elements date the conduit to a post-classical period, possibly between the late Middle Ages and the Renaissance.
HTMLText_B0D79731_D2A8_B323_41D0_96E69C7D7862.html =
Approximately 9 meters from the current entrance we find a side room on the right of the main gallery (north) and a secondary corridor on the left (south). Before creating the currently visible frescoed decoration, dating to the end of the 2nd-beginning of the 3rd centuries A.D., access to the left corridor was closed with a wall made of re-used cut tiles. Evidence dating the wall before the frescoes is found in the remaining fragments of painted plaster in the corner between the main corridor wall and the infill wall.


The small door opening into the infill wall can be dated approximately to a post-late antique period based on the level of its threshold and on the chronology of the sculptural marble fragment utilized as a lintel. This interesting artifact, decorated with a latticework motif in bas-relief, is probably a re-used element, originally part of the low chancel screen typically used in early Medieval churches to separate the clergy from the nave, reserved for worshippers.
HTMLText_D79D4F43_D299_B86A_41E6_AD6470389F37.html =
As mentioned previously, a low conduit starts at the corner of this room and runs along the right wall of the main gallery. This post-classical sewer was built after the 3rd century A.D., as was confirmed by the presence of numerous Renaissance pottery fragments in the infill.
HTMLText_D7ACB465_D2B8_E829_41A6_B250313BF1CA.html =
Below the fresco, 1996-1997 archeological investigation uncovered a Roman period sewer lined with large bricks called bipedales (meaning “two feet large”) and covered with tiles set on top of it as a gabled tile roof (“alla capuccina”.) One of these bricks bears the producer’s stamp with the abbreviated name “TI CLAVDI HERMEROTIS,” meaning “produced by Tiberius Claudius Hermeros”. The stamp confirmed dating of the structure to the second half of the 1st century A.D.
HTMLText_DFC91465_C3DA_CF13_41E1_B3034D61790B.html =
Inside the cavity at the beginning of the right wall, there is one of numerous graffiti visible on the cryptoporticus walls.


In research, the term “graffiti” indicates letters, drawings, symbols, or signs incised on the plaster or other hard surfaces using a pointed tool, or sketched, for example, with charcoal. The contents of the graffiti are most often spontaneous, informal messages by those who visited the space (see additional historical details “IV – The graffiti”).


This particular graffito represents a capital M and is probably one of the earliest in the cryptoporticus. With a few exceptions, the graffiti are concentrated on the plaster of both walls, at about 150 cm height from the original floor. The position of this graffito very low on the wall suggests a very early phase for the making of this incision, probably the 3rd century A.D.
HTMLText_C62D60BD_E17E_90F7_41C9_5BABD85DFA09.html =
On the higher part of this wall, a masterfully executed charcoal sketch, performed when the room was nearly filled with debris, is visible. It represents a portion of the thiasos or triumphal procession of Dionysus and Ariadne. The scene was quite common in the repertoire of Roman sarcophagi.
What remains of the drawing shows to the right end part of a centaur holding a lyre. A few lines, directly behind it, outline the profile of a bearded figure – probably a second centaur – playing the double pipes. A four-wheeled chariot is sketched on the left area, with a sitting figure, identified as the god Dionysus, and a standing figure, his wife Ariadne, to its left.


Although very fragmentary, the figures can be clearly identified thanks to the comparison with 15th-16th century drawings depicting this scene. The original model for this sketch was found to be the bas-relief decoration of a sarcophagus located in Rome’s S. Maria Maggiore basilica between the 15th and the end of the 16th centuries. Numerous artists were inspired by this mid-2nd century sarcophagus and not only copied it in their sketchbooks, but also creatively reproduced its details in their own art.


Restored and relocated to the nearby papal residence Villa Montalto by Sixtus Vth, between 1585 and 1587, the sarcophagus was removed from public view. Finally purchased in 1786 by Thomas Jenkins, British painter, art-dealer and banker, it was transported to London and became part of the British Museum collections in 1805.
HTMLText_CB41ED8A_D3F8_57E1_41A1_C2FCAFAB0017.html =
On the left wall, the decoration, with alternating red and yellow panels in different sizes, was intentionally performed with a different layout, yet following a similar concept as the one adopted for the right wall.
The only remaining, barely visible decorative element is a standing female figure dressed in a tunic, turning to the right and raising her right arm holding an object. Only an outlined shadow remains, making an interpretation difficult. Still, through comparison with period paintings and decorations, it is possible to associate this figure with the goddess Aphrodite holding a mirror. This iconography is broadly used on pottery after the 4th century B.C.


The straight horizontal incision visible on the plaster, at the bottom, indicates the level of the infill at that time of the cryptoporticus’ re-discovery in 1949. On that occasion, the vault was reconstructed in concrete and a first conservation intervention was carried out on the frescoes (see additional historical details “II – The cryptoporticus”).
HTMLText_D797CB22_D368_B82A_41D9_4F1D9047F193.html =
On the right wall of this space, approximately one meter below the vault, an arched niche with remnants of a thin, irregular plaster are visible. The niche, which was chiseled into the wall and might have been used to house a statue, most likely dates to a post-classical phase.
HTMLText_EACB4AA2_D367_DD21_41E4_EA4091DE1AFD.html =
On the right wall, within red-bordered frames, several figures decorate the canvas-like paintings hanging in sequence: herbal motifs, deriving from the Hellenistic tradition and developed during the period of Augustus and later; a standing female figure, very difficult to decipher due to its poor condition; a rampant ibex, of which only the rear legs remain.
HTMLText_89801FF4_D298_5321_41D7_C972148BE448.html =
On the upper part of the wall a dark mark, covering the frescoes, is visible. During the 1997-1998 conservation project (see additional historical details “I – History of the area”) diagnostic analysis revealed that the black deposits on the surface were mostly composed of the remnants of burning, possibly caused by a torch, or similar light source, secured to the wall. Probably related to the need for illumination of the space, the stain occurred in the post-classical period, and has been preserved. It is a testament to the events which led to the partial abandonment of this area and the accumulation of rubble and soil, obstructing the windows.


Further to the left and above the large oval loss where the decoration is missing, two small rectangular areas show the condition of the surfaces before the above-mentioned conservation project. Dark deposits and built-up encrustations, formed over time, covered the frescoes.
HTMLText_D7BA7087_D298_68E9_41CA_1D6262C91178.html =
On this side, fresco fragments are visible on the upper and lower part of the wall. A gold-color vase typically used to carry water, the hydria, is depicted above the red band marking the bottom of the decoration on an ivory white background. On the higher part, very faded and deteriorated, an almond-shaped element is still visible. Tiny fringes frame this shape all-round. It might represent, in a very stylized way, the tapestries that were hung up to decorate the walls.
HTMLText_CBE8CE5E_D368_5561_41DC_F27954173F6D.html =
One of the most evident graffiti, represented next to the lower margin of the frescoed plaster, is a menorah, one of the most common Jewish symbols. Unfortunately, the loss of the lower portion of the graffito does not allow a more precise dating, as the base of the menorah usually provides an indication of the specific lamp-stand typology, which can either have three feet or be shaped as a pedestal.


The presence of a rather large Jewish community during the Imperial period is witnessed by the settlements identified mainly in the areas of Transtiberim, Subura and Campus Martius. According to some scholars, though, a synagogue existed in the area of Porta Collina in the Servian walls, serving a community settled between the latter and the Porta Esquilina, rather close to the area of the Horti Sallustiani.
HTMLText_8F393961_910C_7C22_41C0_CE7FC925154A.html =
Over the centuries, the area in which the cryptoporticus is located has been among the most historically and archaeologically significant in Rome. Located between the Pincio and Quirinal hills, within the sixth Augustan regio [Latin for “region”] called ‘Alta Semita,’ it was first chosen by Julius Caesar, then by the historian and politician Gaius Sallustius Crispus for their place of residence. Called the Horti Sallustiani (Gardens of Sallust) after its first attested owner, the area became an Imperial property during the 1st century A.D. Covered by lush vegetation, that provided for a fresh and pleasant environment, it was also known as collis hortulorum (the Hill of Gardens), which is one of the reasons the emperors chose to use it for their summer residence.


The area was also strategically and religiously important, as it was located next to Porta Collina, the main access to the city from the north, and close to three important temples dedicated to the goddess Fortuna. Although little is known about the configuration of the immense estate, its enlargement and embellishment to become one of the great monumental gardens surrounding the city since the Republican period, can be gathered from ancient sources, which mention the horti (gardens) in relation to the lives of the emperors.


At the end of the third century A.D., emperor Aurelianus contributed considerably to the restoration and enhancement of the Horti Sallustiani, which he preferred to the official Imperial residence on the Palatine hill. Aurelianus is known for his construction of the new fortified city walls, superseding the older Servian walls, when the need for an updated line of defense became urgent (270-275 AD, concluded by emperor Probus). The 19 kilometer-long barrier protected the Imperial residence to the north, gained stricter control over Porta Pinciana, one of the most important gateways providing access to Rome, and separated the residence grounds from a large preexisting funerary area.


During the late antique period, the Horti Sallustiani, as was true of many large estates at the time, entered a period of decay and abandonment, coinciding with the deepening political crisis and the relocation of the capital of the Western Empire, first to Milan, and then to Ravenna. The invasion of the Visigoths, led by Alaric in 410 A.D., caused severe damage to the buildings of the imperial property, which were never completely restored. In 455 the Vandals led by Genseric sacked the city for fourteen consecutive days. Again, in 536, Vitiges, King of the Ostrogoths, destroyed several aqueducts, including the Acqua Alessandrina that served this area of Rome. This further contributed to the estate’s abandonment. The war between Justinian’s troops and the Goths (537-553), followed by the invasion by the Lombards (568), caused yet more destruction, decimation of the population, and dramatic economic decay.


As the leadership of the city was gradually taken over by the rising ecclesiastical power, functions and structures changed and the urban setting was modified. New religious buildings arose, monasteries were established, burials within the city walls became common, and most of the public monuments served as quarries for materials or were modified for re-use. The imperial property and its buildings are mentioned in the written sources describing the lives of Saints Crescentius, Susanna, Laurentius and Hippolitus.
During the Middle Ages the grounds where the Imperial summer residence once stood became a depopulated area of transition between the town and the countryside, the so-called “disabitato” (uninhabited land).


The area started slowly to be repopulated during the Renaissance, due in part to the urban development encouraged by the popes, especially Pius IV and Sixtus V. Important measures such as the establishment of a modern street plan, the remission of taxes, and the restoration of the Acqua Alessandrina aqueduct – renamed, after pope Sixtus V, “Acqua Felice” – led to a livelier phase during the first quarter of the 17th century. The construction of the Capuchin monastery, of the churches S. Isidoro and S. Nicola da Tolentino, and of Palazzo Barberini, with the Triton fountain by Bernini at the center of the square, are a testament to this development. The area of the ancient Horti Sallustiani was divided into several properties owned by religious institutions and private families and used as vineyards and gardens. Graffiti from these periods found on the cryptoporticus walls suggest that it was known and frequented by occasional visitors.


In 1621 Cardinal Ludovico Ludovisi, nephew of the newly elected Pope Gregory XV, purchased four adjoining properties which were unified into one estate of approximately 19 hectares. The four properties were the vineyard of Cardinal del Monte, the land owned by Leonora Cavalcanti, wife of Agostino Maffei (formerly Del Bufalo), the vineyard of Giovanni Antonio Orsini, and the one donated in 1581 by Donna Vittoria della Tolfa, Marquise of Della Valle or Della Guardia, to the monks of S. Maria della Traspontina and called after Cardinal Capponi, who acquired it against a life annuity. The Cardinal aimed at creating a unique place of artfully combined natural, architectural and artistic wonders, expressing the family’s political and cultural program.


The most celebrated architects, artists and gardeners of the time, among whom were Domenichino and Carlo Maderno, were hired to remodel the gardens and refurbish the buildings, showcasing the priceless artworks from the Ludovisi collection. Ludovico Ludovisi was a man of great culture endowed with a sharp and brilliant wit. An expert art connoisseur, between 1621 and 1623 he gathered about 460 sculptures, from the Roman to the ‘modern’ period, and approximately 300 paintings, including works by famous artists such as Guido Reni, the Carracci, Domenichino, Caravaggio, and Andrea del Sarto.


Some of the most beautiful pieces of the statuary collection were exhibited in one of the buildings on the property. Purchased by Cardinal Ludovico Ludovisi with the Della Tolfa property, the building was initially transformed into a library, and later into the “Museum of Statues.” Visible on ancient maps and mentioned in written documents, the structure, formerly called Casino Capponi, was located right above the cryptoporticus, which was reused over time as a storage space for the museum.
After his uncle the Pope passed away, Cardinal Ludovisi was forced to leave the city, and the estate was first administered by his brother Niccolò and then by his son Giambattista. The latter is known to have implemented a rather thoughtless management of the property resulting in the dispersion of part of the art collection and in an attempt to sell the residence.


After Giambattista’s premature death in 1699, and soon after of his only son, which extinguished the Ludovisi male offspring, his sister Ippolita managed to recover many of the artworks and to redeem the family property.
The fourth of five children and an orphan from her third month of life, Ippolita married the Duke of Sora and Arce Gregorio Boncompagni in 1681, starting the Boncompagni Ludovisi line. She implemented a meticulous and enlightened administration of the family property, paying special attention to every aspect for its proper use as an aristocratic mansion. She tirelessly directed her efforts to the care of the gardens, the art collection, and the furniture and furnishings, which she selected according to the most exquisite and distinguished modern European and French fashion. The level of refinement pursued by Ippolita even in the kitchen furnishings clearly hints to the high quality she sought in all aspects of her life.


During the first half of the 19th century, the property was further expanded towards the east and it was finally redeemed by Prince Rodolfo Boncompagni Ludovisi from his siblings. Taking advantage of the new city plans designed to turn Rome into a modern capital for the newly united Italy after 1870, the Prince partnered with the construction company Società Generale Immobiliare di lavori di utilità pubblica ed Agricola and sold out the land in lots starting in 1885. As part of the project, he commissioned the construction of a new palace and of two smaller twin villas for his younger sons by the well-known architect Gaetano Koch.


In 1892, only 18 months after the completion of the new residence, Prince Rodolfo was forced to give up the buildings and surrounding lands as a consequence of the general building crisis and the bankruptcy of the Banca di Roma. The larger portion of the Ludovisi collection of statues was sold to the Italian Government on December 21, 1901, after long negotiations.


The estate eventually became the property of the Bank of Italy in 1892, which tried to sell it to the Ministry of Public Instruction and to the Russian Embassy, and then rented it to various people, including two ministers of the American Legation.


In 1900 the residence was finally purchased by King Vittorio Emanuele III for his widowed mother, Margherita di Savoia. Margherita was the daughter of the Duke of Genoa, Ferdinando di Savoia, and Maria Elisabetta of Saxony. She lived in the palace, named since then after her as “Palazzo Margherita,” until her death in 1926. During her years in residence, the queen proved to be popular and socially active. She hosted literary and cultural events, fostered the creation of the Italian Red Cross, supported the industrial arts and politics, and promoted the humanities and the sciences. Margherita met and supported many artists and intellectuals of her time, such as Theodor Mommsen, Ferdinand Gregorovius, Camillo Boito, Antonio Fogazzaro and Giosuè Carducci, who, in spite of being a convinced anti-monarchist, dedicated a famous ode to her.


With the onset of the war in Europe, Queen Margherita volunteered the twin villas and the garden for public use. The area was made into the Red Cross Territorial Hospital Number 2. A plaque by Ercole Drei, dated March 14, 1927, and installed on the wall outside the Consulate, commemorates the gratitude of the people of Italy for Queen Margherita’s generosity.


On June 5, 1928, the National Union of Farmers of the fascist Government (Confederazione Fascista degli Agricoltori) established itself in the Palazzo Margherita, while the fascist party and a limited liability real estate company (Società Anonima Immobiliare) moved into the twin villas.


In 1931, the American Diplomatic Mission opened its Consulate in the Villa on Via Veneto and its Embassy in the building on Via Boncompagni. During World War II, the American Diplomatic Mission had to abandon the twin villas. Finally, on August 3, 1946, the Government of the United States of America purchased the main palace for 281,250,000 Italian lire from the Union of Farmers, to establish a larger diplomatic mission. The value of the deed was corresponded by a private company, the Azienda Rilievo Alienazione Residuati, in debt to the United States Government for the transfer of surplus war materials.


Between 1948 and 1951, the building underwent major renovations, including the addition of office space through the construction of a new wing designed by the architect Mario de Renzi and the excavation of a motor pool garage. It was during the excavation project that the cryptoporticus was rediscovered, after remaining in oblivion for about 60 years. Analysis of archival documents and the study of the monument reveal that the cryptoporticus continued to be used and visited until the end of the 19th century, when the entire area was altered and completely remodeled.
HTMLText_B02C3F21_913C_7423_41B4_134A65E87D86.html =
The cryptoporticus, which dates to the 1st century A.D., is one of the monuments of the Horti Sallustiani. The Latin term cryptoporticus was coined by Pliny the Younger to describe the covered passages of his residence. Hypogeal or semi-subterranean galleries used as passages were common in stately residences and estates during the Roman period. These underground porticoes normally served as ambulatories (underground pedestrian galleries between buildings and areas), foundations for aboveground structures, or storage spaces. Generally, these structures presented a U-shaped setting, but they could also consist of 1, 2, 3 or more galleries. In our case, as mentioned, the structure was more articulated than it appears today.


Identified as a krypta stoà (a covered walkway or portico), the structure was originally below grade and was used to connect different areas of the Horti Sallustiani Imperial property through richly decorated and pleasantly ventilated passageways. As it appears today, the main gallery, north-east/south-west oriented, is covered by a barrel vault and measures 10,90 meters in length and 4,20 meters in width and is interrupted at its end by a modern wall. The whole structure is in grade from west to east. At approximately 9 meters from the entrance, the cryptoporticus opens on the right into a side room and on the left into a small space that might have been a lateral corridor running towards the south. The ceiling in this space is definitely lower than that of the main gallery and of the room on the opposite side; this suggests it was located below then-existing terracing on the southern side of the cryptoporticus, as can be as well inferred from the rediscovery of fragments of flooring typically used for external spaces (opus spicatum).
Three of the original windows in a tapering shape, called “a bocca di lupo” (meaning wolf’s mouth,) are still preserved on the south wall, at the vault spring line. Today the windows are sealed to ensure climate control and to facilitate the conservation of the frescoes, but originally light and air entered from above, creating a pleasant environment.


In the 1996-1998 project (see below), a narrow corridor built against and parallel to the external south wall of the cryptoporticus was found during the archaeological excavation. The excavated portion of this long and narrow corridor is 18 meters long and follows the descending setup of the main corridor. The structure lies ca. 1,30 meters below the modern street paving and is divided in four small spaces covered by barrel vaults. Its construction is contemporary to the cryptoporticus and served as insulation for the building. This type of arrangement was commonly adopted in classical period hypogeal (underground) structures to improve the climatic condition of buildings, as recommended by Vitruvius, a 1st century B.C. Roman architect, in his technical manual De Architectura (VII, 4).


At the end of the 2nd – beginning of the 3rd centuries A.D., the cryptoporticus was completely re-decorated with frescoes, except for the lower portion of the walls. The latter was lined with a marble wainscoting, which is completely lost. Consistent portions of the frescoes are still preserved, although over time numerous details and elements were lost with the significant events that, over time, caused major deterioration of the wall paintings.


Based on scientific evidence, it is possible to identify at least four phases of transformation of the structure, beginning with its construction. The frescoes in the left side room date to this period, between the Giulio-Claudian emperors and the third quarter of the 1st century A.D. During the second phase, between the end of the 2nd and the beginning of the 3rd century A.D., the cryptoporticus was redecorated with the frescoes we see today. In the third, post-classical period, the floor level was raised, and structural changes were made, which might have been related to a new function, possibly connected to agricultural use of the land. In the fourth and final phase, the structure was repurposed during the Renaissance as storage space serving the building above it, which likely explains its transformation into a room through the construction of a wall at the back end of the gallery.


The cryptoporticus was re-discovered accidentally and restored in 1949-1950, after the remaining portion of the Boncompagni Ludovisi estate including the palazzo grande was purchased by the U.S. Government from the Confederation of Farmers and transformed into a modern diplomatic mission.


After some years, conservation again became necessary, providing an opportunity for more in-depth research. Between 1996 and 1998, a major project, including archaeological excavation and conservation of the frescoes and the supporting structure, was funded by the U.S. Department of State, with help from the World Monuments Fund and the Samuel H. Kress Foundation. The project was carried out in collaboration with the Italian Ministry of Culture and with the scientific contribution of internationally renowned scholars in the fields of archaeology and conservation.
HTMLText_8E57794B_910C_5C66_41D8_E8DA6A7A7EC5.html =
The decoration in the cryptoporticus is articulated in three horizontal areas: a wainscoting, originally covered with a marble facing; a central area comprising the walls; and an upper portion covering the vault, marked at its spring line by a red band.
The frescoes in the central gallery date to the end of the 2nd – beginning of the 3rd century A.D., the period of the Antonine and the Severan dynasties. The decoration in the cryptoporticus reflects the fashion of that time, using different schemes on the different walls of the same room.
Roman wall painting has been studied and classified by scholars in the so-called four “styles,” based mainly on the numerous wall paintings found in an extraordinarily well-preserved condition in the ancient cities of Pompei, Herculaneum, and Stabiae.


The decorative layout of the walls is composed of a series of panels within a faux architectural framework. The right wall shows a combination of the traditional imitation of an architectural setting, typical of what art historians call the second style, and the simple ornamental system consisting of a sequence of panels. These, framed by a red band, can be perceived as part of the overall framework, or as single self-standing representations in which human figures are interspersed with animal figures or vegetation on an ivory-white background. For example, on the right wall the personification of a season, represented as a standing male figure, is followed by a flying Pegasus, then by a man captured in a gesture of salutation, generally attributed to a military leader, a female figure, and what remains of a rampant ibex.
On the left wall, the decoration was intentionally performed with a different layout, following a similar concept as the one adopted for the right wall. The theme of alternating red and yellow panels in different sizes, deriving from the third and fourth styles popular during the Antoninian period (138-193 AD), is applied in a more simplified arrangement.


The decoration of the vault was lost for the most part in 1949, when the central portion of the ceiling collapsed during construction of the Embassy motor-pool garage, revealing the existence of the archaeological site, unknown at the time. Based on the remaining plaster portions we can speculate that the decoration on the vault represented geometrical shapes distanced from each other and separated by dark red-brownish bands with delicate interspersed phytomorphic motifs (decorations of plants and flowers).
HTMLText_C0C6DE08_D22F_6CB1_41E4_A844A1A5DC5E.html =
The deep cavity on your immediate left, excavated by the archaeologist under what remains of the post-classical conduit along the right wall, is a sounding performed in 1996-1997 to investigate the layers under the ancient floor (see additional historical details “II – The cryptoporticus”). The curtain brick wall facing is visible down to the foundations’ springer, much deeper than the current floor level. The construction technique of the walls, called opus testaceum, consists of facings made of fractured tiles and mortar courses, with a nucleus of concrete, tuff scales and brick fragments. The depth of the foundation suggests that the original floor level might have been deeper than the one identified by the archaeologist, but the absence of any further evidence prevents confirmation of this aspect.
HTMLText_DBA0ADFF_C3FE_58EA_41B2_7AD8821A4DF6.html =
The frescoes decorating the cryptoporticus date to the end of the 2nd – beginning of the 3rd century A.D., the Antoninian-Severan period. The decoration reflects the fashion of that time, using different schemes on the different walls of a room (see additional historical details “III – The frescoed decoration”).


The decorative layout of the walls is composed of a series of panels within a faux architectural framework. The right wall shows a combination of the traditional imitation of an architectural setting, typical of what art historians call the second style, and the simple ornamental system consisting of a sequence of panels. One example is the first white rectangle, where you can see, at the center, a standing male figure wearing a cloak, interpreted as the personification of a season, the so-called genius. This iconography became popular at the beginning of the 3rd century A.D. and continued to be represented during the entire century, especially on sarcophagi. The genius was a domestic divinity of the ancient Romans, a “spirit” that was attributed over time to numerous concepts, figures, people, and places (genius loci, genius urbis, genius populi romani, and so on).


On the left wall, the theme of alternating red and yellow panels in different sizes, deriving from the third and fourth styles popular during the Antoninian period, is applied in a more simplified arrangement.


Based on the remaining plaster portions, we can speculate that the decoration on the vault, lost for the most part in the 1949 collapse, represented geometrical shapes distanced from each other and separated by dark red-brownish bands with delicate interspersed phytomorphic motifs, or decorations of plants and flowers.
HTMLText_98B37A83_D368_5DE7_41D2_EF8896C8AAC7.html =
The lower part of both walls lacks any finish. Examination of the surfaces allows us to suppose that it was once decorated with applied marble slabs. The type of grout remaining as a ground layer for the slabs differs from that used to create the frescoes. Numerous tiny holes, irregularly scattered on the surface, are visible. These housed the metal clamps, held in place by tiny marble wedges, that were used to secure the marble slabs to the wall. The larger square holes show where scaffolding was socketed to the structure as the walls were being erected.


From this point you can see that the central corridor of the cryptoporticus, follows a sloping line towards the entrance. The inclined setting of the structure is easily visible on the frescoed decoration, on the vault, and on the sloping dirt floor, which leads towards the west end of the corridor, where we can see one or two ascending steps. Whether this hints to the fact that the cryptoporticus led toward an exit to the west is unknown. The ground was originally covered with a flooring that is completely lost, possibly stripped and re-used.
HTMLText_B3FC2EDD_910C_3460_41BD_48E4281B58F5.html =
The painted plaster on the cryptoporticus walls is covered by a large number of incised letters, drawings, symbols, and signs, called “graffiti,” carried out after the frescoes were painted and until the Renaissance period. As in modern times, graffiti were a spontaneous, informal expression made by people using the space.


A scholarly research project on the graffiti in the cryptoporticus performed in 2001-2002 in collaboration with the Swedish Institute for Classical Studies in Rome established previously unknown information on the use and frequentation of the area over the course of several centuries. The study aimed at documenting the graffiti (a particularly fragile historic record,) interpreting the most relevant ones, and at contextualizing the monument and its history.


The numerous incisions visible on the monument’s plaster, a total of 57 identified so far, are an extraordinary documentation and a testament to the transformation of this once very important property from the early imperial period, throughout the period of abandonment in late antiquity and the Middle Ages, until its revival during the Renaissance.


According to the research, the graffiti can be divided in two main phases: the late antique period, and - subsequent periods. The majority of the incised graffiti are concentrated on the plaster of both the right and left walls, as well as in the left-hand room, at about 150 cm height from the floor level, with a few exceptions. This indicates that debris had accumulated inside the monument, allowing the writers to reach the higher portion of the walls. The floor level in the cryptoporticus was likely randomly raised through accidental infill shortly after the creation of the frescoed decoration (early 3rd century) and before the invasion of the city by Alaric and his Visigoths in 410 A.D. The straight horizontal incision visible on the plaster indicates the level of the infill at that time of the cryptoporticus’ rediscovery in 1949. On that occasion, the vault was reconstructed in concrete and a first conservation intervention was carried out on the frescoes.


What makes the graffiti particularly fascinating is that they are a direct expression of common people. Several of the earliest symbols have a religious meaning, while other incisions represent complex scenes and figures, texts, or very simple decorative elements and signs that express diffused habits.


The graffiti of the cryptoporticus were first mentioned in 1951-1952, when the renowned Italian archaeologists Domenico Faccenna and Michelangelo Cagiano De Azevedo gave notice of the rediscovery of the monument in the bulletin “Notizie degli scavi di antichità” (Notices on the excavation of antiquities), published by the Accademia Nazionale dei Lincei. In their papers, the two scholars describe the monument and the frescoes, giving a first interpretation of some of the graffiti, dating them to the 3rd century A.D.
HTMLText_D78C9C3E_D378_D81B_41E8_5EFE8CA452C0.html =
The side room on the right is, today, reduced in width and interrupted towards the west by modern structures. It is covered by a cross-vault, disrupted by the modern foundation of the buildings above it. On the vault, a few fresco decoration fragments are still preserved. Originally, the space was most likely entirely decorated.
The fresco fragment visible in the right corner of the vault, enclosed by broad brownish bands on a light background, shows part of an acanthus scroll (above) and the calyx of a flower with part of the stem and delicate shoots on both sides (at the corner).
The painted decoration on the left corner represents a nude seated male figure, with a cloak on his legs, torso facing front, and his head and raised right arm turned to the right. The very fragmentary figure repeats the rather wide-spread iconography of mythological heroes, such as Meleager, Narcissus, Apollo, Endymion, and others, in a resting position. The loss of any more detailed attributes and accompanying figures make exact interpretation impossible. Due to the fragmentary condition of the paintings, it is extremely difficult to suggest a chronology. Nonetheless, representations of young heroes, particularly Narcissus and Meleager, were very common in the third quarter of the 1st century A.D., in the artistic manner called “4th style” by art historians.


A partially preserved rather low structure rests against the rear wall. On the top surface cut-out pieces of marble slabs are probably what remains of the facing. There is no indication of what this structure might have been used for, but the likely late chronology, and the possible connection with the conduit, might indicate it was related to some type of activity or the processing of agricultural products grown in the land aboveground. As an alternative, this structure might have been a bench used to take a short rest while passing through the corridors.
HTMLText_BD210C00_D2B8_54E2_41D3_BEE5EAECEE48.html =
The wall interrupting the main gallery to the west is a “modern” addition, possibly dating between the Middle Ages and the Renaissance periods. Its construction coincides most likely with a change in use of the underground structure.
The beautiful fragment of a cipollino marble fluted column shaft leaning against the west wall of the cryptoporticus, on the right, was found in the infill during the excavation of the ventilation space behind the left wall. This architectural element might or might not pertain to one of the imperial estate’s buildings. The absence of a stratigraphic sequence of the infill and of archaeological data regarding the buildings above-ground, make it impossible to speculate about its provenance.
HTMLText_C852B687_D399_D5EF_41D5_22835BC16969.html =
This incised drawing, representing a simply sketched human figure, is one of the testaments to the later, post-classical phases of the cryptoporticus. The figure is standing, wearing a short tunic and slightly turned to the right, head tilted, right arm raised, pointing upwards. During the research project, the graffito was interpreted as a replica of the figure represented in the fresco above it. When the graffito was made, the image of an Aphrodite mirroring herself was certainly more clearly visible than it is today. Comparisons with the larger graffito representing a ship or a city, on the right area of the same wall, might help to place this incised drawing in the Medieval period, but attempting to narrow the period of its creation remains mere speculation.
HTMLText_CB89F8DD_D378_5D63_41E5_D575FF61258C.html =
This incision, the name AUREUS, is very important. It provides one of the dating elements for the early phase of the graffiti-making. While the name Aureus is found in epigraphy during the 2nd and 3rd centuries, the lettering used to write the person’s name is typical of ancient Roman cursive since the 1st century B.C. In particular the “E” written using two vertical parallel strokes, dates to a very early phase, and was commonly used when writing on wax tablets.


The same name, “Aureus”, is repeated below in a less accurate and legible way. The very early date of this graffito is also consistent with its location at the margins of the painted representation. At that time, the three-dimensional illusionist decoration was evident and well preserved, which probably inhibited its “writer” from incising names and symbols on the more central areas with the main figures.
HTMLText_C106DFAB_D22B_6BF3_41DA_CD5E6EE45502.html =
Three original windows in a tapering shape, called “a bocca di lupo” (meaning wolf’s mouth,) are preserved on the south wall, at the barrel vault spring line. Today the windows are sealed to ensure climate control and to facilitate the conservation of the frescoes, but originally light and air entered from above, creating a pleasant environment.
In 1996-1998, a narrow corridor built against and parallel to the external side of the left wall was found during excavation. The structure lies ca. 1,30 m below the modern street paving and is divided in several small spaces covered by barrel vaults (see additional historical details “II – The cryptoporticus”). Its construction is contemporary to the cryptoporticus and served as insulation for the building. This type of arrangement was commonly adopted in classical period hypogeal (underground) structures to improve the climatic condition of buildings, as recommended by Vitruvius, a 1st century B.C. Roman architect, in his technical manual De Architectura (VII, 4).
HTMLText_D1E17175_C37A_49D5_41E6_BCF56485AEE0.html =
Welcome to the cryptoporticus of the Horti Sallustiani, the residence of Roman emperors from the first half of the 1st century A.D. until the early 5th century. The magnificent estate was situated in a deep valley between the Quirinal and Pincian Hills, an area covered by lush vegetation called collis hortulorum (the hill of gardens) (see additional historical details “I – History of the area”).


The structure, dated to the 1st century A.D., was originally below grade and was used to connect different areas of the Imperial property through richly decorated and pleasantly cooler passageways. As it appears today, the main gallery, north-east/south-west oriented, measures 10,90 meters in length and 4,20 meters in width and is interrupted at its end by a modern wall. The whole structure is in grade from west to east. At approximately 9 meters from the entrance, the cryptoporticus opens on the right into a side room and on the left in a small space that might have been a lateral corridor running towards the south.


Based on scientific evidence it is possible to identify at least four phases of transformation of the cryptoporticus. The first phase coincides with its construction. The frescoes in the left side room date to this period, between the Giulio-Claudian emperors and the third quarter of the 1st century A.D. The second phase corresponds with the creation of the frescoes we see today, which can be set at the end of the 2nd - beginning of the 3rd century A.D.); in the third, post-classical phase, the floor level was raised, and structural changes were made, possibly related to the agricultural use of the land. In the fourth phase, the structure was repurposed during the Renaissance as storage space serving the building above it, which likely explains its transformation into a room through the construction of a wall at the back end of the gallery.


The cryptoporticus was re-discovered accidentally and restored in 1949-1950, after the property was purchased by the U.S. Government. At the turn of the millennium, conservation became necessary again. Between 1996 and 1998, a major project including the conservation of the frescoes and archaeological excavation was carried out, allowing to gain a fresh insight into the history of the monument.
HTMLText_FE94548C_E15B_F091_41D7_3B69331BCE0F.html =
What today appears as a small, enclosed space was probably a side corridor. The ceiling in this space is definitely lower than that of the main gallery and of the room on the opposite side, which suggests it was located below a terracing existing on the southern side of the cryptoporticus. This hypothesis might be supported by the rediscovery of part of the typical outdoor Roman period paving made of bricks laid in a herringbone pattern, the so-called opus spicatum.


The space was entirely covered with frescoes and is dated between the Julio-Claudian period and the third quarter of the 1st century A.D., corresponding to the earliest phase of the cryptoporticus.
The painted decoration represents, on an ivory background, an elegant shrine or aedicule, with its columns, the architrave in a perspective, and an acroterial statue, namely a sculpture installed on the pediment of a building’s roof. A long horizontal stem crosses the gold-color statue: it is a thyrsus, the staff carried by the god Dionysus that is normally enveloped by vine or ivy branches, here represented in a stylized way. Further to the right, hanging from the red band framing the scene at the top, another Dionysian attribute appears. It is the small tambourine, or oscillum, also connected to the Dionysiac cult. Under the architrave, a shoot with alternating red and blue wine leaves, extends in an arched line to the right.
HTMLText_D7FCDE47_D298_586A_41E4_BBE50BE8D8C3_mobile.html =
1


On the right wall a series of white panels with a central figure are framed by an illusionist architectural setting. Each panel can be perceived as part of the overall decoration, or as single self-standing representation in which human figures are interspersed with animal figures or vegetation. For example, at the center of one of the panels a flying Pegasus is depicted. In classical iconography the winged horse was used to signify the sun itself for his proximity with Zeus/Jupiter, a very fitting decoration for a summer estate. Its origins lie in oriental cultures and it is associated, in Greek and Roman art, with the myths of Perseus and Bellerophon. Comparisons can be found on mid-1st century paintings, but as a single figure the winged horse is found on sarcophagi dating to the end of the 2nd – early 3rd centuries.


2


The following figure represents a man dressed in a cloak. His left hand is raised in a gesture of salutation; a cane held in his right hand rests on his shoulder. Comparisons with similar figures help us associate this rather generic representation with that of a wayfarer or someone preparing to deliver a speech, captured in the position of the adlocutio, generally attributed to a high-ranking person or military leader delivering an exhortation to his legions, a gesture meant to invoke a good omen.
HTMLText_9BBD25F5_D8C2_278F_41E9_DDE5210D50E0_mobile.html =
1


This graffito is one of the religious inscriptions visible in the cryptoporticus. It represents the crux monogrammatica, or monogrammic cross.
Specific reference of the crux monogrammatica to the Christian religion is debated within the scholarly community. In fact, the cross has been used in various contexts related to different religious or magical practices. For example, the Hebrew letter TAU is mentioned in the Old Testament as a protective sign. During the early Christianity the cross was used in connection with the Greek letter CHI, the first letter of the name of Christ (spelled “X” or as a cross “+”). After this initial phase, many variants of the cross were developed and the monogrammic cross became less common after the fifth century.


2


The chrismon, visible to the right on the same wall, is, in contrast, strictly connected to the Christian religion, as a monogram composed of the two initial Greek letters of the name of Christ: the CHI (“X”), and the RHO (“P”). This monogram is used as an abbreviation or as a symbol.


Both the chrismon and the monogrammic cross were first used in Roman epigraphy around 320-340 A.D. and are rather frequent during the 4th – 6th centuries A.D.
HTMLText_CB41ED8A_D3F8_57E1_41A1_C2FCAFAB0017_mobile.html =
On the left wall, the decoration, with alternating red and yellow panels in different sizes, was intentionally performed with a different layout, yet following a similar concept as the one adopted for the right wall.
The only remaining, barely visible decorative element is a standing female figure dressed in a tunic, turning to the right and raising her right arm holding an object. Only an outlined shadow remains, making an interpretation difficult. Still, through comparison with period paintings and decorations, it is possible to associate this figure with the goddess Aphrodite holding a mirror. This iconography is broadly used on pottery after the 4th century B.C.


The straight horizontal incision visible on the plaster, at the bottom, indicates the level of the infill at that time of the cryptoporticus’ re-discovery in 1949. On that occasion, the vault was reconstructed in concrete and a first conservation intervention was carried out on the frescoes (see additional historical details “II – The cryptoporticus”).
HTMLText_EACB4AA2_D367_DD21_41E4_EA4091DE1AFD_mobile.html =
On the right wall, within red-bordered frames, several figures decorate the canvas-like paintings hanging in sequence: herbal motifs, deriving from the Hellenistic tradition and developed during the period of Augustus and later; a standing female figure, very difficult to decipher due to its poor condition; a rampant ibex, of which only the rear legs remain.
HTMLText_CBE8CE5E_D368_5561_41DC_F27954173F6D_mobile.html =
One of the most evident graffiti, represented next to the lower margin of the frescoed plaster, is a menorah, one of the most common Jewish symbols. Unfortunately, the loss of the lower portion of the graffito does not allow a more precise dating, as the base of the menorah usually provides an indication of the specific lamp-stand typology, which can either have three feet or be shaped as a pedestal.


The presence of a rather large Jewish community during the Imperial period is witnessed by the settlements identified mainly in the areas of Transtiberim, Subura and Campus Martius. According to some scholars, though, a synagogue existed in the area of Porta Collina in the Servian walls, serving a community settled between the latter and the Porta Esquilina, rather close to the area of the Horti Sallustiani.
HTMLText_98B37A83_D368_5DE7_41D2_EF8896C8AAC7_mobile.html =
The lower part of both walls lacks any finish. Examination of the surfaces allows us to suppose that it was once decorated with applied marble slabs. The type of grout remaining as a ground layer for the slabs differs from that used to create the frescoes. Numerous tiny holes, irregularly scattered on the surface, are visible. These housed the metal clamps, held in place by tiny marble wedges, that were used to secure the marble slabs to the wall. The larger square holes show where scaffolding was socketed to the structure as the walls were being erected.


From this point you can see that the central corridor of the cryptoporticus, follows a sloping line towards the entrance. The inclined setting of the structure is easily visible on the frescoed decoration, on the vault, and on the sloping dirt floor, which leads towards the west end of the corridor, where we can see one or two ascending steps. Whether this hints to the fact that the cryptoporticus led toward an exit to the west is unknown. The ground was originally covered with a flooring that is completely lost, possibly stripped and re-used.
HTMLText_C852B687_D399_D5EF_41D5_22835BC16969_mobile.html =
This incised drawing, representing a simply sketched human figure, is one of the testaments to the later, post-classical phases of the cryptoporticus. The figure is standing, wearing a short tunic and slightly turned to the right, head tilted, right arm raised, pointing upwards. During the research project, the graffito was interpreted as a replica of the figure represented in the fresco above it. When the graffito was made, the image of an Aphrodite mirroring herself was certainly more clearly visible than it is today. Comparisons with the larger graffito representing a ship or a city, on the right area of the same wall, might help to place this incised drawing in the Medieval period, but attempting to narrow the period of its creation remains mere speculation.
HTMLText_CB89F8DD_D378_5D63_41E5_D575FF61258C_mobile.html =
This incision, the name AUREUS, is very important. It provides one of the dating elements for the early phase of the graffiti-making. While the name Aureus is found in epigraphy during the 2nd and 3rd centuries, the lettering used to write the person’s name is typical of ancient Roman cursive since the 1st century B.C. In particular the “E” written using two vertical parallel strokes, dates to a very early phase, and was commonly used when writing on wax tablets.


The same name, “Aureus”, is repeated below in a less accurate and legible way. The very early date of this graffito is also consistent with its location at the margins of the painted representation. At that time, the three-dimensional illusionist decoration was evident and well preserved, which probably inhibited its “writer” from incising names and symbols on the more central areas with the main figures.
HTMLText_8D5E68DD_D8BE_2C91_41DB_E984B7FA66B4_mobile.html =
1


On the left wall, in this area, there are numerous graffiti, both figurative and written.
Among the more significant ones, there is a rather large representation that could be interpreted as a ship or a towering building with armed figures. Two of these figures are more clearly sketched, wearing short tunics and belts, and carrying swords. A third one, further to the left, is shorter and more concisely represented with a pointed headgear, possibly a helmet. These figures are participating in a battle, either on a ship - the hull possibly represented by the two horizontal, slightly curved parallel lines at the bottom of the scene - or in front of a building. Between the two main figures, tall ladders can be identified. A series of squares at the top, perhaps representing parts of the construction or the sails of the ship, are surmounted by what seems to be another tiny figure, possibly a sentinel.


2


Whether the very peculiar figure on the far left is separate from the scene or pertains to the assault depicted, is uncertain; this figure is a highly symbolic representation of a man, consisting basically of a head in profile, riding a concisely sketched horse, with two short legs, and long tail.


3


Other interesting graffiti are written: a date and text on the right of the previously described scene can be interpreted according to scholars as “1614 …A di ….d(e) luie” meaning “1614 … On the day … of July”. This inscription might be connected with the increasing habit of scholars, antiquarians and artists during the 15th – 16th centuries to explore ancient monuments, often underground, and leave a sign of their visit. The date fits in well with the developments occurring during the post-medieval period, when the rediscovery of classical antiquity became one of the primary drivers leading to the flowering of the Renaissance.
On this area of the wall numerous simple signs and symbols are sketched. One of the most visible ones, right above the previously described inscription, is the numbering or counting system still in use today, with parallel and horizontally crossing lines.
HTMLText_C0E1A4ED_D229_3D66_41DB_97C5D1E6A23F_mobile.html =
A low conduit with square manholes framed by travertine slabs, runs along the lower part of the right wall and – for a short section - along the left wall. The conduit, seemingly a post-classical period sanitary sewer system built into the floor, starts in the right-side room and ends in correspondence with the dirt mound resting against the entrance wall, which most likely hides a larger sewer.
The reason behind the construction of this sewer is unknown, but the level of the three manholes and the construction technique, indicate it was built after the 3rd century A.D., when the floor level had risen. Also, during the archaeological excavation, many fragments of Renaissance pottery were found inside the sewer. These elements date the conduit to a post-classical period, possibly between the late Middle Ages and the Renaissance.
HTMLText_B0D79731_D2A8_B323_41D0_96E69C7D7862_mobile.html =
Approximately 9 meters from the current entrance we find a side room on the right of the main gallery (north) and a secondary corridor on the left (south). Before creating the currently visible frescoed decoration, dating to the end of the 2nd-beginning of the 3rd centuries A.D., access to the left corridor was closed with a wall made of re-used cut tiles. Evidence dating the wall before the frescoes is found in the remaining fragments of painted plaster in the corner between the main corridor wall and the infill wall.


The small door opening into the infill wall can be dated approximately to a post-late antique period based on the level of its threshold and on the chronology of the sculptural marble fragment utilized as a lintel. This interesting artifact, decorated with a latticework motif in bas-relief, is probably a re-used element, originally part of the low chancel screen typically used in early Medieval churches to separate the clergy from the nave, reserved for worshippers.
HTMLText_D79D4F43_D299_B86A_41E6_AD6470389F37_mobile.html =
As mentioned previously, a low conduit starts at the corner of this room and runs along the right wall of the main gallery. This post-classical sewer was built after the 3rd century A.D., as was confirmed by the presence of numerous Renaissance pottery fragments in the infill.
HTMLText_D7ACB465_D2B8_E829_41A6_B250313BF1CA_mobile.html =
Below the fresco, 1996-1997 archeological investigation uncovered a Roman period sewer lined with large bricks called bipedales (meaning “two feet large”) and covered with tiles set on top of it as a gabled tile roof (“alla capuccina”.) One of these bricks bears the producer’s stamp with the abbreviated name “TI CLAVDI HERMEROTIS,” meaning “produced by Tiberius Claudius Hermeros”. The stamp confirmed dating of the structure to the second half of the 1st century A.D.
HTMLText_DFC91465_C3DA_CF13_41E1_B3034D61790B_mobile.html =
Inside the cavity at the beginning of the right wall, there is one of numerous graffiti visible on the cryptoporticus walls.
In research, the term “graffiti” indicates letters, drawings, symbols, or signs incised on the plaster or other hard surfaces using a pointed tool, or sketched, for example, with charcoal. The contents of the graffiti are most often spontaneous, informal messages by those who visited the space (see additional historical details “IV – The graffiti”).
This particular graffito represents a capital M and is probably one of the earliest in the cryptoporticus. With a few exceptions, the graffiti are concentrated on the plaster of both walls, at about 150 cm height from the original floor. The position of this graffito very low on the wall suggests a very early phase for the making of this incision, probably the 3rd century A.D.
HTMLText_C62D60BD_E17E_90F7_41C9_5BABD85DFA09_mobile.html =
On the higher part of this wall, a masterfully executed charcoal sketch, performed when the room was nearly filled with debris, is visible. It represents a portion of the thiasos or triumphal procession of Dionysus and Ariadne. The scene was quite common in the repertoire of Roman sarcophagi.
What remains of the drawing shows to the right end part of a centaur holding a lyre. A few lines, directly behind it, outline the profile of a bearded figure – probably a second centaur – playing the double pipes. A four-wheeled chariot is sketched on the left area, with a sitting figure, identified as the god Dionysus, and a standing figure, his wife Ariadne, to its left.


Although very fragmentary, the figures can be clearly identified thanks to the comparison with 15th-16th century drawings depicting this scene. The original model for this sketch was found to be the bas-relief decoration of a sarcophagus located in Rome’s S. Maria Maggiore basilica between the 15th and the end of the 16th centuries. Numerous artists were inspired by this mid-2nd century sarcophagus and not only copied it in their sketchbooks, but also creatively reproduced its details in their own art.


Restored and relocated to the nearby papal residence Villa Montalto by Sixtus Vth, between 1585 and 1587, the sarcophagus was removed from public view. Finally purchased in 1786 by Thomas Jenkins, British painter, art-dealer and banker, it was transported to London and became part of the British Museum collections in 1805.
HTMLText_D797CB22_D368_B82A_41D9_4F1D9047F193_mobile.html =
On the right wall of this space, approximately one meter below the vault, an arched niche with remnants of a thin, irregular plaster are visible. The niche, which was chiseled into the wall and might have been used to house a statue, most likely dates to a post-classical phase.
HTMLText_89801FF4_D298_5321_41D7_C972148BE448_mobile.html =
On the upper part of the wall a dark mark, covering the frescoes, is visible. During the 1997-1998 conservation project (see additional historical details “I – History of the area”) diagnostic analysis revealed that the black deposits on the surface were mostly composed of the remnants of burning, possibly caused by a torch, or similar light source, secured to the wall. Probably related to the need for illumination of the space, the stain occurred in the post-classical period, and has been preserved. It is a testament to the events which led to the partial abandonment of this area and the accumulation of rubble and soil, obstructing the windows.


Further to the left and above the large oval loss where the decoration is missing, two small rectangular areas show the condition of the surfaces before the above-mentioned conservation project. Dark deposits and built-up encrustations, formed over time, covered the frescoes.
HTMLText_D7BA7087_D298_68E9_41CA_1D6262C91178_mobile.html =
On this side, fresco fragments are visible on the upper and lower part of the wall. A gold-color vase typically used to carry water, the hydria, is depicted above the red band marking the bottom of the decoration on an ivory white background. On the higher part, very faded and deteriorated, an almond-shaped element is still visible. Tiny fringes frame this shape all-round. It might represent, in a very stylized way, the tapestries that were hung up to decorate the walls.
HTMLText_8F393961_910C_7C22_41C0_CE7FC925154A_mobile.html =
Over the centuries, the area in which the cryptoporticus is located has been among the most historically and archaeologically significant in Rome. Located between the Pincio and Quirinal hills, within the sixth Augustan regio [Latin for “region”] called ‘Alta Semita,’ it was first chosen by Julius Caesar, then by the historian and politician Gaius Sallustius Crispus for their place of residence. Called the Horti Sallustiani (Gardens of Sallust) after its first attested owner, the area became an Imperial property during the 1st century A.D. Covered by lush vegetation, that provided for a fresh and pleasant environment, it was also known as collis hortulorum (the Hill of Gardens), which is one of the reasons the emperors chose to use it for their summer residence.


The area was also strategically and religiously important, as it was located next to Porta Collina, the main access to the city from the north, and close to three important temples dedicated to the goddess Fortuna. Although little is known about the configuration of the immense estate, its enlargement and embellishment to become one of the great monumental gardens surrounding the city since the Republican period, can be gathered from ancient sources, which mention the horti (gardens) in relation to the lives of the emperors.


At the end of the third century A.D., emperor Aurelianus contributed considerably to the restoration and enhancement of the Horti Sallustiani, which he preferred to the official Imperial residence on the Palatine hill. Aurelianus is known for his construction of the new fortified city walls, superseding the older Servian walls, when the need for an updated line of defense became urgent (270-275 AD, concluded by emperor Probus). The 19 kilometer-long barrier protected the Imperial residence to the north, gained stricter control over Porta Pinciana, one of the most important gateways providing access to Rome, and separated the residence grounds from a large preexisting funerary area.


During the late antique period, the Horti Sallustiani, as was true of many large estates at the time, entered a period of decay and abandonment, coinciding with the deepening political crisis and the relocation of the capital of the Western Empire, first to Milan, and then to Ravenna. The invasion of the Visigoths, led by Alaric in 410 A.D., caused severe damage to the buildings of the imperial property, which were never completely restored. In 455 the Vandals led by Genseric sacked the city for fourteen consecutive days. Again, in 536, Vitiges, King of the Ostrogoths, destroyed several aqueducts, including the Acqua Alessandrina that served this area of Rome. This further contributed to the estate’s abandonment. The war between Justinian’s troops and the Goths (537-553), followed by the invasion by the Lombards (568), caused yet more destruction, decimation of the population, and dramatic economic decay.


As the leadership of the city was gradually taken over by the rising ecclesiastical power, functions and structures changed and the urban setting was modified. New religious buildings arose, monasteries were established, burials within the city walls became common, and most of the public monuments served as quarries for materials or were modified for re-use. The imperial property and its buildings are mentioned in the written sources describing the lives of Saints Crescentius, Susanna, Laurentius and Hippolitus.
During the Middle Ages the grounds where the Imperial summer residence once stood became a depopulated area of transition between the town and the countryside, the so-called “disabitato” (uninhabited land).


The area started slowly to be repopulated during the Renaissance, due in part to the urban development encouraged by the popes, especially Pius IV and Sixtus V. Important measures such as the establishment of a modern street plan, the remission of taxes, and the restoration of the Acqua Alessandrina aqueduct – renamed, after pope Sixtus V, “Acqua Felice” – led to a livelier phase during the first quarter of the 17th century. The construction of the Capuchin monastery, of the churches S. Isidoro and S. Nicola da Tolentino, and of Palazzo Barberini, with the Triton fountain by Bernini at the center of the square, are a testament to this development. The area of the ancient Horti Sallustiani was divided into several properties owned by religious institutions and private families and used as vineyards and gardens. Graffiti from these periods found on the cryptoporticus walls suggest that it was known and frequented by occasional visitors.


In 1621 Cardinal Ludovico Ludovisi, nephew of the newly elected Pope Gregory XV, purchased four adjoining properties which were unified into one estate of approximately 19 hectares. The four properties were the vineyard of Cardinal del Monte, the land owned by Leonora Cavalcanti, wife of Agostino Maffei (formerly Del Bufalo), the vineyard of Giovanni Antonio Orsini, and the one donated in 1581 by Donna Vittoria della Tolfa, Marquise of Della Valle or Della Guardia, to the monks of S. Maria della Traspontina and called after Cardinal Capponi, who acquired it against a life annuity. The Cardinal aimed at creating a unique place of artfully combined natural, architectural and artistic wonders, expressing the family’s political and cultural program.


The most celebrated architects, artists and gardeners of the time, among whom were Domenichino and Carlo Maderno, were hired to remodel the gardens and refurbish the buildings, showcasing the priceless artworks from the Ludovisi collection. Ludovico Ludovisi was a man of great culture endowed with a sharp and brilliant wit. An expert art connoisseur, between 1621 and 1623 he gathered about 460 sculptures, from the Roman to the ‘modern’ period, and approximately 300 paintings, including works by famous artists such as Guido Reni, the Carracci, Domenichino, Caravaggio, and Andrea del Sarto.


Some of the most beautiful pieces of the statuary collection were exhibited in one of the buildings on the property. Purchased by Cardinal Ludovico Ludovisi with the Della Tolfa property, the building was initially transformed into a library, and later into the “Museum of Statues.” Visible on ancient maps and mentioned in written documents, the structure, formerly called Casino Capponi, was located right above the cryptoporticus, which was reused over time as a storage space for the museum.
After his uncle the Pope passed away, Cardinal Ludovisi was forced to leave the city, and the estate was first administered by his brother Niccolò and then by his son Giambattista. The latter is known to have implemented a rather thoughtless management of the property resulting in the dispersion of part of the art collection and in an attempt to sell the residence.


After Giambattista’s premature death in 1699, and soon after of his only son, which extinguished the Ludovisi male offspring, his sister Ippolita managed to recover many of the artworks and to redeem the family property.
The fourth of five children and an orphan from her third month of life, Ippolita married the Duke of Sora and Arce Gregorio Boncompagni in 1681, starting the Boncompagni Ludovisi line. She implemented a meticulous and enlightened administration of the family property, paying special attention to every aspect for its proper use as an aristocratic mansion. She tirelessly directed her efforts to the care of the gardens, the art collection, and the furniture and furnishings, which she selected according to the most exquisite and distinguished modern European and French fashion. The level of refinement pursued by Ippolita even in the kitchen furnishings clearly hints to the high quality she sought in all aspects of her life.


During the first half of the 19th century, the property was further expanded towards the east and it was finally redeemed by Prince Rodolfo Boncompagni Ludovisi from his siblings. Taking advantage of the new city plans designed to turn Rome into a modern capital for the newly united Italy after 1870, the Prince partnered with the construction company Società Generale Immobiliare di lavori di utilità pubblica ed Agricola and sold out the land in lots starting in 1885. As part of the project, he commissioned the construction of a new palace and of two smaller twin villas for his younger sons by the well-known architect Gaetano Koch.


In 1892, only 18 months after the completion of the new residence, Prince Rodolfo was forced to give up the buildings and surrounding lands as a consequence of the general building crisis and the bankruptcy of the Banca di Roma. The larger portion of the Ludovisi collection of statues was sold to the Italian Government on December 21, 1901, after long negotiations.


The estate eventually became the property of the Bank of Italy in 1892, which tried to sell it to the Ministry of Public Instruction and to the Russian Embassy, and then rented it to various people, including two ministers of the American Legation.


In 1900 the residence was finally purchased by King Vittorio Emanuele III for his widowed mother, Margherita di Savoia. Margherita was the daughter of the Duke of Genoa, Ferdinando di Savoia, and Maria Elisabetta of Saxony. She lived in the palace, named since then after her as “Palazzo Margherita,” until her death in 1926. During her years in residence, the queen proved to be popular and socially active. She hosted literary and cultural events, fostered the creation of the Italian Red Cross, supported the industrial arts and politics, and promoted the humanities and the sciences. Margherita met and supported many artists and intellectuals of her time, such as Theodor Mommsen, Ferdinand Gregorovius, Camillo Boito, Antonio Fogazzaro and Giosuè Carducci, who, in spite of being a convinced anti-monarchist, dedicated a famous ode to her.


With the onset of the war in Europe, Queen Margherita volunteered the twin villas and the garden for public use. The area was made into the Red Cross Territorial Hospital Number 2. A plaque by Ercole Drei, dated March 14, 1927, and installed on the wall outside the Consulate, commemorates the gratitude of the people of Italy for Queen Margherita’s generosity.


On June 5, 1928, the National Union of Farmers of the fascist Government (Confederazione Fascista degli Agricoltori) established itself in the Palazzo Margherita, while the fascist party and a limited liability real estate company (Società Anonima Immobiliare) moved into the twin villas. In 1931, the American Diplomatic Mission opened its Consulate in the Villa on Via Veneto and its Embassy in the building on Via Boncompagni. During World War II, the American Diplomatic Mission had to abandon the twin villas.


Finally, on August 3, 1946, the Government of the United States of America purchased the main palace for 281,250,000 Italian lire from the Union of Farmers, to establish a larger diplomatic mission. The value of the deed was corresponded by a private company, the Azienda Rilievo Alienazione Residuati, in debt to the United States Government for the transfer of surplus war materials.


Between 1948 and 1951, the building underwent major renovations, including the addition of office space through the construction of a new wing designed by the architect Mario de Renzi and the excavation of a motor pool garage. It was during the excavation project that the cryptoporticus was rediscovered, after remaining in oblivion for about 60 years. Analysis of archival documents and the study of the monument reveal that the cryptoporticus continued to be used and visited until the end of the 19th century, when the entire area was altered and completely remodeled.
HTMLText_B02C3F21_913C_7423_41B4_134A65E87D86_mobile.html =
The cryptoporticus, which dates to the 1st century A.D., is one of the monuments of the Horti Sallustiani. The Latin term cryptoporticus was coined by Pliny the Younger to describe the covered passages of his residence. Hypogeal or semi-subterranean galleries used as passages were common in stately residences and estates during the Roman period. These underground porticoes normally served as ambulatories (underground pedestrian galleries between buildings and areas), foundations for aboveground structures, or storage spaces. Generally, these structures presented a U-shaped setting, but they could also consist of 1, 2, 3 or more galleries. In our case, as mentioned, the structure was more articulated than it appears today.


Identified as a krypta stoà (a covered walkway or portico), the structure was originally below grade and was used to connect different areas of the Horti Sallustiani Imperial property through richly decorated and pleasantly ventilated passageways. As it appears today, the main gallery, north-east/south-west oriented, is covered by a barrel vault and measures 10,90 meters in length and 4,20 meters in width and is interrupted at its end by a modern wall. The whole structure is in grade from west to east. At approximately 9 meters from the entrance, the cryptoporticus opens on the right into a side room and on the left into a small space that might have been a lateral corridor running towards the south. The ceiling in this space is definitely lower than that of the main gallery and of the room on the opposite side; this suggests it was located below then-existing terracing on the southern side of the cryptoporticus, as can be as well inferred from the rediscovery of fragments of flooring typically used for external spaces (opus spicatum).
Three of the original windows in a tapering shape, called “a bocca di lupo” (meaning wolf’s mouth,) are still preserved on the south wall, at the vault spring line. Today the windows are sealed to ensure climate control and to facilitate the conservation of the frescoes, but originally light and air entered from above, creating a pleasant environment.


In the 1996-1998 project (see below), a narrow corridor built against and parallel to the external south wall of the cryptoporticus was found during the archaeological excavation. The excavated portion of this long and narrow corridor is 18 meters long and follows the descending setup of the main corridor. The structure lies ca. 1,30 meters below the modern street paving and is divided in four small spaces covered by barrel vaults. Its construction is contemporary to the cryptoporticus and served as insulation for the building. This type of arrangement was commonly adopted in classical period hypogeal (underground) structures to improve the climatic condition of buildings, as recommended by Vitruvius, a 1st century B.C. Roman architect, in his technical manual De Architectura (VII, 4).
At the end of the 2nd – beginning of the 3rd centuries A.D., the cryptoporticus was completely re-decorated with frescoes, except for the lower portion of the walls. The latter was lined with a marble wainscoting, which is completely lost. Consistent portions of the frescoes are still preserved, although over time numerous details and elements were lost with the significant events that, over time, caused major deterioration of the wall paintings.


Based on scientific evidence, it is possible to identify at least four phases of transformation of the structure, beginning with its construction. The frescoes in the left side room date to this period, between the Giulio-Claudian emperors and the third quarter of the 1st century A.D. During the second phase, between the end of the 2nd and the beginning of the 3rd century A.D., the cryptoporticus was redecorated with the frescoes we see today. In the third, post-classical period, the floor level was raised, and structural changes were made, which might have been related to a new function, possibly connected to agricultural use of the land. In the fourth and final phase, the structure was repurposed during the Renaissance as storage space serving the building above it, which likely explains its transformation into a room through the construction of a wall at the back end of the gallery.


The cryptoporticus was re-discovered accidentally and restored in 1949-1950, after the remaining portion of the Boncompagni Ludovisi estate including the palazzo grande was purchased by the U.S. Government from the Confederation of Farmers and transformed into a modern diplomatic mission.


After some years, conservation again became necessary, providing an opportunity for more in-depth research. Between 1996 and 1998, a major project, including archaeological excavation and conservation of the frescoes and the supporting structure, was funded by the U.S. Department of State, with help from the World Monuments Fund and the Samuel H. Kress Foundation. The project was carried out in collaboration with the Italian Ministry of Culture and with the scientific contribution of internationally renowned scholars in the fields of archaeology and conservation.
HTMLText_8E57794B_910C_5C66_41D8_E8DA6A7A7EC5_mobile.html =
The decoration in the cryptoporticus is articulated in three horizontal areas: a wainscoting, originally covered with a marble facing; a central area comprising the walls; and an upper portion covering the vault, marked at its spring line by a red band.
The frescoes in the central gallery date to the end of the 2nd – beginning of the 3rd century A.D., the period of the Antonine and the Severan dynasties. The decoration in the cryptoporticus reflects the fashion of that time, using different schemes on the different walls of the same room.


Roman wall painting has been studied and classified by scholars in the so-called four “styles,” based mainly on the numerous wall paintings found in an extraordinarily well-preserved condition in the ancient cities of Pompei, Herculaneum, and Stabiae.


The decorative layout of the walls is composed of a series of panels within a faux architectural framework. The right wall shows a combination of the traditional imitation of an architectural setting, typical of what art historians call the second style, and the simple ornamental system consisting of a sequence of panels. These, framed by a red band, can be perceived as part of the overall framework, or as single self-standing representations in which human figures are interspersed with animal figures or vegetation on an ivory-white background. For example, on the right wall the personification of a season, represented as a standing male figure, is followed by a flying Pegasus, then by a man captured in a gesture of salutation, generally attributed to a military leader, a female figure, and what remains of a rampant ibex.
On the left wall, the decoration was intentionally performed with a different layout, following a similar concept as the one adopted for the right wall. The theme of alternating red and yellow panels in different sizes, deriving from the third and fourth styles popular during the Antoninian period (138-193 AD), is applied in a more simplified arrangement.


The decoration of the vault was lost for the most part in 1949, when the central portion of the ceiling collapsed during construction of the Embassy motor-pool garage, revealing the existence of the archaeological site, unknown at the time. Based on the remaining plaster portions we can speculate that the decoration on the vault represented geometrical shapes distanced from each other and separated by dark red-brownish bands with delicate interspersed phytomorphic motifs (decorations of plants and flowers).
HTMLText_C0C6DE08_D22F_6CB1_41E4_A844A1A5DC5E_mobile.html =
The deep cavity on your immediate left, excavated by the archaeologist under what remains of the post-classical conduit along the right wall, is a sounding performed in 1996-1997 to investigate the layers under the ancient floor (see additional historical details “II – The cryptoporticus”). The curtain brick wall facing is visible down to the foundations’ springer, much deeper than the current floor level. The construction technique of the walls, called opus testaceum, consists of facings made of fractured tiles and mortar courses, with a nucleus of concrete, tuff scales and brick fragments. The depth of the foundation suggests that the original floor level might have been deeper than the one identified by the archaeologist, but the absence of any further evidence prevents confirmation of this aspect.
HTMLText_DBA0ADFF_C3FE_58EA_41B2_7AD8821A4DF6_mobile.html =
The frescoes decorating the cryptoporticus date to the end of the 2nd – beginning of the 3rd century A.D., the Antoninian-Severan period. The decoration reflects the fashion of that time, using different schemes on the different walls of a room (see additional historical details “III – The frescoed decoration”).
The decorative layout of the walls is composed of a series of panels within a faux architectural framework. The right wall shows a combination of the traditional imitation of an architectural setting, typical of what art historians call the second style, and the simple ornamental system consisting of a sequence of panels. One example is the first white rectangle, where you can see, at the center, a standing male figure wearing a cloak, interpreted as the personification of a season, the so-called genius. This iconography became popular at the beginning of the 3rd century A.D. and continued to be represented during the entire century, especially on sarcophagi. The genius was a domestic divinity of the ancient Romans, a “spirit” that was attributed over time to numerous concepts, figures, people, and places (genius loci, genius urbis, genius populi romani, and so on).


On the left wall, the theme of alternating red and yellow panels in different sizes, deriving from the third and fourth styles popular during the Antoninian period, is applied in a more simplified arrangement.
Based on the remaining plaster portions, we can speculate that the decoration on the vault, lost for the most part in the 1949 collapse, represented geometrical shapes distanced from each other and separated by dark red-brownish bands with delicate interspersed phytomorphic motifs, or decorations of plants and flowers.
HTMLText_B3FC2EDD_910C_3460_41BD_48E4281B58F5_mobile.html =
The painted plaster on the cryptoporticus walls is covered by a large number of incised letters, drawings, symbols, and signs, called “graffiti,” carried out after the frescoes were painted and until the Renaissance period. As in modern times, graffiti were a spontaneous, informal expression made by people using the space.


A scholarly research project on the graffiti in the cryptoporticus performed in 2001-2002 in collaboration with the Swedish Institute for Classical Studies in Rome established previously unknown information on the use and frequentation of the area over the course of several centuries. The study aimed at documenting the graffiti (a particularly fragile historic record,) interpreting the most relevant ones, and at contextualizing the monument and its history.


The numerous incisions visible on the monument’s plaster, a total of 57 identified so far, are an extraordinary documentation and a testament to the transformation of this once very important property from the early imperial period, throughout the period of abandonment in late antiquity and the Middle Ages, until its revival during the Renaissance.


According to the research, the graffiti can be divided in two main phases: the late antique period, and - subsequent periods. The majority of the incised graffiti are concentrated on the plaster of both the right and left walls, as well as in the left-hand room, at about 150 cm height from the floor level, with a few exceptions. This indicates that debris had accumulated inside the monument, allowing the writers to reach the higher portion of the walls. The floor level in the cryptoporticus was likely randomly raised through accidental infill shortly after the creation of the frescoed decoration (early 3rd century) and before the invasion of the city by Alaric and his Visigoths in 410 A.D. The straight horizontal incision visible on the plaster indicates the level of the infill at that time of the cryptoporticus’ rediscovery in 1949. On that occasion, the vault was reconstructed in concrete and a first conservation intervention was carried out on the frescoes.


What makes the graffiti particularly fascinating is that they are a direct expression of common people. Several of the earliest symbols have a religious meaning, while other incisions represent complex scenes and figures, texts, or very simple decorative elements and signs that express diffused habits.


The graffiti of the cryptoporticus were first mentioned in 1951-1952, when the renowned Italian archaeologists Domenico Faccenna and Michelangelo Cagiano De Azevedo gave notice of the rediscovery of the monument in the bulletin “Notizie degli scavi di antichità” (Notices on the excavation of antiquities), published by the Accademia Nazionale dei Lincei. In their papers, the two scholars describe the monument and the frescoes, giving a first interpretation of some of the graffiti, dating them to the 3rd century A.D.
HTMLText_D78C9C3E_D378_D81B_41E8_5EFE8CA452C0_mobile.html =
The side room on the right is, today, reduced in width and interrupted towards the west by modern structures. It is covered by a cross-vault, disrupted by the modern foundation of the buildings above it. On the vault, a few fresco decoration fragments are still preserved. Originally, the space was most likely entirely decorated. The fresco fragment visible in the right corner of the vault, enclosed by broad brownish bands on a light background, shows part of an acanthus scroll (above) and the calyx of a flower with part of the stem and delicate shoots on both sides (at the corner). The painted decoration on the left corner represents a nude seated male figure, with a cloak on his legs, torso facing front, and his head and raised right arm turned to the right. The very fragmentary figure repeats the rather wide-spread iconography of mythological heroes, such as Meleager, Narcissus, Apollo, Endymion, and others, in a resting position. The loss of any more detailed attributes and accompanying figures make exact interpretation impossible. Due to the fragmentary condition of the paintings, it is extremely difficult to suggest a chronology. Nonetheless, representations of young heroes, particularly Narcissus and Meleager, were very common in the third quarter of the 1st century A.D., in the artistic manner called “4th style” by art historians.


A partially preserved rather low structure rests against the rear wall. On the top surface cut-out pieces of marble slabs are probably what remains of the facing. There is no indication of what this structure might have been used for, but the likely late chronology, and the possible connection with the conduit, might indicate it was related to some type of activity or the processing of agricultural products grown in the land aboveground. As an alternative, this structure might have been a bench used to take a short rest while passing through the corridors.
HTMLText_BD210C00_D2B8_54E2_41D3_BEE5EAECEE48_mobile.html =
The wall interrupting the main gallery to the west is a “modern” addition, possibly dating between the Middle Ages and the Renaissance periods. Its construction coincides most likely with a change in use of the underground structure.
The beautiful fragment of a cipollino marble fluted column shaft leaning against the west wall of the cryptoporticus, on the right, was found in the infill during the excavation of the ventilation space behind the left wall. This architectural element might or might not pertain to one of the imperial estate’s buildings. The absence of a stratigraphic sequence of the infill and of archaeological data regarding the buildings above-ground, make it impossible to speculate about its provenance.
HTMLText_C106DFAB_D22B_6BF3_41DA_CD5E6EE45502_mobile.html =
Three original windows in a tapering shape, called “a bocca di lupo” (meaning wolf’s mouth,) are preserved on the south wall, at the barrel vault spring line. Today the windows are sealed to ensure climate control and to facilitate the conservation of the frescoes, but originally light and air entered from above, creating a pleasant environment.
In 1996-1998, a narrow corridor built against and parallel to the external side of the left wall was found during excavation. The structure lies ca. 1,30 m below the modern street paving and is divided in several small spaces covered by barrel vaults (see additional historical details “II – The cryptoporticus”). Its construction is contemporary to the cryptoporticus and served as insulation for the building. This type of arrangement was commonly adopted in classical period hypogeal (underground) structures to improve the climatic condition of buildings, as recommended by Vitruvius, a 1st century B.C. Roman architect, in his technical manual De Architectura (VII, 4).
HTMLText_D1E17175_C37A_49D5_41E6_BCF56485AEE0_mobile.html =
Welcome to the cryptoporticus of the Horti Sallustiani, the residence of Roman emperors from the first half of the 1st century A.D. until the early 5th century. The magnificent estate was situated in a deep valley between the Quirinal and Pincian Hills, an area covered by lush vegetation called collis hortulorum (the hill of gardens) (see additional historical details “I – History of the area”).
The structure, dated to the 1st century A.D., was originally below grade and was used to connect different areas of the Imperial property through richly decorated and pleasantly cooler passageways. As it appears today, the main gallery, north-east/south-west oriented, measures 10,90 meters in length and 4,20 meters in width and is interrupted at its end by a modern wall. The whole structure is in grade from west to east. At approximately 9 meters from the entrance, the cryptoporticus opens on the right into a side room and on the left in a small space that might have been a lateral corridor running towards the south.


Based on scientific evidence it is possible to identify at least four phases of transformation of the cryptoporticus. The first phase coincides with its construction. The frescoes in the left side room date to this period, between the Giulio-Claudian emperors and the third quarter of the 1st century A.D. The second phase corresponds with the creation of the frescoes we see today, which can be set at the end of the 2nd - beginning of the 3rd century A.D.); in the third, post-classical phase, the floor level was raised, and structural changes were made, possibly related to the agricultural use of the land. In the fourth phase, the structure was repurposed during the Renaissance as storage space serving the building above it, which likely explains its transformation into a room through the construction of a wall at the back end of the gallery.
The cryptoporticus was re-discovered accidentally and restored in 1949-1950, after the property was purchased by the U.S. Government. At the turn of the millennium, conservation became necessary again. Between 1996 and 1998, a major project including the conservation of the frescoes and archaeological excavation was carried out, allowing to gain a fresh insight into the history of the monument.
HTMLText_FE94548C_E15B_F091_41D7_3B69331BCE0F_mobile.html =
What today appears as a small, enclosed space was probably a side corridor. The ceiling in this space is definitely lower than that of the main gallery and of the room on the opposite side, which suggests it was located below a terracing existing on the southern side of the cryptoporticus. This hypothesis might be supported by the rediscovery of part of the typical outdoor Roman period paving made of bricks laid in a herringbone pattern, the so-called opus spicatum.
The space was entirely covered with frescoes and is dated between the Julio-Claudian period and the third quarter of the 1st century A.D., corresponding to the earliest phase of the cryptoporticus. The painted decoration represents, on an ivory background, an elegant shrine or aedicule, with its columns, the architrave in a perspective, and an acroterial statue, namely a sculpture installed on the pediment of a building’s roof. A long horizontal stem crosses the gold-color statue: it is a thyrsus, the staff carried by the god Dionysus that is normally enveloped by vine or ivy branches, here represented in a stylized way. Further to the right, hanging from the red band framing the scene at the top, another Dionysian attribute appears. It is the small tambourine, or oscillum, also connected to the Dionysiac cult. Under the architrave, a shoot with alternating red and blue wine leaves, extends in an arched line to the right.
HTMLText_6D8C66A7_4D8F_833C_41CF_FC9DA886546A.html =
THE CRYPTOPORTICUS OF THE HORTI SALLUSTIANI
at the Embassy of the United States of America in Rome


VIRTUAL TOUR
HTMLText_8C2969C8_911C_DC63_41CF_9CADE0540F08_mobile.html =
Additional Historical Details
HTMLText_6D8C66A7_4D8F_833C_41CF_FC9DA886546A_mobile.html =
THE CRYPTOPORTICUS
OF THE HORTI SALLUSTIANI
at the Embassy of the United States of America in Rome


VIRTUAL TOUR
HTMLText_8C2969C8_911C_DC63_41CF_9CADE0540F08.html =
Additional Historical Details
### Tooltip IconButton_2D97C1E8_0137_92C3_4171_3AC2C5B26E25_mobile.toolTip = Additional Historical Details IconButton_2D97C1E8_0137_92C3_4171_3AC2C5B26E25.toolTip = Additional Historical Details IconButton_52344940_5F01_EFC4_41CC_9E18548B3CCC_mobile.toolTip = Audio On/Off IconButton_52344940_5F01_EFC4_41CC_9E18548B3CCC.toolTip = Audio On/Off IconButton_D55F1DD7_C3BE_F92D_41B2_910BA2387631.toolTip = Cambia Lingua IconButton_D55F1DD7_C3BE_F92D_41B2_910BA2387631_mobile.toolTip = Cambia Lingua IconButton_52344940_5F01_EFC4_41CC_4A5BFB01C469.toolTip = Change Language IconButton_52344940_5F01_EFC4_41CC_4A5BFB01C469_mobile.toolTip = Change Language IconButton_4C18892B_2318_5440_41B7_16CC6075D709_mobile.toolTip = Credits IconButton_4C18892B_2318_5440_41B7_16CC6075D709.toolTip = Credits IconButton_2F7F96AA_0130_9144_413C_2D74965B64F0_mobile.toolTip = Help IconButton_2F7F96AA_0130_9144_413C_2D74965B64F0.toolTip = Help IconButton_8F3E195E_910C_7C1E_41D2_642607567D03.toolTip = Next Image IconButton_8F3E495E_910C_7C1E_41BF_8E87843A6A75.toolTip = Next Image IconButton_8F39E95F_910C_7C1E_41DD_D676DD3F292F.toolTip = Next Image IconButton_78C53339_9304_ED66_41DE_51224CAEEBB6.toolTip = Next Image IconButton_F85680A9_E16A_E71A_41DB_B1BA46EBF1A1.toolTip = Next Image IconButton_B02FDF1E_913C_75E0_417E_1438FA6F578C.toolTip = Next Image IconButton_B02F2F1E_913C_75E0_41E1_2A692BC8811F.toolTip = Next Image IconButton_B1FB0235_E0AB_2AD7_41CD_A3DB55CEDE4B.toolTip = Next Image IconButton_B19DCF64_E0AB_1975_41CF_AFD09CAE40A0.toolTip = Next Image IconButton_B2349D43_E0AB_1EB3_41B4_6D823E4C039F.toolTip = Next Image IconButton_9450765B_8B94_756A_41BD_A00AC3731C4B.toolTip = Next Image IconButton_9450465B_8B94_756A_41CE_8291CAD5C0B4.toolTip = Next Image IconButton_9453E65C_8B94_756E_41E0_C58C185601AA.toolTip = Next Image IconButton_B8CF2B15_9104_5DFA_41B3_D3E803155EA5.toolTip = Next Image IconButton_B8CF7B16_9104_5DE6_41E0_6CD9716942B4.toolTip = Next Image IconButton_B8CCBB16_9104_5DE6_41DC_C1C84A21C73C.toolTip = Next Image IconButton_C222003F_D8C6_FCF2_41CA_8C463214BD18.toolTip = Next Image IconButton_C579DE0C_D8C6_E496_41E0_1DE3D73C945B.toolTip = Next Image IconButton_9BB345F3_D8C2_278B_41E2_03F2FE843562.toolTip = Next Image IconButton_9BB385F3_D8C2_278B_41E4_27AE6F5AB15A.toolTip = Next Image IconButton_9BB3E5F3_D8C2_278B_41CD_F17666522692.toolTip = Next Image IconButton_8D6028D9_D8BE_2C9E_41B8_496E4F4190CB.toolTip = Next Image IconButton_8D60F8DA_D8BE_2C92_41E8_42F25F276BC9.toolTip = Next Image IconButton_8D5F58DB_D8BE_2C92_41C4_527AEB1A2E28.toolTip = Next Image IconButton_B7602441_D94E_3BD3_41D3_F398573431EB.toolTip = Next Image IconButton_BB088621_D94E_E753_41DB_9FCE5C35CE4F.toolTip = Next Image IconButton_BF136E19_9104_37FB_41C5_60347BC78512.toolTip = Next Image IconButton_BE7AFC14_9104_3BC9_41C2_3C97032C085F.toolTip = Next Image IconButton_FE96C489_E15B_F093_41A6_4A4871C768AC.toolTip = Next Image IconButton_FE96948A_E15B_F091_41E0_C78893D71E92.toolTip = Next Image IconButton_C62C80BA_E17E_90FD_41E8_5CCB33CDD8AA.toolTip = Next Image IconButton_C62CC0BA_E17E_90FD_41BF_FBE7735F450C.toolTip = Next Image IconButton_C62C10BB_E17E_90F3_41D5_FB47DA5FC911.toolTip = Next Image IconButton_C9F37341_E14A_918C_41D6_751EB9154069.toolTip = Next Image IconButton_C62C80BA_E17E_90FD_41E8_5CCB33CDD8AA_mobile.toolTip = Next Image IconButton_B2349D43_E0AB_1EB3_41B4_6D823E4C039F_mobile.toolTip = Next Image IconButton_B19DCF64_E0AB_1975_41CF_AFD09CAE40A0_mobile.toolTip = Next Image IconButton_FE96948A_E15B_F091_41E0_C78893D71E92_mobile.toolTip = Next Image IconButton_C62CC0BA_E17E_90FD_41BF_FBE7735F450C_mobile.toolTip = Next Image IconButton_C9F37341_E14A_918C_41D6_751EB9154069_mobile.toolTip = Next Image IconButton_9450765B_8B94_756A_41BD_A00AC3731C4B_mobile.toolTip = Next Image IconButton_9450465B_8B94_756A_41CE_8291CAD5C0B4_mobile.toolTip = Next Image IconButton_BB088621_D94E_E753_41DB_9FCE5C35CE4F_mobile.toolTip = Next Image IconButton_B7602441_D94E_3BD3_41D3_F398573431EB_mobile.toolTip = Next Image IconButton_BF136E19_9104_37FB_41C5_60347BC78512_mobile.toolTip = Next Image IconButton_C62C10BB_E17E_90F3_41D5_FB47DA5FC911_mobile.toolTip = Next Image IconButton_8F3E195E_910C_7C1E_41D2_642607567D03_mobile.toolTip = Next Image IconButton_8F3E495E_910C_7C1E_41BF_8E87843A6A75_mobile.toolTip = Next Image IconButton_8F39E95F_910C_7C1E_41DD_D676DD3F292F_mobile.toolTip = Next Image IconButton_78C53339_9304_ED66_41DE_51224CAEEBB6_mobile.toolTip = Next Image IconButton_F85680A9_E16A_E71A_41DB_B1BA46EBF1A1_mobile.toolTip = Next Image IconButton_B02FDF1E_913C_75E0_417E_1438FA6F578C_mobile.toolTip = Next Image IconButton_B02F2F1E_913C_75E0_41E1_2A692BC8811F_mobile.toolTip = Next Image IconButton_B1FB0235_E0AB_2AD7_41CD_A3DB55CEDE4B_mobile.toolTip = Next Image IconButton_BE7AFC14_9104_3BC9_41C2_3C97032C085F_mobile.toolTip = Next Image IconButton_FE96C489_E15B_F093_41A6_4A4871C768AC_mobile.toolTip = Next Image IconButton_C579DE0C_D8C6_E496_41E0_1DE3D73C945B_mobile.toolTip = Next Image IconButton_C222003F_D8C6_FCF2_41CA_8C463214BD18_mobile.toolTip = Next Image IconButton_9453E65C_8B94_756E_41E0_C58C185601AA_mobile.toolTip = Next Image IconButton_B8CF2B15_9104_5DFA_41B3_D3E803155EA5_mobile.toolTip = Next Image IconButton_B8CF7B16_9104_5DE6_41E0_6CD9716942B4_mobile.toolTip = Next Image IconButton_B8CCBB16_9104_5DE6_41DC_C1C84A21C73C_mobile.toolTip = Next Image IconButton_8D60F8DA_D8BE_2C92_41E8_42F25F276BC9_mobile.toolTip = Next Image IconButton_8D5F58DB_D8BE_2C92_41C4_527AEB1A2E28_mobile.toolTip = Next Image IconButton_9BB345F3_D8C2_278B_41E2_03F2FE843562_mobile.toolTip = Next Image IconButton_9BB385F3_D8C2_278B_41E4_27AE6F5AB15A_mobile.toolTip = Next Image IconButton_9BB3E5F3_D8C2_278B_41CD_F17666522692_mobile.toolTip = Next Image IconButton_8D6028D9_D8BE_2C9E_41B8_496E4F4190CB_mobile.toolTip = Next Image IconButton_D6DBD4D5_E799_2F71_4155_6C32614C9A8F.toolTip = Show Gallery IconButton_1962DE8F_05F8_8D1B_4191_1F1E75046A8F_mobile.toolTip = Show Gallery IconButton_109A273F_05F8_BB7B_416B_EE7FB6D863C4_mobile.toolTip = Show Gallery IconButton_10EEB4BF_05F8_BD7B_4193_2E51D54C83E8_mobile.toolTip = Show Gallery IconButton_109A5602_05F8_BD04_4190_434D9FBC596E_mobile.toolTip = Show Gallery IconButton_10EEB4BF_05F8_BD7B_4193_2E51D54C83E8.toolTip = Show Gallery IconButton_1962DE8F_05F8_8D1B_4191_1F1E75046A8F.toolTip = Show Gallery IconButton_109A5602_05F8_BD04_4190_434D9FBC596E.toolTip = Show Gallery IconButton_109A273F_05F8_BB7B_416B_EE7FB6D863C4.toolTip = Show Gallery IconButton_D6DBD4D5_E799_2F71_4155_6C32614C9A8F_mobile.toolTip = Show Gallery IconButton_77F7FA1B_F609_429C_41EB_1C887D934B8C_mobile.toolTip = Site plan IconButton_77F7FA1B_F609_429C_41EB_1C887D934B8C.toolTip = Site plan ## Tour ### Description ### Title tour.name = The cryptoporticus of the Horti Sallustiani - Virtual Tour